Lost And Found Songs Liturgical Poetry Of Yannai On Genesis
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| Author | : Laura S. Lieber |
| Publisher | : Hebrew Union College Press |
| Total Pages | : 817 |
| Release | : 2010-09-15 |
| Genre | : Religion |
| ISBN | : 0878201041 |
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Yannai, the first Hebrew poet to sign his name to his works (by means of an acrostic), influenced Hebrew sacred poetry for centuries beyond his lifespan. He was the first to consistently use true end rhyme, and he was among the first to have written for the weekly service and festivals rather than just particular holidays. As literary works, his poems are as dazzling as they are complex, rich with sound and play, allusion and linguistic beauty. Lieber presents the Hebrew texts of Yannai's 31 extant piyyutim which embellish the Book of Genesis. She translates, annotates, and analyzes these complex poems, which display the poet's transformative treatments of some of the most familiar biblical narratives. She contextualizes these poems and teaches readers how to read and appreciate piyyut by studying Yannai's poetic language and the formal structures of the poems; his exegetical, cultural, and societal importance; and intriguing motifs in Yannai's worldview such as mysticism, holiness, Jewish-Christian relations, and the role of women. Lieber's groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
| Author | : Laura Suzanne Lieber |
| Publisher | : |
| Total Pages | : 824 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : |
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Her groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
| Author | : Mika Ahuvia |
| Publisher | : Univ of California Press |
| Total Pages | : 270 |
| Release | : 2021-06-08 |
| Genre | : Religion |
| ISBN | : 0520380126 |
Angelic beings can be found throughout the Hebrew Bible, and by late antiquity the archangels Michael and Gabriel were as familiar as the patriarchs and matriarchs, guardian angels were as present as one’s shadow, and praise of the seraphim was as sacred as the Shema prayer. Mika Ahuvia recovers once-commonplace beliefs about the divine realm and demonstrates that angels were foundational to ancient Judaism. Ancient Jewish practice centered on humans' relationships with invisible beings who acted as intermediaries, role models, and guardians. Drawing on non-canonical sources—incantation bowls, amulets, mystical texts, and liturgical poetry—Ahuvia shows that when ancient men and women sought access to divine aid, they turned not only to their rabbis or to God alone but often also to the angels. On My Right Michael, On My Left Gabriel spotlights these overlooked stories, interactions, and rituals, offering a new entry point to the history of Judaism and the wider ancient Mediterranean and Near Eastern world in which it flourished.
| Author | : Tzvi Novick |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 236 |
| Release | : 2018-11-12 |
| Genre | : Religion |
| ISBN | : 364757080X |
Novick studies the relationship between rabbinic midrash and classical (and to a lesser extent pre-classical) piyyut?. The first focuses on features of piyyut? that distinguish it, at least prima facie, from rabbinic midrash: its performative character, its formal constraints, and its character as prayer. The second part considers midrash and piyyut? together via an analysis of a narrative form that looms large in both corpora. The "serial narrative" is a narrative that binds biblical history together by stringing together instance of the "same" event across multiple time periods. Thereby, Novick surveys basic features of serial narratives in midrash and piyyut?. Subsequent chapters take up instance of specific serial narrative forms from Second Temple literature to piyyut: the kingdom series, the salvation history, and the serial confession. Together, the two parts yield a nuanced account of the continuities and discontinuities between the two great corpora produced by rabbinic and para-rabbinic circles in Roman Palestine.
| Author | : Debra Reed Blank |
| Publisher | : BRILL |
| Total Pages | : 365 |
| Release | : 2011-09-09 |
| Genre | : Religion |
| ISBN | : 9004201351 |
This edited collection honors Menahem Schmelzer's influence upon the field of Jewish liturgy. Three generations of scholars apply different analytical methods to varying texts and ritual occasions, providing an up-to-date picture of the field and its implications for related areas.
