The Art of Louis-Léopold Boilly

The Art of Louis-Léopold Boilly
Author: Susan L. Siegfried
Publisher:
Total Pages: 221
Release: 1995
Genre: Art
ISBN: 9780300063325

Boilly has long been recognized as the most significant painter of everyday life in Napoleonic France. His portraits and genre scenes provide delightful illustrations of the period. In this book, Susan Siegfried argues that Boilly's paintings should be read not just for their documentary detail but also for their wider cultural significance - for the light they shed on social and sexual tensions of the era.

Boilly

Boilly
Author: Francesca Whitlum-Cooper
Publisher: National Gallery
Total Pages: 0
Release: 2019
Genre: Art
ISBN: 9781857096439

"Published to accompany the exhibition "Boilly: scences of Parisian life" The National Gallery, London 28 February - 19 May 2019"--Colophon.

Slave Portraiture in the Atlantic World

Slave Portraiture in the Atlantic World
Author: Agnes Lugo-Ortiz
Publisher: Cambridge University Press
Total Pages: 489
Release: 2013-09-30
Genre: History
ISBN: 1107354781

Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.

The Exceptional Woman

The Exceptional Woman
Author: Mary D. Sheriff
Publisher: University of Chicago Press
Total Pages: 372
Release: 1997-10-24
Genre: Art
ISBN: 9780226752822

Elisabeth Vigee-Lebrun (1755-1842) was an enormously successful painter, a favorite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In the Exceptional Woman, Mary D. Sheriff uses Vigee-Lebrun's career to explore the contradictory position of "woman-artist" in the moral, philosophical, professional, and medical debates about women in eighteenth-century France. Central to Sheriff's analysis is one key question: given the cultural norms and social attitudes that regulated a woman's activities, how could Vigee-Lebrun conceive of herself as an artist, and indeed become a successful one, in old-regime France. Paying particular attention to painted and textual self-portraits, Sheriff shows how Vigee-Lebrun's images and memoirs undermined the assumptions about "woman" and the strictures imposed on women. Engaging ancien-regime philosophy as well as modern feminism, psychoanalysis, literary theory, and art criticism, Sheriff's interpretations of Vigee-Lebrun's paintings challenge us to rethink the work of this controversial woman artist.

Infinite Jest

Infinite Jest
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 226
Release: 2011
Genre: Art
ISBN: 1588394298

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.

French Paintings of the Nineteenth Century: Before impressionism

French Paintings of the Nineteenth Century: Before impressionism
Author: Lorenz Eitner
Publisher: Princeton University Press
Total Pages: 440
Release: 2000
Genre: Art
ISBN:

The National Gallery's collection encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. The works of Jean-August-Dominique Ingres, such as the Gallery's famous portrait of Madame Moitessier, are precursors to the classical style that dominated later in the century. Jean-Baptiste-Camille Corot's verdant landscapes, Honoré Daumier's political satires, and Jean-François Millet's realism are also included in this richly illustrated volume.

Romanticism & the School of Nature

Romanticism & the School of Nature
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
Total Pages: 266
Release: 2000
Genre: Art
ISBN: 0870999648

This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR

Liberty or Death

Liberty or Death
Author: Peter McPhee
Publisher: Yale University Press
Total Pages: 420
Release: 2016-05-28
Genre: History
ISBN: 0300219504

A strinking account of the impact of the French Revolution in Paris, across the French countryside, and around the globe The French Revolution has fascinated, perplexed, and inspired for more than two centuries. It was a seismic event that radically transformed France and launched shock waves across the world. In this provocative new history, Peter McPhee draws on a lifetime’s study of eighteenth-century France and Europe to create an entirely fresh account of the world’s first great modern revolution—its origins, drama, complexity, and significance. Was the Revolution a major turning point in French—even world—history, or was it instead a protracted period of violent upheaval and warfare that wrecked millions of lives? McPhee evaluates the Revolution within a genuinely global context: Europe, the Atlantic region, and even farther. He acknowledges the key revolutionary events that unfolded in Paris, yet also uncovers the varying experiences of French citizens outside the gates of the city: the provincial men and women whose daily lives were altered—or not—by developments in the capital. Enhanced with evocative stories of those who struggled to cope in unpredictable times, McPhee’s deeply researched book investigates the changing personal, social, and cultural world of the eighteenth century. His startling conclusions redefine and illuminate both the experience and the legacy of France’s transformative age of revolution. “McPhee…skillfully and with consummate clarity recounts one of the most complex events in modern history…. [This] extraordinary work is destined to be the standard account of the French Revolution for years to come.”—Publishers Weekly (starred review)

Nicolas Lancret

Nicolas Lancret
Author: Mary Tavener Holmes
Publisher: Getty Publications
Total Pages: 137
Release: 2006
Genre: Art
ISBN: 0892368322

In a garden glade before a grand fountain, surrounded by a musical party, an elegant woman in a lustrous white gown dances as part of a foursome, raising her eyes to the viewer as if extending an invitation to the dance. This is the enticing scene in the J. Paul Getty Museum's painting "Dance before a Fountain" by Nicolas Lancret (1690-1743), an excellent example of the fete galante, a genre that was created and reached the peak of its popularity in France during the first half of the eighteenth century. This monograph seeks to familiarize American audiences with Lancret, a master of this genre, who was a revered painter in his own time, rivalling his contemporaries Antoine Watteau and Francois Boucher, and a favourite of crowned heads across Europe. Mary Tavener Holmes's engrossing text uses this painting as a springboard to reveal a remarkable amount about the painter, his mode of painting, Paris at the time this work was made, eighteenth-century dance, and the world of art patronage and collecting in France and elsewhere in the eighteenth and nineteenth centuries. Lavishly illustrated with comparative paintings by artists such as Watteau, Boucher, Peter Paul Rubens, Jean-Francois De Troy, Jean-Baptiste Oudry, and Hubert Robert, this fascinating peek into a bygone Parisian era is a treat for the eyes and the intellect alike.