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| Author | : Ian S. MacNiven |
| Publisher | : Macmillan |
| Total Pages | : 593 |
| Release | : 2014-11-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374299390 |
"Biography of James Laughlin, founder of the publishing house New Direction, and one of the most important advocates for modernist and experimental literature"--
| Author | : Jaillant Lise Jaillant |
| Publisher | : Edinburgh University Press |
| Total Pages | : 349 |
| Release | : 2019-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 1474440835 |
Highlights the transformative impact that book publishers had on the modernist movementPublishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world. Key Features:The first volume on Anglo-American book publishers that sold difficult modernist texts to a wide range of readers around the worldSheds new light on the relationship between publishers and major modernist writersIncludes essays of broad significance written in an accessible proseDraws on extensive work in neglected archives
| Author | : Ian S. MacNiven |
| Publisher | : Macmillan + ORM |
| Total Pages | : 657 |
| Release | : 2014-11-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374712433 |
A biography—thoughtful and playful—of the man who founded New Directions and transformed American publishing James Laughlin—poet, publisher, world-class skier—was the man behind some of the most daring, revolutionary works in verse and prose of the twentieth century. As the founder of New Directions, he published Ezra Pound's The Cantos and William Carlos Williams's Paterson; he brought Hermann Hesse and Jorge Luis Borges to an American audience. Throughout his life, this tall, charismatic intellectual, athlete, and entrepreneur preferred to stay hidden. But no longer—in "Literchoor Is My Beat": A Life of James Laughlin, Publisher of New Directions, Ian S. MacNiven has given us a sensitive and revealing portrait of this visionary and the understory of the last century of American letters. Laughlin—or J, as MacNiven calls him—emerges as an impressive and complex figure: energetic, idealistic, and hardworking, but also plagued by doubts—not about his ability to identify and nurture talent but about his own worth as a writer. Haunted by his father's struggles with bipolar disorder, J threw himself into a flurry of activity, pulling together the first New Directions anthology before he'd graduated from Harvard and purchasing and managing a ski resort in Utah. MacNiven's portrait is comprehensive and vital, spiced with Ezra Pound's eccentric letters, J's romantic foibles, and anecdotes from a seat-of-your-pants era of publishing now gone by. A story about the struggle to publish only the best, it is itself an example of literary biography at its finest.
| Author | : Massimo Bacigalupo |
| Publisher | : Liverpool University Press |
| Total Pages | : 366 |
| Release | : 2020-03-18 |
| Genre | : Literary Criticism |
| ISBN | : 1949979016 |
Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
| Author | : Richard Aldous |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 281 |
| Release | : 2017-10-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393244717 |
The first major biography of preeminent historian and intellectual Arthur Schlesinger Jr., a defining figure in Kennedy’s White House. Arthur M. Schlesinger Jr. (1917–2007), known today as the architect of John F. Kennedy’s presidential legacy, blazed an extraordinary path from Harvard University to wartime London to the West Wing. The son of a pioneering historian—and a two-time Pulitzer Prize and National Book Award winner in his own right—Schlesinger redefined the art of presidential biography. A Thousand Days, his best-selling and immensely influential record of the Kennedy administration, cemented Schlesinger’s place as one of the nation’s greatest political image makers and a key figure of the American intellectual elite—a peer and contemporary of Reinhold Niebuhr, Isaiah Berlin, and Adlai Stevenson. The first major biography of this defining figure in Kennedy’s Camelot, Schlesinger: The Imperial Historian presents a dramatic life and career set against the backdrop of the American Century. Biographer Richard Aldous draws on oral history, rarely seen archival documents, and the official Schlesinger papers to craft a portrait of the incandescently brilliant and controversial historian who framed America’s ascent to global empire.
| Author | : Srinivas Rayaprol |
| Publisher | : University of New Mexico Press |
| Total Pages | : 240 |
| Release | : 2018 |
| Genre | : Poetry |
| ISBN | : 0826359965 |
Their intense epistolary relationship between Srinivas Rayaprol and William Carlos Williams, lasting almost a decade and little known up to now, is chronicled in this edition of their letters.
| Author | : Richard Kostelanetz |
| Publisher | : Routledge |
| Total Pages | : 684 |
| Release | : 2019-11-04 |
| Genre | : Art |
| ISBN | : 1351266861 |
For a concise edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz selects entries from the 2018 third edition. Typically he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Samuel Johnson (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed, not only in bits and chunks but continuously as one of the ten books someone would take if he or she planned to be stranded on a desert isle.
| Author | : James Laughlin |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 440 |
| Release | : 2018-03-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393652742 |
The chronicle of Tennessee Williams and James Laughlin’s unlikely yet enduring literary and personal relationship. In December 1942, two guests at a Lincoln Kirstein mixer bonded over their shared love of Hart Crane’s poetry. One of them was James Laughlin, the founder of a small publishing company called New Directions, which he had begun only seven years earlier as a sophomore at Harvard. The other was a young playwright named Thomas Lanier Williams, or "Tennessee," as he had just started to call himself. A little more than a week after that first encounter, Tennessee sent a letter to Jay—as he always addressed Laughlin in writing— expressing a desire to get together for an informal discussion of some of Tennessee’s poetry. "I promise you it would be extremely simple," he wrote, "and we would inevitably part on good terms even if you advised me to devote myself exclusively to the theatre for the rest of my life." So began a deep friendship that would last for forty-one years, through critical acclaim and rejection, commercial success and failure, manic highs, bouts of depression, and serious and not-so-serious liaisons. Williams called Laughlin his "literary conscience," and New Directions serves to this day as Williams’s publisher, not only for The Glass Menagerie and his other celebrated plays but for his highly acclaimed novels, short stories, and volumes of poetry as well. Their story provides a window into the literary history of the mid-twentieth century and reveals the struggles of a great artist, supported in his endeavors by the publisher he considered a true friend.
| Author | : T. S. Eliot |
| Publisher | : Faber & Faber |
| Total Pages | : 876 |
| Release | : 2017-05-30 |
| Genre | : Poetry |
| ISBN | : 0571316379 |
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
| Author | : Felicia Hardison Londré |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 258 |
| Release | : 2019-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 1350017493 |
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
