Ludwig Van Beethoven - 25 Schottische Lieder - Op. 108 - A Score for Voice, Piano, Cello and Violin

Ludwig Van Beethoven - 25 Schottische Lieder - Op. 108 - A Score for Voice, Piano, Cello and Violin
Author: Ludwig Van Beethoven
Publisher: Read Books Ltd
Total Pages: 71
Release: 2016-05-20
Genre: Music
ISBN: 1473363225

This volume presents the scores for Beethoven's “25 Scottische Lieder, Op. 108”; or, “25 Scottish Songs”. Composed between 1815–18, these dual English- and German-language folk songs were written for one or two voices to be accompanied by piano, cello, and violin. The songs include: “Music, Love and Wine – Musik, Liebe, und Wein”, “Sunset – Der Abend”, “Oh Sweet Were the Hours”, “O Koestliche Zeit”, “The Maid if Isla – Das Islamaegdlein”, “The Sweetest Lad Was Jamie – Der Schoenste Bub' war Henny”, “Dim, Dim is My Eye – Trueb',Trueb' ist mein Auge”, and more. Ludwig van Beethoven (1770 – 1827) was a seminal German composer. He had a significant influence on the transition from the Classical to the Romantic era of music, and to this day he is considered to be one the most celebrated and important composers of all time. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

Library of Congress Catalog

Library of Congress Catalog
Author: Library of Congress
Publisher:
Total Pages: 1114
Release: 1958
Genre: Music
ISBN:

A cumulative list of works represented by Library of Congress printed cards.

The Critical Reception of Beethoven's Compositions by His German Contemporaries

The Critical Reception of Beethoven's Compositions by His German Contemporaries
Author: Wayne M. Senner
Publisher: U of Nebraska Press
Total Pages: 296
Release: 1999-05-25
Genre: Music
ISBN: 9780803212503

Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.