Literature Of The 1980s
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| Author | : Kimberly R. Moffitt |
| Publisher | : |
| Total Pages | : 520 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : |
The 1980s: A Critical and Transitional Decade, edited by Kimberly R. Moffitt and Duncan A. Campbell, is a holistic analysis of the decade that focuses on major turning points and developments in literature, entertainment, politics, and social experimentation. This analysis ultimately presents the 1980s as a significant phenomenon in the American landscape. The 1980s is a groundbreaking and stand-alone introductory volume that is unapologetically interdisciplinary in nature and encourages students to explore topics of the decade often overlooked or grouped together with other, more memorable decades such as the 1920s or 1960s.
| Author | : Alison Pearlman |
| Publisher | : University of Chicago Press |
| Total Pages | : 288 |
| Release | : 2003-06-15 |
| Genre | : Art |
| ISBN | : 9780226651453 |
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
| Author | : Graham Thompson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 248 |
| Release | : 2007-03-13 |
| Genre | : Social Science |
| ISBN | : 0748628959 |
This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provides an insightful account of the major cultural forms of 1980s America - literature and drama; film and television; music and performance; art and photography - and influential texts and trends of the decade: from White Noise to Wall Street, from Silicon Valley to MTV, and from Madonna to Cindy Sherman. A focused chapter considers the changing dynamics of American culture in an increasingly globalised marketplace.
| Author | : Wayne Koestenbaum |
| Publisher | : Macmillan |
| Total Pages | : 338 |
| Release | : 2013-08-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374533776 |
"A new book of essays by the cultural critic Wayne Koestenbaum, author of The Queen's Throat and Jackie Under My Skin"--
| Author | : Brannon Costello |
| Publisher | : LSU Press |
| Total Pages | : 406 |
| Release | : 2021-06-02 |
| Genre | : Literary Criticism |
| ISBN | : 080717551X |
Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.
| Author | : Isaac Asimov |
| Publisher | : Constable |
| Total Pages | : 550 |
| Release | : 1993 |
| Genre | : Science fiction |
| ISBN | : 9781854871817 |
| Author | : Andrew Holleran |
| Publisher | : Harper Collins |
| Total Pages | : 260 |
| Release | : 2001-12-18 |
| Genre | : Fiction |
| ISBN | : 0060937068 |
One of the most important works of gay literature, this haunting, brilliant novel is a seriocomic remembrance of things past -- and still poignantly present. It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.
| Author | : Carter Sickels |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 2021-05-25 |
| Genre | : |
| ISBN | : 9781938235832 |
EW's 50 Most Anticipated Books of 2020 - O Magazine's "31 LGBTQ Books That'll Change the Literary Landscape in 2020" - BookRiot's "Most Anticipated LGBTQ Books of 2020" - Lambda Literary's "Most Anticipated LGBTQ Books of May 2020" - Salon's "Best and boldest new must-read books for May" - BookPage's "19 can't-miss reads from independent publishers" - Garden & Gun's "Best Books of May" - Logo NewNowNext's "11 Queer Books We Can't Wait to Read This Spring" A stunning novel about the bounds of family and redemption, shines light on an overlooked part of the AIDs epidemic when men returned to their rural communities to die, by Lambda Literary Emerging Writer Award-winning author Carter Sickels. Small-town Appalachia doesn't have a lot going for it, but it's where Brian is from, where his family is, and where he's chosen to return to die. Set in 1986, a year after Rock Hudson's death brought the news of AIDS into living rooms and kitchens across America, Lambda Literary award-winning author Carter Sickels's second novel shines light on an overlooked part of the epidemic, those men who returned to the rural communities and families who'd rejected them. Six short years after Brian Jackson moved to New York City in search of freedom and acceptance, AIDS has claimed his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape. The Prettiest Star is told in a chorus of voices: Brian's mother Sharon; his fourteen-year-old sister, Jess, as she grapples with her brother's mysterious return; and the video diaries Brian makes to document his final summer. This is an urgent story about the politics and fragility of the body, of sex and shame. Above all, Carter Sickels's stunning novel explores the bounds of family and redemption. It is written at the far reaches of love and understanding, centering on the moments where those two forces stretch toward each other and sometimes touch.
| Author | : Teresa Chi-Ching Sun |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 87 |
| Release | : 2019-03-27 |
| Genre | : Literary Criticism |
| ISBN | : 0761871098 |
This book intends to trace the revival of traditional literary works since the 1980s in China as it is revealed on the revitalized College Entrance Examination (CEE). In order to show how these changes reflect China’s altering ideology after the fall of Communism, selections from the CEE’s literary portion will be examined. Taking advantage of the resurrection of the powerful CEE, test creators have composed the literary portion as an education tool to shape public opinion in the post-Communist era. Literature in China have never been an independent art but had shared the responsibility for transmitting China’s intellectual and ethical traditions. The introduction of Communism to China silenced these traditions and made literature the servant of political ideology. This book traces the chronological process of restoring modern vernacular literature from the pre-Communist era and the ways in which traditional literature is being used for modern purposes. For many Chinese intellectuals, the gradual withdrawal of literature for serving political causes and the reinstatement of classical literature and early vernacular works to on the CEE bring to light the recovery of the aesthetic literary tradition and a return to normalcy. When students take the CEE, they not only mentally scrutinize literature that they first read during their secondary education, but also experience an assertive presentation of current Chinese cultural values and outlooks on life. This study argues that in the post-1980s CEE literary selections, students experience a variety of texts that summon up China’s pre-Communist literary tradition in order to serve as an intellectual guiding light for future social development. For those interested in comparative higher education, a particular area of interest may be the book’s singular consideration of the science and technology passages in connection with the restructuring of higher education in China as a remedy of China’s cultural tradition.
| Author | : Dvir Abramovich |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Israeli literature |
| ISBN | : 9781443833387 |
This compelling and incisive study opens a fascinating window into the key genres of writing that emerged in Israeli writing during the 1980s and 1990s, and provides new understandings about how contemporary Israeli literature evolved to be what it is today. It examines the social and political background of the dramatic and broad transformations that took place in Israeli society during this period of transitionâ "the Yom Kippur War, the election of the Likkud Party, the Lebanon War, the rise of postmodernism, the impact of feminism, and the collapse of national consensusâ "and links those developments to the literary changes that seeped into the fabric of Israeli writing of that time. The book deals with three pivotal areas that emerged and flowered in the 1980s and 1990sâ "namely, Second Generation Holocaust literature, the Mizrachi novel, and detective fictionâ "and meticulously and comprehensively analyses the worksâ (TM) subject-matters, ideas and aesthetic strategies. Extensively discussed and evaluated here are the groundbreaking themes found in the stories of the authors David Grossman, Sami Michael, Ronit Matalon, Batya Gur, Eli Amir, Shulamit Lapid, Itamar Levy, Gila Almagor, Nava Semel, Dorit Rabinyan, Yitzhak Gormezano Goren, and Lily Peri Amitai. From best-sellers to cult-classics, from the mainstream to the marginal, Back to the Future is an important book that celebrates the creative energy of Israeli arts, and is a must-read for anyone interested in Israeli culture and fiction.
