Mafia And Outlaw Stories From Italian Life And Literature
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| Author | : Robin Pickering-Iazzi |
| Publisher | : University of Toronto Press |
| Total Pages | : 193 |
| Release | : 2007-01-01 |
| Genre | : Social Science |
| ISBN | : 0802095615 |
The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga, Grazia Deledda, Anna Maria Ortese, Livia De Stefani, and Silvana La Spina, as well as famous witnesses such as Felicia Impastato, Letizia Battaglia, and Rita Atria who provide personal, often terrifying testimonies about their experiences with the Mafia. It is a historically diverse examination of criminal and outlaw institutions by some of the most significant figures in Italian literature. These newly translated writings show the ways in which Italians perceived and wrote about the Mafia and crime from the 1880s to the 1990s. Among them are stories dealing with the important legends used by the Mafia as sources for their image and ideology, legends such as the brigand and the Blessed Paulists. Some of the fascinating themes discussed are connections between the Mafia, the State, and the Catholic Church; the Mafia and children; women and the Mafia; the Black Hand; and relations between the Mafia and the Allied Forces during the Second World War. Robin Pickering-Iazzi incorporates an invaluable introduction that charts key periods in the history of Italy and the Mafia, and profiles each of the authors in the collection, noting their major works in Italian as well as those available in English. These and other features make this text especially appropriate for courses in Italian studies. Mafia and Outlaw Stories from Italian Life and Literature takes a unique and intriguing approach to the subject of the Mafia, and offers informed judgements about its historical impact on Italian society and culture.
| Author | : Robin Pickering-Iazzi |
| Publisher | : University of Toronto Press |
| Total Pages | : 285 |
| Release | : 2015-10-06 |
| Genre | : History |
| ISBN | : 1442625783 |
Using an array of cultural documents from 1990 to the present, including diaries, testimonies, fiction, online video postings, and anti-mafia social networks, Robin Pickering-Iazzi examines the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens. The Mafia in Italian Lives and Literature explores the ways that these literary engagements with the mafia relate to broader contemporary Italian life and offer implicit challenges, and a quiet code of resistance, to the trauma and injustice wrought by the mafia in various Italian cities. Despite the long tradition of representing the mafia in Italian literature, until now women’s contributions to this literature have been overlooked. Pickering-Iazzi’s aim is to encourage new critical reflection on a broader selection of literature through new theoretical lenses in order to enrich our understanding of crime fiction, Sicily and Sicilian identity in literature, narrative traits of the new Italian epic, and the cultural and social functions of storytelling in life and literature.
| Author | : Dana Renga |
| Publisher | : University of Toronto Press |
| Total Pages | : 459 |
| Release | : 2019-07-05 |
| Genre | : Performing Arts |
| ISBN | : 1487520131 |
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy's "other" mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called "Double Takes" that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
| Author | : Robin Pickering-Iazzi |
| Publisher | : University of Toronto Press |
| Total Pages | : 216 |
| Release | : 2017-03-17 |
| Genre | : History |
| ISBN | : 148751249X |
The past two decades have witnessed increasing opposition to mafia influence and activities in Italy. Community organizations such as Libera, founded in 1995, and Addiopizzo, originating in 2004, exemplify how Italian society has tried to come together to promote antimafia activities. The societal opposition to mafia influence continues to grow and the Internet has become a frontline in the battle between the two groups. The Italian Antimafia, New Media, and the Culture of Legality is the first book to examine the online battles between the mafia and its growing cohort of opponents. While the mafia’s supporters have used Internet technologies to expand its power, profits, and violence, antimafia citizens employ the same technologies to recreate Italian civil society. The contributors to this volume are experts in diverse fields and offer interdisciplinary studies of antimafia activism and legality in online journalism, Twitter, YouTube, digital storytelling, blogs, music, and photography. These examinations enable readers to understand the grassroots Italian cultural revolution, which makes individuals responsible for promoting justice, freedom, and dignity.
