Luca Giordano 1634 1705
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The Later Italian Pictures in the Collection of Her Majesty the Queen
Author | : Michael Levey |
Publisher | : |
Total Pages | : 396 |
Release | : 1991 |
Genre | : Art |
ISBN | : 9780521263283 |
This is a revised and greatly expanded edition of a book first published in 1964 by Phaidon Press, and it catalogues in detail over 350 pictures painted since c. 1600. It thus complements The Early Italian Pictures by John Shearman which was published by Cambridge in 1983. The catalogue includes the work of many great painters - Domenichino, Guercino, Guido Reni, Batoni, the two Ricci, Annibale Carracci, Zuccarelli and a famous, unrivalled group of paintings by Canaletto, most of which were commissioned directly from the artist by Joseph Smith and subsequently bought with the rest of his collection by George III. A long introduction traces the history from Charles I onwards of English royal interest in Italian pictures of the seventeenth- and eighteenth-centuries.
We are All Flesh
Author | : Berlinde de Bruyckere |
Publisher | : Mer |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art and literature |
ISBN | : 9789490693909 |
Berlinde De Bruyckere's work prompts the viewer to respond. That is why it has a particular appeal for writers of literature: they are fascinated by the compositions of distorted parts of humans and horses that refer to horror and comfort, to a cruel death and the sublime. De Bruyckere empties the bodies. Through holes, the public notices the darkness of a world inside that both appeals and repels. There is space around her work that resonates and in which writers can indulge in creativity -not by writing about objects, but by juxtaposing the work with creative texts. The author does not remove meanings of the work by trying to explain it, but rather adds to its meaning by responding to art with art. Nobel Prize winner J.M. Coetzee rises to this challenge: together with De Bruyckere he has chosen fragments from his impassioned and unsettling novels that are full of great beauty. Thus, the two present a composition of texts and images that from inside illuminates the dark world of their work.
European Drawings
Author | : J. Paul Getty Museum |
Publisher | : |
Total Pages | : 380 |
Release | : 1988 |
Genre | : Drawing |
ISBN | : |
A Taste for Angels
Author | : Judith Colton |
Publisher | : Yale Univ Art Gallery |
Total Pages | : 355 |
Release | : 1987 |
Genre | : Art |
ISBN | : 9780894670466 |
Italian Paintings in the Norton Simon Museum
Author | : Norton Simon Museum (Pasadena, Calif.) |
Publisher | : Norton Simon Distribution |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Painting |
ISBN | : 9780300250497 |
"The preeminent collector Norton Simon amassed more than 100 Italian paintings during his 35-year career, and today they stand among the treasures of the Norton Simon Museum. In this catalogue noted art historian Sir Nicholas Penny pairs 47 paintings from the 17th and 18th centuries with in-depth commentary, skillfully interweaving tales from the artists' lives, observations on the artists' influences and patronage, and technical notes"--
Treasures from the Royal Collection
Author | : Queen's Gallery (London, England) |
Publisher | : |
Total Pages | : 168 |
Release | : 1988 |
Genre | : Antiquities |
ISBN | : |
Donated: The Margaret A. Bailey Art Collection.
Italian Masters from Spain's Royal Court
Author | : Miguel Falomir |
Publisher | : |
Total Pages | : 313 |
Release | : 2014 |
Genre | : Art, Italian |
ISBN | : 9780724103843 |
This publication presents works by more than seventy artists, including Michelangelo, Raphael, Correggio, Titian, Tintoretto, the Carracci, Poussin and Tiepolo. Their inclusion reflects the taste of the Spanish Royal Court, whose kings, queens, princes and courtiers avidly collected Italian art. Many of these works are at the heart of the Prado's collection. Featuring essays by internationally respected curators and writers, Italian Masterpieces from Spain's Royal Court is a panoramic volume that traces the astounding stylistic development of Italian art across three centuries. Traces fascinating story of Italian art across three centuries. Features essays by international respected curators. Quality reproductions of works that are at the heart of Prado's collection. Published to coincide with the exhibition Italian Masterpieces from Spain's Royal Court, Museo del Prado to be held at NGV International, 16 May - 31 August 2014
The Quarrel of the Age
Author | : A. C. Grayling |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 399 |
Release | : 2001 |
Genre | : Authors, English |
ISBN | : 9781842124963 |
William Hazlitt is England's greatest essayist. He was also a philosopher, a painter, a controversialist and a radical, whose critical writings about literature, the theatre and art were ardently admired in his day. He is the author of the first confessional autobiography of sexual passion, a biographer of Napoleon, a friend of, and profound influence upon, Keats, Stendhal, and Charles Lamb, a friend and later enemy of Coleridge, Wordsworth, and De Quincy, and a key figure in the intellectual life of Regency England. His life was lived against the backdrop of the French Revolution and subsequent Revolutionary and Napoleonic Wars, with their associated political and literary radicalism in England.
Ground Layers in European Painting 1550-1750
Author | : Anne Haack Christensen |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Painting |
ISBN | : 9781909492790 |
Most of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the colored ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins with several studies on the documentation of grounds. The contributions are then arranged according to the country in which the painter was active, from southern Europe moving northwards. The lavishly illustrated contributions in this volume deal with the above questions and shed light on different methods of preparing painting supports, the purpose of preparatory layers, materials used in different countries and influence of shifts in fashion or availability of materials on ground layers. This fifth CATS Proceedings will be of interest to scholars and students, and museum professionals including curators, conservators, art historians and conservation scientists.