| Author | : Laura S. Lieber |
| Publisher | : Oxford University Press |
| Total Pages | : 425 |
| Release | : 2023 |
| Genre | : History |
| ISBN | : 019006546X |
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
| Author | : Laura Suzanne Lieber |
| Publisher | : PSU Department of English |
| Total Pages | : 329 |
| Release | : 2022-01-20 |
| Genre | : Literary Collections |
| ISBN | : 1646021908 |
This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience. These verses provide a unique window into the Samaritan religious world during a formative period. Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets—the priest Amram Dara; his son, Marqah; and Marqah’s son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest—for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day. Shedding important new light on the Samaritans’ history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.
| Author | : Laura S. Lieber |
| Publisher | : BRILL |
| Total Pages | : 462 |
| Release | : 2014-07-17 |
| Genre | : Religion |
| ISBN | : 9004278591 |
In A Vocabulary of Desire, Laura Lieber offers a nuanced, multifaceted and highly original study of how the Song of Songs was understood and deployed by Jewish liturgical poets in Late Antiquity (ca. 4th-7th centuries CE). Through her examination of poems which embellish and even rewrite the Song of Songs, Lieber brings the creative spirit-liturgical, intellectual, and exegetical-of these poems vividly to the fore. All who are interested in the early interpretation of the Song of Songs, the ancient synagogue, early Jewish and Christian hymnography, and Judaism in Late Antiquity will find this volume both enriching and accessible. The volume consists of two interrelated halves. In the first section, four introductory essays establish the broad cultural context in which these poems emerged; in the second, each chapter consists of an analytical essay structured around a single, complete poetic cycle, presented in new Hebrew editions with annotated original English translations. "The Hebrew text edition is accompanied by a lucid and poetic English translation with annotations and a commentary. In this excellent, scholarly text edition, the commentary is focused and to the point...This reviewer highly recommends this monograph to scholars interested in the early synagogue and its liturgy, late antique and medieval Hebrew poetry, rabbinic Judaism, and early Christianity. The book invites further comparative work in these areas." Rivka B. Ulmer, H-Judaic, H-Net Reviews. May, 2015.
| Author | : Georgia Frank |
| Publisher | : Fordham University Press |
| Total Pages | : 422 |
| Release | : 2019-11-05 |
| Genre | : Religion |
| ISBN | : 0823287033 |
This collection explores how the body became a touchstone for late antique religious practice and imagination. When we read the stories and testimonies of late ancient Christians, what different types of bodies stand before us? How do we understand the range of bodily experiences—solitary and social, private and public—that clothed ancient Christians? How can bodily experience help us explore matters of gender, religious identity, class, and ethnicity? The Garb of Being investigates these questions through stories from the Eastern Christian world of antiquity: monks and martyrs, families and congregations, and textual bodies. Contributors include S. Abrams Rebillard, T. Arentzen, S. P. Brock, R. S. Falcasantos , C. M. Furey, S. H. Griffith, R. Krawiec, B. McNary-Zak, J.-N. Mellon Saint-Laurent, C. T. Schroeder, A. P. Urbano, F. M. Young
| Author | : A. J. Berkovitz |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 275 |
| Release | : 2023-06-20 |
| Genre | : History |
| ISBN | : 1512824194 |
The Bible shaped nearly every aspect of Jewish life in the ancient world, from activities as obvious as attending synagogue to those which have lost their scriptural resonance in modernity, such as drinking water and uttering one's last words. And within a scriptural universe, no work exerted more force than the Psalter, the most cherished text among all the books of the Hebrew Bible. A Life of Psalms in Jewish Late Antiquity clarifies the world of late ancient Judaism through the versatile and powerful lens of the Psalter. It asks a simple set of questions: Where did late ancient Jews encounter the Psalms? How did they engage with the work? And what meanings did they produce? A. J. Berkovitz answers these queries by reconstructing and contextualizing a diverse set of religious practices performed with and on the Psalter, such as handling a physical copy, reading from it, interpreting it exegetically, singing it as liturgy, invoking it as magic and reciting it as an act of piety. His book draws from and contributes to the fields of ancient Judaism, biblical reception, book history and the history of reading.
