Living Room Lectures
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| Author | : Nina C. Leibman |
| Publisher | : University of Texas Press |
| Total Pages | : 584 |
| Release | : 2010-07-22 |
| Genre | : Performing Arts |
| ISBN | : 0292786352 |
With a breadwinner dad, a homemaker mom, and squeaky-clean kids, the 1950s television family has achieved near mythological status as a model of what real families "ought" to be. Yet feature films of the period often portrayed families in trouble, with parents and children in conflict over appropriate values and behaviors. Why were these representations of family apparently so far apart? Nina Leibman analyzes many feature films and dozens of TV situation comedy episodes from 1954 to 1963 to find surprising commonalities in their representations of the family. Redefining the comedy as a family melodrama, she compares film and television depictions of familial power, gender roles, and economic attitudes. Leibman's explorations reveal how themes of guilt, deceit, manipulation, anxiety, and disfunctionality that obviously characterize such movies as Rebel without a Cause,A Summer Place, and Splendor in the Grass also crop up in such TV shows as The Adventures of Ozzie and Harriet,Father Knows Best,Leave It to Beaver,The Donna Reed Show, and My Three Sons. Drawing on interviews with many of the participants of these productions, archival documents, and trade journals, Leibman sets her discussion within a larger institutional history of 1950s film and television. Her discussions shed new light not only on the reasons for both media's near obsession with family life but also on changes in American society as it reconfigured itself in the postwar era.
| Author | : Nina C. Leibman |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : |
Nina Leibman analyzes many feature films and dozens of TV situation comedy episodes from 1954 to 1963 to find surprising commonalities in their representations of the family.
| Author | : Randy Pausch |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Cancer |
| ISBN | : 9780340978504 |
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
| Author | : Scott Galloway |
| Publisher | : Penguin |
| Total Pages | : 258 |
| Release | : 2019-05-14 |
| Genre | : Self-Help |
| ISBN | : 0593084195 |
An unconventional book of wisdom and life advice from renowned business school professor and New York Times bestselling author of The Four Scott Galloway. Scott Galloway teaches brand strategy at NYU's Stern School of Business, but his most popular lectures deal with life strategy, not business. In the classroom, on his blog, and in YouTube videos garnering millions of views, he regularly offers hard-hitting answers to the big questions: What's the formula for a life well lived? How can you have a meaningful career, not just a lucrative one? Is work/life balance possible? What are the elements of a successful relationship? The Algebra of Happiness: Notes on the Pursuit of Success, Love, and Meaning draws on Professor Galloway's mix of anecdotes and no-BS insight to share hard-won wisdom about life's challenges, along with poignant personal stories. Whether it's advice on if you should drop out of school to be an entrepreneur (it might have worked for Steve Jobs, but you're probably not Steve Jobs), ideas on how to position yourself in a crowded job market (do something "boring" and move to a city; passion is for people who are already rich), discovering what the most important decision in your life is (it's not your job, your car, OR your zip code), or arguing that our relationships to others are ultimately all that matter, Galloway entertains, inspires, and provokes. Brash, funny, and surprisingly moving, The Algebra of Happiness represents a refreshing perspective on our need for both professional success and personal fulfillment, and makes the perfect gift for any new graduate, or for anyone who feels adrift.
| Author | : Michael Tueth |
| Publisher | : Peter Lang |
| Total Pages | : 260 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780820468457 |
For more than fifty years some very funny people have been entering American homes through television's big picture window. From Lucy and Uncle Miltie, to Archie Bunker and Marge Simpson, certain comic stars of television history have become not just cultural icons, but friends of the family. This comprehensive study of the most successful television comedies - including domestic sitcoms, workplace comedies, variety shows, late-night comedy, animated comedy, and more - reveals that, unlike the comedy found in film, on stage, in comedy clubs and concert halls, television's presentation of comic characters and stories must negotiate a relationship with the more privatized and value-laden environment of each American home that it enters.
| Author | : Lewis W. Leeds |
| Publisher | : |
| Total Pages | : 78 |
| Release | : 1868 |
| Genre | : Ventilation |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 866 |
| Release | : 1901 |
| Genre | : Literature |
| ISBN | : |
| Author | : Aniko Bodroghkozy |
| Publisher | : John Wiley & Sons |
| Total Pages | : 600 |
| Release | : 2018-07-23 |
| Genre | : Performing Arts |
| ISBN | : 1118646282 |
Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts.
| Author | : California. Legislature |
| Publisher | : |
| Total Pages | : 527 |
| Release | : 1887 |
| Genre | : California |
| ISBN | : |
| Author | : Joanne Morreale |
| Publisher | : Wayne State University Press |
| Total Pages | : 119 |
| Release | : 2015-12-01 |
| Genre | : Performing Arts |
| ISBN | : 0814340326 |
Considers the influence of The Dick Van Dyke Show on television sitcom history. The Dick Van Dyke Show (CBS 1961–66) was a uniquely self-reflexive sitcom that drew on vaudevillian tropes at a time when vaudeville-based comedy variety was disappearing from television. At the same time, it reflected the liberal politics of the Kennedy era and gave equal time to home and work as it ushered in a new image of the sitcom family. In The Dick Van Dyke Show,author Joanne Morreale analyzes the series' innovative form and content that altered the terrain of the television sitcom. Morreale begins by finding the roots of The Dick Van Dyke Show in the vaudeville-based comedy variety show and the "showbiz" sitcom, even as it brought notable updates to the form. She also considers how the series reflects the social context of Kennedy's New Frontier and its impact on the television industry, as The Dick Van Dyke Show responded to criticisms of television as mass entertainment. She goes on to examine the series as an early example of quality television that also pointed to the complex narrative of today, examining the show's progressive representations of race, ethnicity, and gender that influenced the content of later sitcoms. Morreale concludes by considering The Dick Van Dyke Show's afterlife, suggesting that the various reappearances of the characters and the show itself demonstrates television's "transseriality." Fans of The Dick Van Dyke Show and readers interested in American television and cultural history will appreciate this insightful reading of the series.
