French Women of Letters: Biographical Sketches: Madame de Genlis. Madame de Charrière. Madame de Krüdener. Madame Cottin. Madame de Staël

French Women of Letters: Biographical Sketches: Madame de Genlis. Madame de Charrière. Madame de Krüdener. Madame Cottin. Madame de Staël
Author: Julia Kavanagh
Publisher: Franklin Classics Trade Press
Total Pages: 342
Release: 2018-11-11
Genre: History
ISBN: 9780353373402

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The politics of writing: Julia Kavanagh, 1824–77

The politics of writing: Julia Kavanagh, 1824–77
Author: Eileen Fauset
Publisher: Manchester University Press
Total Pages: 449
Release: 2013-07-19
Genre: Literary Collections
ISBN: 1847795269

Julia Kavanagh was a popular and internationally published writer of the mid-nineteenth century whose collective body of work included fiction, biography, critical studies of French and English women writers, and travel writing. In this critically engaged study Eileen Fauset sees Kavanagh as a significant but neglected writer and returns her to her proper place in the history of women's writing. With few known primary sources to go on, the author manages, through her skilful selection of letters, official documents and historical commentary, to piece together some of the jigsaw of Kavanagh's life. Throughout this study, the biographical element informs and directs discussion of Kavanagh's writing itself. What emerges is a succinct and telling portrait of a woman who, through a desire to write, acquired both economic independence and a means through which she could voice her sexual politics. Eileen Fauset challenges the historical attitudes to 'popular romance', a genre read mainly by women and generally discounted as simple entertainment. She argues that in Kavanagh's novels romance is often the pivot around which issues of cultural and sexual difference are examined, a perspective that, invariably, also informed Kavanagh's non-fiction. It will appeal to academics, students and enthusiasts of Victorian literature and women's writing.