Making Sense of Drama

Making Sense of Drama
Author: Jonothan Neelands
Publisher: Heinemann
Total Pages: 132
Release: 1984
Genre: Education
ISBN: 9780435186586

This book will give teachers from all subject areas the confidence to explore the possibilities of drama in the classroom.

Making Sense of the Senseless

Making Sense of the Senseless
Author: Ron D. Kingsley
Publisher: Xlibris Corporation
Total Pages: 372
Release: 2002-10
Genre: Psychology
ISBN: 1401068758

This book represents a culmination of research, thought, and clinical experience collected over the past 15 years. It was written to help those individuals who find themselves in the quandry of not demonstrating symptoms of sufficient intensity and/or severity to be recognized as obsessive and compuslive and yet they are. Such mild-moderate symptoms (Obsessive Compulsive Symptoms; OCS rather than OCD) are nevfertheless life interfering, distressing, anxiety and panic provoking, have secondary and tertiary symptoms causally linked to them such as depression, explosiveness, emotional instability and yet are very treatable. This book is for us all. May the information therein help you as it has been helping others well before the actual book was completed. Ron D. Kingsley

Making Sense of Evolution

Making Sense of Evolution
Author: John F. Haught
Publisher: Westminster John Knox Press
Total Pages: 185
Release: 2010-01-01
Genre: Religion
ISBN: 066423285X

Haught offers a provocative take on how reconciliation between evolution and Christian theology might begin, and questions whether the two concepts must be mutually exclusive.

Starting Drama Teaching

Starting Drama Teaching
Author: Mike Fleming
Publisher: Routledge
Total Pages: 258
Release: 2017-06-14
Genre: Drama
ISBN: 1315460556

Why teach drama? How can a newcomer teach drama successfully? How do we recognize quality in drama? Starting Drama Teaching is a comprehensive guide to the teaching of drama in schools. Exploring the aims and purposes of drama, it provides an insight into the theoretical perspectives that underpin practice alongside activities, example lesson plans and approaches to planning. Written in an accessible style, the book addresses such practical issues as setting up role play, how to inject depth into group drama, working with text, teaching playwriting, as well as common problems that arise in the drama classroom and how to avoid them. This fourth edition has been updated to reflect the latest educational thinking and developments in policy and includes: a new chapter on researching drama; an extra section on digital technology and drama; guidance on different approaches to drama; advice on how teachers can achieve and recognize quality work in drama; a discussion of drama concepts including applied theatre, ensemble and rehearsal approaches. Acting on the growing interest in drama both as a separate subject and as a teaching methodology, this book is full of sensible, practical advice for teachers using drama at all levels and in all kinds of different school contexts. Written by an internationally recognized leading name in drama education, this book is valuable reading for trainee teachers who are new to drama and teachers who wish to update and broaden their range.

Making Sense

Making Sense
Author: Sam Harris
Publisher: HarperCollins
Total Pages: 451
Release: 2020-08-11
Genre: Psychology
ISBN: 0062857800

A New York Times New and Noteworthy Book From the bestselling author of Waking Up and The End of Faith, an adaptation of his wildly popular, often controversial podcast “Sam Harris is the most intellectually courageous man I know, unafraid to speak truths out in the open where others keep those very same thoughts buried, fearful of the modish thought police. With his literate intelligence and fluency with words, he brings out the best in his guests, including those with whom he disagrees.” -- Richard Dawkins, author of The Selfish Gene “Civilization rests on a series of successful conversations.” —Sam Harris Sam Harris—neuroscientist, philosopher, and bestselling author—has been exploring some of the most important questions about the human mind, society, and current events on his podcast, Making Sense. With over one million downloads per episode, these discussions have clearly hit a nerve, frequently walking a tightrope where either host or guest—and sometimes both—lose their footing, but always in search of a greater understanding of the world in which we live. For Harris, honest conversation, no matter how difficult or controversial, represents the only path to moral and intellectual progress. This book includes a dozen of the best conversations from Making Sense, including talks with Daniel Kahneman, Timothy Snyder, Nick Bostrom, and Glenn Loury, on topics that range from the nature of consciousness and free will, to politics and extremism, to living ethically. Together they shine a light on what it means to “make sense” in the modern world.

