Love In Contemporary Cinema
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| Author | : Benjamín de la Pava Vélez |
| Publisher | : Routledge |
| Total Pages | : 246 |
| Release | : 2021-07-18 |
| Genre | : Social Science |
| ISBN | : 1000409481 |
This book looks at social representations of romantic love as portrayed in films and interpreted by their audiences, using cinema as a means for analysing the state of romantic love today, and the touchpoints and disconnects between its representation on screen and the lived experiences of film audiences. Through a media sociology lens, the book draws on analysis of five contemporary romantic films and the meanings brought to and made from them by socially and economically diverse audiences. Employing both textual analysis and primary interviews, the book contests overly pessimistic perspectives on modern intimacy while acknowledging and exploring some of the challenges, woes and changes that romantic love is experiencing in late capitalism. Concerns and debates over monogamy, the teleology romantic love and the division of labour in relationships percolate in this book’s examination of how audiences’ responses to these films reflect their attitudes and expectations regarding romantic love. This book will have great resonance for scholars and students of not just film studies and media studies, but also audience studies, media sociology, philosophy, gender and sexuality.
| Author | : Abbott And Deborah Jermyn (Eds) Stacey |
| Publisher | : I. B. Tauris |
| Total Pages | : 252 |
| Release | : 2009-01-19 |
| Genre | : Romantic comedy films |
| ISBN | : 9786612619144 |
This anthology updates, revisits and reflects on today's romantic comedies. It considers the films and issues that illustrate the diversity of the genre, from the queer pleasures of 'Miss Congeniality' and the rom-com persona of J-Lo and Bill Murray to high school prom-coms and indie romantic comedies.
| Author | : Stacey Abbott |
| Publisher | : I.B. Tauris |
| Total Pages | : 276 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : |
This anthology updates, revisits and reflects on today's romantic comedies. It considers the films and issues that illustrate the diversity of the genre, from the queer pleasures of 'Miss Congeniality' and the rom-com persona of J-Lo and Bill Murray to high school prom-coms and indie romantic comedies.
| Author | : Erica Todd |
| Publisher | : Springer |
| Total Pages | : 182 |
| Release | : 2013-12-16 |
| Genre | : Social Science |
| ISBN | : 1137295384 |
This book analyses the romantic drama and the way that passionate love is presented as the central storyline in popular cinema, drawing upon genre studies and sociology. Exploring the passionate love story as a cinematic form, it also contributes, through comparison, to research on the romantic comedy.
| Author | : Sophie Mayer |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : |
Internationally renowned as a filmmaker, writer and composer, Sally Potter has always been a provocateur: as a feminist filmmaker and performer, a leading light of the BFI Production Board generation, a British filmmaker Oscar-nominated for a low-budget costume drama, and a pioneer of digital cinema. Drawing on exclusive access to archival materials and in-depth interviews with Britain's most independent director, The Cinema of Sally Potter: A Politics of Love opens up vivid historical, political, and cultural vistas to give the first full account of this extraordinary career. Potter's award-winning films Thriller (1979), Orlando (1992), The Tango Lesson (1997), The Man Who Cried (2000), and Yes (2004), are valued by cinephiles and theorists alike for their evocative sensuality, incisive wit and explosive refusal of cinematic clichés, qualities famously crystallized in Orlando's generously and exactingly reciprocal gaze to-camera. That gaze is the dynamic core of Potter's formally and politically radical reconception of cinema in her most recent film Rage (2009), told entirely through talking-heads shot against greenscreen. While Rage looks ahead to a new economy, both financial and visual, it draws deeply on Potter's committed refashioning of cinematic looking and listening through her attention to what dominant culture neglects and suppresses: labor, performance, beauty, poetry, listening, and the spirit of place. Putting the unseen on screen, Potter's films fill the viewer with wonder and desire, enacting the possibilities of cinema as love.
| Author | : Josephine Dolan |
| Publisher | : Springer |
| Total Pages | : 261 |
| Release | : 2018-02-06 |
| Genre | : Performing Arts |
| ISBN | : 1137584025 |
This book is the first to explore ‘old age’ in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of ‘silvering’ – economics and ageing – and explores shifting formulations of ‘old age’ and gender in contemporary cinema. Broad in its scope, the book establishes the importance of silver audiences to the survival of cinema exhibition while also forging connections between the pleasures of ‘old age’ films, consumer culture, the ‘economy of celebrity’ and the gendered silvering of stardom. The chapters examine gendered genres such as romantic comedies, action and heist movies, the prosthetics of costume, and CGI enabled age transformations. Through this analysis, Josephine Dolan teases out the different meanings of ageing masculinity and femininity offered in contemporary cinema. She identifies ageing femininity as the pathologised target of rejuvenation while masculine ageing is seen to enhance an enduring youthfulness. This book has interdisciplinary appeal and will engage scholars interested in ‘old age’ and gender representations in contemporary cinema.
| Author | : Ewa Mazierska |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Capitalism |
| ISBN | : 9781138235748 |
In this edited collection, an international ensemble of scholars examine what contemporary cinema tells us about neoliberal capitalism and cinema, exploring whether filmmakers are able to imagine progressive alternatives under capitalist conditions. Individual contributions discuss filmmaking practices, film distribution, textual characteristics and the reception of films made in different parts of the world. They engage with topics such as class struggle, debt, multiculturalism and the effect of neoliberalism on love and sexual behaviour. Written in accessible, jargon-free language, Contemporary Cinema and Neoliberal Ideology is an essential text for those interested in political filmmaking and the political meanings of films.
| Author | : Warren Buckland |
| Publisher | : John Wiley & Sons |
| Total Pages | : 256 |
| Release | : 2009-01-12 |
| Genre | : Performing Arts |
| ISBN | : 1405168617 |
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
| Author | : Pisters Patricia Pisters |
| Publisher | : Edinburgh University Press |
| Total Pages | : 349 |
| Release | : 2020-08-18 |
| Genre | : Performing Arts |
| ISBN | : 1474466982 |
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
| Author | : Eric R. Williams |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2021-02-17 |
| Genre | : Performing Arts |
| ISBN | : 1000341933 |
Award-winning cine-maVRicks Eric R. Williams, Carrie Love and Matt Love introduce virtual reality cinema (also known as 360° video or cine-VR) in this comprehensive guide filled with insider tips and tested techniques for writing, directing and producing effectively in the new medium. Join these veteran cine-VR storytellers as they break down fundamental concepts from traditional media to demonstrate how cine-VR can connect with audiences in new ways. Examples from their professional work are provided to illustrate basic, intermediate and advanced approaches to crafting modern story in this unique narrative space where there’s no screen to contain an image and no specific stage upon which to perform. Virtual Reality Cinema will prepare you to approach your own cine-VR projects via: Tips and techniques for writing, directing and producing bleeding-edge narrative cine-VR projects; More than a hundred photos and illustrations to explain complex concepts; Access to more than two hours of on-line cine-VR examples that you can download to watch on your own HMD; New techniques developed at Ohio University’s Game Research and Immersive Design (GRID) Lab, including how to work with actors to embrace Gravity and avoid the Persona Gap, how to develop stories with the Story Engagement Matrix and how to balance directorial control and audience agency in this new medium. This book is an absolute must read for any student of filmmaking, media production, transmedia storytelling and game design, as well as anyone already working in these industries that wants to understand the new challenges and opportunities of virtual reality cinema.
