Catalogue of the Library
Author | : Mercantile Library Association (San Francisco, Calif.) |
Publisher | : |
Total Pages | : 976 |
Release | : 1874 |
Genre | : Library catalogs |
ISBN | : |
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Author | : Mercantile Library Association (San Francisco, Calif.) |
Publisher | : |
Total Pages | : 976 |
Release | : 1874 |
Genre | : Library catalogs |
ISBN | : |
Author | : Mercantile Library Association (San Francisco, Calif.). Library |
Publisher | : |
Total Pages | : 976 |
Release | : 1874 |
Genre | : Catalogs, Dictionary |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 970 |
Release | : 2023-05-17 |
Genre | : Fiction |
ISBN | : 3382507129 |
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : Jesse G. Swan |
Publisher | : Rowman & Littlefield |
Total Pages | : 292 |
Release | : 2013-12-12 |
Genre | : Literary Criticism |
ISBN | : 161148541X |
Central to all post-Renaissance scholarship, textual studies continues to evolve, both in its techniques and methods as well as in the illumination it affords all other areas of modern knowledge. The life of our fellow human beings, and how we know and tell lives, is one such area of modern knowledge that is foundationally affected by theories and practices of textual creation, transmission, and apprehension. This collection of new essays and studies by internationally acclaimed scholars, along with a select few who are less acclaimed but of distinct promise, provides a view into the contemporary state of scholarship in textual and biographical studies. The collection also means to be of especial interest to scholars of the British eighteenth century, by concentrating its evidence and argument on topics and subjects important to contemporary eighteenth-century studies. The volume is inspired by the extensive contributions to the fields by the late O M Brack, Jr.
Author | : Mercantile Library Association (San Francisco, Calif.) |
Publisher | : |
Total Pages | : 490 |
Release | : 1874 |
Genre | : Dictionary catalogs |
ISBN | : |
Author | : Emanuel Stelzer |
Publisher | : Skenè. Texts and Studies |
Total Pages | : 279 |
Release | : 2022-12-15 |
Genre | : Language Arts & Disciplines |
ISBN | : |
This volume aims at providing a comprehensive view of the performative as well as heuristic potentialities of the theatrical paradox in early modern plays. We are interested in discussing the functions and uses of paradoxes in early modern English drama by investigating how classical paradoxes were received and mediated in the Renaissance and by considering authors’ and playing companies’ purposes in choosing to explore the questions broached by such paradoxes. The book is articulated into three sections: the first, “Paradoxes of the Real”, is devoted to a theoretical investigation of the dramatic uses of paradoxes; the second, “Staging Mock Encomia” looks at the multiple dramatic functions of mock encomia and at the specific situations in which paradoxical praises were inserted in early modern plays; finally, the essays in “Paradoxical Dialogues” examine the connections between a number of early modern mock encomia and ancient or contemporary models.
Author | : Andrew Bennett |
Publisher | : Cambridge University Press |
Total Pages | : 288 |
Release | : 1999-12-02 |
Genre | : Literary Criticism |
ISBN | : 1139426052 |
This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.