Livres Manuscrits Tableaux Dessins Sculptures Anciens Et Modernes Tapisserie
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Author | : Caroline Weber |
Publisher | : Vintage |
Total Pages | : 754 |
Release | : 2019-11-26 |
Genre | : History |
ISBN | : 0345803124 |
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Author | : Tom Stammers |
Publisher | : Cambridge University Press |
Total Pages | : 375 |
Release | : 2020-06-25 |
Genre | : History |
ISBN | : 1108807224 |
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Author | : |
Publisher | : Macmillan Reference USA |
Total Pages | : 632 |
Release | : 1987 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 312 |
Release | : 1969 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1004 |
Release | : 1998 |
Genre | : Microcards |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 712 |
Release | : 1970 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 656 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Author | : Harvard University. Fine Arts Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 700 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1062 |
Release | : 1960 |
Genre | : Art |
ISBN | : |