| Author | : Paula M. Salvio |
| Publisher | : University of Toronto Press |
| Total Pages | : 200 |
| Release | : 2017-10-31 |
| Genre | : Education |
| ISBN | : 1442622784 |
The Story-Takers charts new territory in public pedagogy through an exploration of the multiple forms of communal protests against the mafia in Sicily. Writing at the rich juncture of cultural, feminist, and psychoanalytic theories, Paula M. Salvio draws on visual and textual representations including shrines to those murdered by the mafia, photographs, and literary and cinematic narratives, to explore how trauma and mourning inspire solidarity and a quest for justice among educators, activists, artists, and journalists living and working in Italy. Salvio reveals how the anti-mafia movement is being brought out from behind the curtains, with educators leading the charge. She critically analyses six cases of communal acts of anti-mafia solidarity and argues that transitional justice requires radical approaches to pedagogy that are best informed by journalists, educators, and activists working to remember, not only victims of trauma, but those who resist trauma and violence.
| Author | : Alessandra Montalbano |
| Publisher | : University of Toronto Press |
| Total Pages | : 243 |
| Release | : 2023-12-18 |
| Genre | : History |
| ISBN | : 1487546874 |
For over thirty years, modern Italy was plagued by ransom kidnappings perpetrated by bandits and organized crime syndicates. Nearly 700 men, women, and children were abducted from across the country between the late 1960s and the late 1990s, held hostage by members of the Sardinian banditry, Cosa Nostra, and the ’Ndrangheta. Subjected to harsh captivities and psychological abuse, the victims spent months and even years in isolation while law enforcement and the state struggled to find them. Ransom Kidnapping in Italy examines this Italian criminal phenomenon. Alessandra Montalbano argues that abduction is a key vantage point from which to understand modern Italy: it troubled the law, terrified society, ignited juridical and parliamentary debates, and mobilized citizens. Bringing together archival and media materials with the victims’ accounts and diverse forms of cultural response, the book examines ransom kidnapping through the lenses of historiography, law, literary criticism, trauma studies, phenomenology, and political philosophy. Ransom Kidnapping in Italy traces how and at what price Italians became aware of living in a country that was being blackmailed by criminal organizations that arguably jeoparded the nation even more than terrorism.
| Author | : Robin Healey |
| Publisher | : University of Toronto Press |
| Total Pages | : 1104 |
| Release | : 2019-03-14 |
| Genre | : Literary Criticism |
| ISBN | : 1487531907 |
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
| Author | : Michael Hviid Jacobsen |
| Publisher | : Routledge |
| Total Pages | : 332 |
| Release | : 2016-02-24 |
| Genre | : Social Science |
| ISBN | : 131702110X |
The Poetics of Crime provides an invitation to reconsider and reimagine how criminological knowledge may be creatively and poetically constructed, obtained, corroborated and applied. Departing from the conventional understanding of criminology as a discipline concerned with refined statistical analyses, survey methods and quantitative measurements, this book shows that criminology can - and indeed should - move beyond such confines to seek sources of insight, information and knowledge in the unexplored corners of poetically and creatively inspired approaches and methodologies. With chapters illustrating the ways in which criminologists and other researchers or practitioners working on crime-related questions can find inspiration in a variety of unconventional materials, writing styles and analytical strategies, The Poetics of Crime offers studies of police photography, classic and contemporary literature, silver screen movies, performative dance enactments and media images. As such, this volume opens up the field of criminological research to alternative and novel sources of knowledge about crime, its perpetrators and victims, authorities, motives and justice. It will therefore appeal not only to sociologists, social theorists and criminologists, but to scholars across disciplines with interests in crime, deviance and innovative approaches to social research.
| Author | : Mattia Roveri |
| Publisher | : Springer Nature |
| Total Pages | : 395 |
| Release | : 2020-12-22 |
| Genre | : History |
| ISBN | : 3030571610 |
This book sheds new light on the role of the military in Italian society and culture during war and peacetime by bringing together a whole host of contributors across the interdisciplinary spectrum of Italian Studies. Divided into five thematic units, this volume examines the continuous and multifaceted impact of the military on modern and contemporary Italy. The Italian context offers a particularly fertile ground for studying the cultural impact of the military because the institution was used not only for defensive/offensive purposes, but also to unify the country and to spread ideas of socio-cultural and technological development across its diverse population.
| Author | : Dana Renga |
| Publisher | : University of Toronto Press |
| Total Pages | : 265 |
| Release | : 2013-01-01 |
| Genre | : Performing Arts |
| ISBN | : 1442615583 |
Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy. Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished.