On the Subject of Drama

On the Subject of Drama
Author: David Hornbrook
Publisher: Routledge
Total Pages: 220
Release: 2002-01-04
Genre: Education
ISBN: 1134702345

Although much has been written on how the drama elements of the English curriculum might be taught in schools, there is less guidance available for teachers who regard drama not as an adjunct of English but as an arts subject in its own right. In this volume, David Hornbrook and a team of experienced drama specialists show how the subject of drama may be defined and taught. Drawing on literature, visual art, music and dance as well as the rich and varied traditions of drama itself, they map out an eclectic subject curriculum for students of all ages. Opening up the field in new and exciting ways, the book embraces the widest possible range of dramatic knowledge and skills, from the Natyashastra of ancient India to contemporary classroom improvisation. The book is divided into three sections: The teaching and learning of drama: ideas about interculturalism, creativity and craft - key concepts informing the drama curriculum - are interrogated and re-theorised for the classroom. Making and performing drama in school: the fundamental processes of reading and writing plays for performance are explored, along with the potential of dance to enhance and extend students' experience of dramatic performance. Watching and understanding drama: ensuring the curriculum is appropriately balanced between the production and reception of drama, this last section emphasises the role of students as audience - for both live and electronic performances - and the development of a dramatic vocabulary.

The GCSE Drama Coursebook

The GCSE Drama Coursebook
Author: Andy Kempe
Publisher: Nelson Thornes
Total Pages: 256
Release: 2002
Genre: Juvenile Nonfiction
ISBN: 9780748767731

The GCSE Drama Coursebook is firmly based on practical explorations of how to make, perform and respond to drama. The resources used to stimulate drama are exciting and varied, ranging from photo-love stories and poems to fine art and contemporary plays.

Rest, Play, Grow

Rest, Play, Grow
Author: Deborah MacNamara
Publisher: Aona Management Incorporated
Total Pages: 0
Release: 2016
Genre: Family & Relationships
ISBN: 9780995051201

Using the relational development approach of Gordon Neufeld, the author offers a road map to making sense of the behavior of young children and understanding their developmental growth.

On the Subject of Drama

On the Subject of Drama
Author: David Hornbrook
Publisher: Routledge
Total Pages: 214
Release: 2002-01-04
Genre: Education
ISBN: 1134702353

Although drama is part of the National Curriculum for English at all Key Stages there is very little guidance for teachers on how it should be integrated into the curriculum Focuses on practical strategies for developing the drama curriculum in primary and secondary schools Provides a mix of theoretical and practical foundations. Complements 'Education and Dramatic Art'

Making Sense of Japanese

Making Sense of Japanese
Author: Jay Rubin
Publisher: Vertical Inc
Total Pages: 123
Release: 2021-01-26
Genre: Foreign Language Study
ISBN: 1568366086

Making Sense of Japanese is the fruit of one foolhardy American's thirty-year struggle to learn and teach the Language of the Infinite. Previously known as Gone Fishin', this book has brought Jay Rubin more feedback than any of his literary translations or scholarly tomes, "even if," he says, "you discount the hate mail from spin-casters and the stray gill-netter." To convey his conviction that "the Japanese language is not vague," Rubin has dared to explain how some of the most challenging Japanese grammatical forms work in terms of everyday English. Reached recently at a recuperative center in the hills north of Kyoto, Rubin declared, "I'm still pretty sure that Japanese is not vague. Or at least, it's not as vague as it used to be. Probably." The notorious "subjectless sentence" of Japanese comes under close scrutiny in Part One. A sentence can't be a sentence without a subject, so even in cases where the subject seems to be lost or hiding, the author provides the tools to help you find it. Some attention is paid as well to the rest of the sentence, known technically to grammarians as "the rest of the sentence." Part Two tackles a number of expressions that have baffled students of Japanese over the decades, and concludes with Rubin's patented technique of analyzing upside-down Japanese sentences right-side up, which, he claims, is "far more restful" than the traditional way, inside-out. "The scholar," according to the great Japanese novelist Soseki Natsume, is "one who specializes in making the comprehensible incomprehensible." Despite his best scholarly efforts, Rubin seems to have done just the opposite. Previously published in the Power Japanese series under the same title and originally as Gone Fishin' in the same series.