Lyrics Chinese
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A Further Collection of Chinese Lyrics
| Author | : Alan Ayling |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2022-05-18 |
| Genre | : Social Science |
| ISBN | : 1000583120 |
This book, first published in 1969, builds on the authors’ first selection and contains a selection of Chinese lyrics (tz’u) mainly from Sung Dynasty poets who made this verse-form lastingly popular. Two of these poets, Su Shih and Hsin Ch’i Chi, add a fresh and robust note to the traditional theme of nostalgia and separation. As in the previous volume, the Chinese original, written with a scholar’s brush, faces the English translation.
The Chinese Lyric Sequence
| Author | : JOSEPH R. ALLEN |
| Publisher | : |
| Total Pages | : 412 |
| Release | : 2020-03-25 |
| Genre | : |
| ISBN | : 9781621964780 |
This study looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former.
Chinese Lexical Semantics
| Author | : Minghui Dong |
| Publisher | : Springer |
| Total Pages | : 785 |
| Release | : 2016-11-23 |
| Genre | : Computers |
| ISBN | : 3319495089 |
This book constitutes the thoroughly refereed post-workshop proceedings of the 17th Chinese Lexical Semantics Workshop, CLSW 2016, held in Singapore, Singapore, in May 2016. The 70 regular papers included in this volume were carefully reviewed and selected from 182 submissions. They are organized in topical sections named: lexicon and morphology, the syntax-semantics interface, corpus and resource, natural language processing, case study of lexical semantics, extended study and application.
Classical Chinese Literature: From antiquity to the Tang dynasty
| Author | : John Minford |
| Publisher | : Columbia University Press |
| Total Pages | : 1252 |
| Release | : 2002 |
| Genre | : Education |
| ISBN | : 9780231096775 |
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
The Poetics of Repetition in English and Chinese Lyric Poetry
| Author | : Cecile Chu-chin Sun |
| Publisher | : University of Chicago Press |
| Total Pages | : 301 |
| Release | : 2011-01-15 |
| Genre | : Education |
| ISBN | : 0226780201 |
In this pioneering book, Cecile Chu-chin Sun establishes a sound and effective comparative methodology by using a multifaceted understanding of the concept of repetitionùnot merely a recurrence of words and imagesùas a key perspective from which to compare the poetry and poetics from these two traditions. --
An Introduction to Chinese Poetry
| Author | : Michael Fuller |
| Publisher | : BRILL |
| Total Pages | : 496 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684175836 |
"This innovative textbook for learning classical Chinese poetry moves beyond the traditional anthology of poems translated into English and instead brings readers—including those with no knowledge of Chinese—as close as possible to the texture of the poems in their original language. The first two chapters introduce the features of classical Chinese that are important for poetry and then survey the formal and rhetorical conventions of classical poetry. The core chapters present the major poets and poems of the Chinese poetic tradition from earliest times to the lyrics of the Song Dynasty (960–1279).Each chapter begins with an overview of the historical context for the poetry of a particular period and provides a brief biography for each poet. Each of the poems appears in the original Chinese with a word-by-word translation, followed by Michael A. Fuller’s unadorned translation, and a more polished version by modern translators. A question-based study guide highlights the important issues in reading and understanding each particular text.Designed for classroom use and for self-study, the textbook’s goal is to help the reader appreciate both the distinctive voices of the major writers in the Chinese poetic tradition and the grand contours of the development of that tradition."
Gendered Persona and Poetic Voice
| Author | : Maija Bell Samei |
| Publisher | : Lexington Books |
| Total Pages | : 242 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780739107126 |
Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language, resulting in a consideration of persona and poetic voice of interest to scholars of lyric poetry in any language.
How to Read Chinese Poetry
| Author | : Zong-qi Cai |
| Publisher | : Columbia University Press |
| Total Pages | : 456 |
| Release | : 2008-01-22 |
| Genre | : Poetry |
| ISBN | : 0231139403 |
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
