Looking For The Harp Quartet
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| Author | : Markand Thakar |
| Publisher | : University Rochester Press |
| Total Pages | : 229 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 1580463460 |
This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues between Icarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth. Supplementary online audio files and musical examples. Markand Thakar is Music Director of the Baltimore Chamber Orchestra, and a member of the graduate conducting faculty at the Peabody Conservatory of the Johns Hopkins University.
| Author | : William Kinderman |
| Publisher | : University of Illinois Press |
| Total Pages | : 361 |
| Release | : 2010-10-01 |
| Genre | : Music |
| ISBN | : 0252091620 |
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
| Author | : B. Paret |
| Publisher | : Hal Leonard Publishing Corporation |
| Total Pages | : 40 |
| Release | : 1987-03 |
| Genre | : Music |
| ISBN | : 9780793555239 |
| Author | : Markand Thakar |
| Publisher | : Yale University Press |
| Total Pages | : 344 |
| Release | : 1990-01-01 |
| Genre | : Music |
| ISBN | : 9780300046380 |
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
| Author | : Brian Attebery |
| Publisher | : Taylor & Francis |
| Total Pages | : 228 |
| Release | : 2017-03-16 |
| Genre | : Education |
| ISBN | : 1317237005 |
Grounded in narrative theory, this book offers a case study of a liberal arts college’s use of narrative to help build identity, community, and collaboration within the college faculty across a range of disciplines, including history, psychology, sociology, theatre and dance, literature, anthropology, and communication. Exploring issues of methodology and their practical application, this narrative project speaks to the construction of identity for the liberal arts in today’s higher education climate. Narrative, Identity, and Academic Community focuses on the ways a cross-disciplinary emphasis on narrative can impact institutions in North America and contribute to the discussion of strategies to foster bottom-up, faculty-driven collaboration and innovation.
| Author | : Georg Boenn |
| Publisher | : Springer |
| Total Pages | : 191 |
| Release | : 2018-06-20 |
| Genre | : Computers |
| ISBN | : 3319762850 |
This book presents the latest computational models of rhythm and meter that are based on number theory, combinatorics and pattern matching. Two computational models of rhythm and meter are evaluated: The first one explores a relatively new field in Mathematics, namely Combinatorics on Words, specifically Christoffel Words and the Burrows-Wheeler Transform, together with integer partitions. The second model uses filtered Farey Sequences in combination with specific weights that are assigned to inter-onset ratios. This work is assessed within the context of the current state of the art of tempo tracking and computational music transcription. Furthermore, the author discusses various representations of musical rhythm, which lead to the development of a new shorthand notation that will be useful for musicologists and composers. Computational Models of Rhythm and Meter also contains numerous investigations into the timing structures of human rhythm and metre perception carried out within the last decade. Our solution to the transcription problem has been tested using a wide range of musical styles, and in particular using two recordings of J.S. Bach's Goldberg Variations by Glenn Gould. The technology is capable of modelling musical rhythm and meter by using Farey Sequences, and by detecting duration classes in a windowed analysis, which also detects the underlying tempo. The outcomes represent human performances of music as accurate as possible within Western score notation.
| Author | : Jeffrey Swinkin |
| Publisher | : Boydell & Brewer |
| Total Pages | : 273 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 1580465269 |
This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.
| Author | : Sterling E. Murray |
| Publisher | : Boydell & Brewer |
| Total Pages | : 486 |
| Release | : 2014 |
| Genre | : Biography & Autobiography |
| ISBN | : 158046467X |
A unique look at the career of a little-known contemporary of Haydn and Mozart, presented against a fascinating background of court musical life in late eighteenth-century Germany.
| Author | : Robert Winter |
| Publisher | : Univ of California Press |
| Total Pages | : 314 |
| Release | : 2023-09-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520917502 |
While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2014-01-09 |
| Genre | : Music |
| ISBN | : 1107512425 |
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.
