Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley

Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley
Author: John A. Emerson
Publisher: Univ of California Press
Total Pages: 366
Release: 2023-07-28
Genre: Music
ISBN: 0520331400

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Essays on Handel and Italian Opera

Essays on Handel and Italian Opera
Author: Reinhard Strohm
Publisher: Cambridge University Press
Total Pages: 322
Release: 2008-10-30
Genre: Biography & Autobiography
ISBN: 9780521088350

Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.

The Symphonic Repertoire, Volume I

The Symphonic Repertoire, Volume I
Author: Mary Sue Morrow
Publisher: Indiana University Press
Total Pages: 918
Release: 2024-03-29
Genre: Music
ISBN: 0253072131

Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.