Male Subjectivity At The Margins
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Author | : Kaja Silverman |
Publisher | : Psychology Press |
Total Pages | : 468 |
Release | : 1992 |
Genre | : Masculinity |
ISBN | : 9780415904193 |
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Kaja Silverman |
Publisher | : Routledge |
Total Pages | : 468 |
Release | : 2017-09-25 |
Genre | : Social Science |
ISBN | : 1135200637 |
Through the examination of a range of literary and cinematic texts, from William Wyler's classic The Best Years of Our Lives to the novels of Henry James, Silverman offers a bold new look at masculinities which deviate from the social norm.
Author | : Kaja Silverman |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2013-11-19 |
Genre | : Psychology |
ISBN | : 1317795970 |
In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies.
Author | : Xueping Zhong |
Publisher | : Duke University Press |
Total Pages | : 228 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780822324423 |
A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.
Author | : Kaja Silverman |
Publisher | : Stanford University Press |
Total Pages | : 304 |
Release | : 2009-10-28 |
Genre | : Art |
ISBN | : 080477336X |
What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.
Author | : Calvin Thomas |
Publisher | : University of Illinois Press |
Total Pages | : 268 |
Release | : 1996 |
Genre | : Anxiety |
ISBN | : 9780252065002 |
According to Calvin Thomas, maybe he shouldn't. Maybe he should embrace his abjection - his cast-off, humiliated, and discounted status - as a way of renegotiating his identity and of interrupting the historical displacement of that status onto the feminine, or the marginalized other. This embrace of abjection, says Thomas, begins as a confrontation with the issue of the male body. The straight man, unfamiliar and unfriendly and uncomfortable with his body - the excretory, urinary, and seminal aspects of his body in particular - will find that Thomas's Male Matters explores the complicated relationships between masculinity and the male body, revealing the act and production of writing as a bodily, material process that transgresses the boundaries of gender.
Author | : Kaja Silverman |
Publisher | : NYU Press |
Total Pages | : 259 |
Release | : 1998-07-01 |
Genre | : Social Science |
ISBN | : 0814739709 |
A leading film theorist and a filmmaker discuss the lasting contributions of the most prominent living filmmaker, Jean Luc-Godard Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time.
Author | : bell hooks |
Publisher | : Simon and Schuster |
Total Pages | : 210 |
Release | : 2004-01-06 |
Genre | : Social Science |
ISBN | : 0743480333 |
From the New York Times bestselling author of All About Love, a brave and astonishing work that challenges patriarchal culture and encourages men to reclaim the best part of themselves. Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it’s so deeply ingrained in our society that it’s hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women.
Author | : Sharon Patricia Holland |
Publisher | : Duke University Press |
Total Pages | : 249 |
Release | : 2000-03-29 |
Genre | : Literary Criticism |
ISBN | : 0822380382 |
Raising the Dead is a groundbreaking, interdisciplinary exploration of death’s relation to subjectivity in twentieth-century American literature and culture. Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide. Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory. Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.
Author | : Berkeley Kaite |
Publisher | : Indiana University Press |
Total Pages | : 212 |
Release | : 1995-11-22 |
Genre | : Social Science |
ISBN | : 9780253115607 |
This study of pornographic magazine photographs -- softcore, hardcore, transsexual/transvestite -- analyzes the visual code of these images. It engages questions about masculinity and masculine sexuality such as "Is there a necessary relation between difference and phallic desire?" "Can the masculine subject imagine otherness?" "Is there a will-to-asceticism in this (masculine) sexual surrender to indifferentiation?"