Mad Toffs The British Upper Classes At Their Best And Worst
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Author | : Patrick Scrivenor |
Publisher | : Metro Publishing |
Total Pages | : 172 |
Release | : 2016-11-03 |
Genre | : Humor |
ISBN | : 1784188700 |
‘This book is a record of the British upper classes – and a few others – at their best (sometimes their worst), displaying a sort of unhinged blitheness of manner that leads them to say and do strangely unexpected things. It is a quality of innocent insolence, or maybe guileless arrogance, which belongs only to the very rich, the very privileged and the very idle.’ Consider the duke who, on being told by his butler that there was no bread, demanded to know why he had not been brought toast, or the earl whose passion for his good-looking young footmen led to their tinkling with the jewellery he had given them. Or the duke who, when it was tentatively suggested that he might, as an economy, dispense with one of his six chefs – the pastry cook – gazed bleakly at his straitened future and asked plaintively, ‘Can’t a chap have a biscuit?’ Patrick Scrivenor has combed the annals of the British aristocracy to provide an illuminating – and wildly funny – portrait of people who, though often talented in their own fields, courteous and well-meaning, generous and even liberal-minded, none the less display a certain disconnectedness from the realities that tend to afflict the less elevated echelons of society. The result is clear evidence that what many call ‘eccentricity’, the more rational would probably describe as ‘plain bonkers’. Whether you aspire to the upper reaches of the Establishment yourself, or long for the Revolution and the tumbrils carrying the toffs to their horrible fate, this is a book to amuse, delight, mystify, amaze and, occasionally, outrage any reader.
Author | : Cary Cooper |
Publisher | : Kogan Page Publishers |
Total Pages | : 361 |
Release | : 2019-10-03 |
Genre | : Business & Economics |
ISBN | : 0749493216 |
WINNER: American Book Fest Best Book Award 2020 - Communications/Public Relations WINNER: NYC Big Book Award 2020 - Marketing and Public Relations Saying sorry is in crisis. On one hand there are anxious PR aficionados and social media teams dishing out apologies with alarming frequency. On the other there are people and organizations who have done truly terrible things issuing much-delayed statements of mild regret. We have become addicted to apologies but immune from saying sorry. In January 2018 there were 35 public apologies from high-profile organizations and individuals. That's more than one per day. Between them, in 2017, the likes of Facebook, Mercedes Benz and United Airlines issued over 2,000 words of apologies for their transgressions. Alarmingly, the word 'sorry' didn't appear once. This perfectly timed book examines the psychology, motivations and even the economic rationale of giving an apology in the age of outrage culture and on-demand contrition. It reveals the tricks and techniques we all use to evade, reframe and divert from what we did and demonstrates how professionals do it best. Providing lessons for businesses and organizations, you'll find out how to give meaningful apologies and know when to say sorry, or not say it at all. The Apology Impulse is the perfect playbook for anyone - from social media executive through to online influencers and CEOs - who apologise way too much and say sorry far too infrequently.
Author | : Iris Murdoch |
Publisher | : Random House |
Total Pages | : 624 |
Release | : 2010-04-01 |
Genre | : Fiction |
ISBN | : 1407019317 |
It's the midsummer ball at Oxford, and a group of men and women - friends since university days - have gathered under the stars. Included in this group is David Crimond, a genius and fervent Marxist. Years earlier the friends had persuaded David to write a philosophical and political book on their behalf. But opinions and loyalties have changed, and on this summer evening the long-resting ghosts of the past come careering back into the present.
Author | : Tracy Hargreaves |
Publisher | : A&C Black |
Total Pages | : 100 |
Release | : 2001-09-01 |
Genre | : Literary Criticism |
ISBN | : 9780826453204 |
This series gives readers accessible and informative introductions to 30 of the most popular, most acclaimed and most influential contemporary novels. Each title includes a biography of the novelist and a full-length study of the novel.
Author | : |
Publisher | : |
Total Pages | : 828 |
Release | : 1986 |
Genre | : English wit and humor |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 672 |
Release | : 1912 |
Genre | : Socialism |
ISBN | : |
Author | : Owen Jones |
Publisher | : Verso Books |
Total Pages | : 337 |
Release | : 2020-10-27 |
Genre | : Political Science |
ISBN | : 1839760923 |
In modern Britain, the working class has become an object of fear and ridicule. From Little Britain’s Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs. In this acclaimed investigation, Owen Jones explores how the working class has gone from “salt of the earth” to “scum of the earth.” Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.
Author | : Henry Mayhew |
Publisher | : |
Total Pages | : 892 |
Release | : 1986 |
Genre | : Caricatures and cartoons |
ISBN | : |
Author | : Thomas Frank |
Publisher | : Picador |
Total Pages | : 340 |
Release | : 2007-04-01 |
Genre | : Political Science |
ISBN | : 1429900326 |
One of "our most insightful social observers"* cracks the great political mystery of our time: how conservatism, once a marker of class privilege, became the creed of millions of ordinary Americans With his acclaimed wit and acuity, Thomas Frank turns his eye on what he calls the "thirty-year backlash"—the populist revolt against a supposedly liberal establishment. The high point of that backlash is the Republican Party's success in building the most unnatural of alliances: between blue-collar Midwesterners and Wall Street business interests, workers and bosses, populists and right-wingers. In asking "what 's the matter with Kansas?"—how a place famous for its radicalism became one of the most conservative states in the union—Frank, a native Kansan and onetime Republican, seeks to answer some broader American riddles: Why do so many of us vote against our economic interests? Where's the outrage at corporate manipulators? And whatever happened to middle-American progressivism? The questions are urgent as well as provocative. Frank answers them by examining pop conservatism—the bestsellers, the radio talk shows, the vicious political combat—and showing how our long culture wars have left us with an electorate far more concerned with their leaders' "values" and down-home qualities than with their stands on hard questions of policy. A brilliant analysis—and funny to boot—What's the Matter with Kansas? presents a critical assessment of who we are, while telling a remarkable story of how a group of frat boys, lawyers, and CEOs came to convince a nation that they spoke on behalf of the People. *Los Angeles Times
Author | : |
Publisher | : |
Total Pages | : 104 |
Release | : 1995-05-29 |
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.