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| Author | : Lieve Van Hoof |
| Publisher | : BRILL |
| Total Pages | : 257 |
| Release | : 2014-10-23 |
| Genre | : Literary Criticism |
| ISBN | : 9004279474 |
Late Antiquity is often assumed to have witnessed the demise of literature as a social force and its retreat into the school and the private reading room: whereas the sophists of the Second Sophistic were influential social players, their late antique counterparts are thought to have been overshadowed by bishops. Literature and Society in the Fourth Century AD argues that this presumed difference should be attributed less to a fundamental change in the role of literature than to different scholarly methodologies with which Greek and Latin texts from the second and the fourth century are being studied. Focusing on performance, the literary construction of reality and self-presentation, this volume highlights how literature continued to play an important role in fourth-century elite society.
| Author | : _douard Glissant |
| Publisher | : U of Nebraska Press |
| Total Pages | : 316 |
| Release | : 2001-01-01 |
| Genre | : Fiction |
| ISBN | : 9780803270831 |
The Fourth Century tells of the quest by young Mathieu Bäluse to discover the lost history of his country, Martinique. Aware that the officially recorded version he learned in school omits and distorts, he turns to a quimboiseur named Papa Longouä. This old man of the forest, a healer, seer, and storyteller, knows the oral tradition and its relation to the powers of the land and the forces of nature. He tells of the love-hate relationship between the Longouä and Bäluse families, whose ancestors were brought as slaves to Martinique. Upon arrival, Longouä immediately escaped and went to live in the hills as a maroon. Bäluse remained in slavery. The intense relationship that had formed between the two men in Africa continued and came to encompass the relations between their masters, or, in the case of Longouä, his would-be master, and their descendants. The Fourth Century closes the gap between the families as Papa Longouä, last of his line, conveys the history to Mathieu Bäluse, who becomes his heir.
| Author | : Robert Shorrock |
| Publisher | : A&C Black |
| Total Pages | : 329 |
| Release | : 2013-10-16 |
| Genre | : Religion |
| ISBN | : 1472519663 |
Traditional and still prevalent accounts of late antique literature draw a clear distinction between 'pagan' and 'Christian' forms of poetry: whereas Christian poetry is taken seriously in terms its contribution to culture and society at large, so-called pagan or secular poetry is largely ignored, as though it has no meaningful part to play within the late antique world. The Myth of Paganism sets out to deconstruct this view of two contrasting poetic traditions and proposes in its place a new integrated model for the understanding of late antique poetry. As the book argues, the poet of Christ and the poet of the Muses were drawn together into an active, often provocative, dialogue about the relationship between Christianity and the Classical tradition and, ultimately, about the meaning of late antiquity itself. An analysis of the poetry of Nonnus of Panopolis, author of both a 'pagan' epic about Dionysus and a Christian translation of St John's Gospel, helps to illustrate this complex dialectic between pagan and Christian voices.
| Author | : Daniëlle Slootjes |
| Publisher | : Brill Academic Publishers |
| Total Pages | : 186 |
| Release | : 2015-08-14 |
| Genre | : History |
| ISBN | : 9789004291928 |
In "East and West in the Roman Empire of the Fourth Century" scholars examine from different angles to which degree the empire was still unified and whether it was perceived as such in the fourth century AD.
| Author | : Gabriela Ryser |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 447 |
| Release | : 2020-01-20 |
| Genre | : Religion |
| ISBN | : 3647573213 |
This book contextualizes Claudian's handling of the Proserpina myth and the underworld in the history of literature and religion while showing intersections with and differences between the literary and religious uses of the underworld topos. In doing so, the study provides an incentive to rethink the dichotomy of the terms 'religious' and 'non-religious' in favour of a more nuanced model of references and refunctionalisations of elements which are, or could be, religiously connotated. A close philological analysis of De raptu Proserpinae identifies the sphere of myth and poetry as an area of expressive freedom, a parallel universe to theological discourses (whether they be pagan-philosophical or Christian), while the profound understanding and skilful use of this particular sphere – a formative aspect of European religious and intellectual history – is postulated as a characteristic of the educated Roman and of Claudian's poetry.
| Author | : Johannes Wienand |
| Publisher | : Oxford University Press |
| Total Pages | : 553 |
| Release | : 2014-11-04 |
| Genre | : History |
| ISBN | : 0190201746 |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 license. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Contested Monarchy reappraises the wide-ranging and lasting transformation of the Roman monarchy between the Principate and Late Antiquity. The book takes as its focus the century from Diocletian to Theodosius I (284-395), a period during which the stability of monarchical rule depended heavily on the emperor's mobility, on collegial or dynastic rule, and on the military resolution of internal political crises. At the same time, profound religious changes modified the premises of political interaction and symbolic communication between the emperor and his subjects, and administrative and military readjustments changed the institutional foundations of the Roman monarchy. This volume concentrates on the measures taken by emperors of this period to cope with the changing framework of their rule. The collection examines monarchy along three distinct yet intertwined fields: Administering the Empire, Performing the Monarchy, and Balancing Religious Change. Each field possesses its own historiography and methodology, and accordingly has usually been treated separately. This volume's multifaceted approach builds on recent scholarship and trends to examine imperial rule in a more integrated fashion. With new work from a wide range of international scholars, Contested Monarchy offers a fresh survey of the role of the Roman monarchy in a period of significant and enduring change.
| Author | : Lucy C. M. M. Jackson |
| Publisher | : |
| Total Pages | : 303 |
| Release | : 2019-11-26 |
| Genre | : Drama |
| ISBN | : 0198844530 |
The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the contextof a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-exploredarea of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking oftwo oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama "declined" in the fourth century: the inscription of CHoroy~ me'los in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classicalperiod, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus.
| Author | : Eric Csapo |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 590 |
| Release | : 2014-06-18 |
| Genre | : History |
| ISBN | : 311033755X |
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
| Author | : André Lardinois |
| Publisher | : Princeton University Press |
| Total Pages | : 320 |
| Release | : 2001-03-25 |
| Genre | : History |
| ISBN | : 9780691004662 |
This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
| Author | : Marguerite Johnson |
| Publisher | : Psychology Press |
| Total Pages | : 298 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780415173315 |
This Sourcebook contains numerous original translations of ancient poetry, inscriptions and documents, all of which illuminate the multifaceted nature of sexuality in antiquity. The detailed introduction provides full social and historical context for the sources, and guides students on how to use the material most effectively. Themes such as marriage, prostitution and same-sex attraction are presented comparatively, with material from the Greek and Roman worlds shown side by side. This approach allows readers to interpret the written records with a full awareness of the different context of these separate but related societies. Commentaries are provided throughout, focusing on vocabulary and social and historical context. This is the first major sourcebook on ancient sexuality; it will be of particular use on related courses in classics, ancient history and gender studies.
