Download Ludlow Hall Romances23 full books in PDF, epub, and Kindle. Read online free Ludlow Hall Romances23 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Susanna Fein |
| Publisher | : Boydell & Brewer |
| Total Pages | : 268 |
| Release | : 2016 |
| Genre | : Literary Criticism |
| ISBN | : 1903153654 |
Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period.
| Author | : Siobhain Bly Calkin |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2013-11-05 |
| Genre | : Literary Criticism |
| ISBN | : 1135471711 |
This book explores the ways in which discourses of religious, racial, and national identity blur and engage each other in the medieval West. Specifically, the book studies depictions of Muslims in England during the 1330s and argues that these depictions, although historically inaccurate, served to enhance and advance assertions of English national identity at this time. The book examines Saracen characters in a manuscript renowned for the variety of its texts, and discusses hagiographic legends, elaborations of chronicle entries, and popular romances about Charlemagne, Arthur, and various English knights. In these texts, Saracens engage issues such as the demarcation of communal borders, the place of gender norms and religion in communities' self-definitions, and the roles of violence and history in assertions of group identity. Texts involving Saracens thus serve both to assert an English identity, and to explore the challenges involved in making such an assertion in the early fourteenth century when the English language was regaining its cultural prestige, when the English people were increasingly at odds with their French cousins, and when English, Welsh, and Scottish sovereignty were pressing matters.
| Author | : Richard Firth Green |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 520 |
| Release | : 2002-05 |
| Genre | : History |
| ISBN | : 9780812218091 |
"Green's work is of the greatest importance for the understanding of a crucial period in the history of English writing and institutions, and a crucial shift in patterns of cognition."—Derek Pearsall, Harvard University
| Author | : MacEdward Leach |
| Publisher | : Early English Text Society |
| Total Pages | : 240 |
| Release | : 2001-05 |
| Genre | : Literary Criticism |
| ISBN | : 9780859919371 |
| Author | : Arthur Bahr |
| Publisher | : University of Chicago Press |
| Total Pages | : 296 |
| Release | : 2013-03-04 |
| Genre | : History |
| ISBN | : 0226924912 |
In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city’s literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London’s literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manuscript of texts in Middle English, and Chaucer’s Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manuscript scholars.
| Author | : Geraldine Heng |
| Publisher | : Columbia University Press |
| Total Pages | : 550 |
| Release | : 2003 |
| Genre | : Education |
| ISBN | : 9780231125260 |
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
| Author | : Ardis Butterfield |
| Publisher | : OUP Oxford |
| Total Pages | : 480 |
| Release | : 2009-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 0191610305 |
The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of 'nation' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d'Arc and by Shakespeare's Henry V. She considers authors writing in French, 'Anglo-Norman', English, and the comic tradition of Anglo-French 'jargon', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d'Orléans, as well as many lesser-known or anonymous works. Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that a modern understanding of what 'English' might have meant in the fourteenth century cannot be separated from 'French', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.
| Author | : Thorlac Turville-Petre |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : |
England the Nation is the first book to pay detailed attention to the earlier fourteenth century in England as a literary period in its own right. Thorlac Turville-Petre surveys the wide range of writings by the generation before Chaucer, and explores how English writers in the half-century leading up to the outbreak of the Hundred Years War expressed their concepts of England as a nation, and how they exploited the association between nation, people, and language. At the centre of Turville-Petre's work is a study of the construction of national identity that takes place in the histories written in English. The contribution of romances and saints' lives to an awareness of the nation's past are also considered, as in the questions of how writers were able to reconcile their sense of regional identity with commitment to the nation. A final chapter explores the interrelationship between England's three languages - Latin, French, and English - at a time when English was attaining the status of the national language, Middle English quotations are glossed or translated into modern English throughout. England the Nation takes the current debate on nationalism into a new area, and will be of interest to anyone studying medieval English literature and history, as well as the development of nationalism, and the rise of English as a national language.
| Author | : Geoffrey Baker |
| Publisher | : Boydell Press |
| Total Pages | : 185 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 1843836912 |
Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber. Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. It starts in a low key, copying an earlier chronicle, but by the end of Edward II's reign he offers a much more vivid account. His description of Edward II's last days is partly based on the eyewitness account of his patron, Sir Thomas de la More, who was present at one critical interview. Baker's story of Edward's death, like many other details from his chronicle, was picked up by Tudor historians, particularly by Holinshed, who was the source for Shakespeare's history plays. The reign of Edward III is dominated, not by Edward III himself, but by Baker's real hero, Edward prince of Wales. His bravery aged 16 at Crécy is presented as a prelude to his victory at Poitiers, a battle which Baker is able to describe in great detail, apparently from what he was told by the prince's commanders. It is a rarity among medieval battles, because - in sharp contrast to the total anarchy at Crécy - the prince and his staff were able to see the enemy's manoeuvres. Throughout the chronicle there are sharply defined vignetteswhich stay in the mind - the killing of the Scottish champion on Halidon Hill, the drowning of Sir Edward Bohun, the earls of Salisbury and Suffolk as prisoners carried in a cart, the death of Sir Walter Selby and his two sons, the bravery of Sir Thomas Dagworth against a cobbler's son, the duel between Otho and the duke of Lancaster, John Dancaster and the lewd washerwoman. Baker writes in a complex Latin which even scholars find problematic, and David Preest's new translation will be widely welcomed by anyone interested in the fourteenth century. There are extensive notes and an introduction by Richard Barber.
| Author | : Ralph Hanna |
| Publisher | : Stanford University Press |
| Total Pages | : 398 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780804726139 |
This volume argues through a series of selected local studies, for the importance of "textual criticism" as a fundamental act of historical interpretation and recovery, pointing out the need for attention to the physical bearers of our knowledge of the English Middle Ages, the books themselves, and the ignored and alienating features of manuscript culture. The book begins with three essays that seek to problematize medieval book production, to show the procedure as more a fluid and emergent than a foreplanned process. The following two essays provide theoretical statements about the textual uses of manuscripts.
