Literati Modern Bunjinga From Late Edo To Twentieth Century Japan
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Author | : Paul Berry |
Publisher | : University of Washington Press |
Total Pages | : 376 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Published in conjunction with the exhibition held at the Honolulu Academy of Arts, Sept. 11-Nov. 16, 2008.
Author | : Frank Feltens |
Publisher | : Hirmer Verlag |
Total Pages | : 340 |
Release | : 2024-07-30 |
Genre | : Art |
ISBN | : 3777443506 |
Welches Bild von China hatten japanische Künstler vom späten 17. Jahrhundert, als ihr Land sich gegen die Welt abschottete, bis zur Öffnung im Zuge der Modernisierung ab der Mitte des 19. Jahrhunderts? Der Band untersucht vorrangig Darstellungen in der japanischen Malerei vom späten 17. bis zum 20. Jahrhundert, die China als realen Ort ebenso wie als imaginäres gelobtes Land zeigen. In drei Essays renommierter japanischer Kunsthistoriker*innen und über fünfzig Katalogeinträgen zu außergewöhnlichen Werken werden die komplexen Reaktionen der Kunst Japans auf die chinesische Kunst, Geschichte und Kultur offenbar. Eine Handvoll wissenschaftlicher Studien hinterfragt in jüngerer Zeit das etablierte Narrativ, das moderne Japan habe sich allein am Westen orientiert. Diese verbreitete Vorstellung von einem ausschließlich westlich inspirierten heutigen Japan thematisiert "Imagined Neighbors". Mit einem nuancierteren Ansatz bemüht sich der Band, die schwierige Aussöhnung zwischen Alt und Neu im Zuge der Neuerfindung des modernen Nationalstaats Japan zu verstehen.
Author | : Paul Duro |
Publisher | : John Wiley & Sons |
Total Pages | : 240 |
Release | : 2016-01-19 |
Genre | : Art |
ISBN | : 1119004039 |
The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders. This fascinating collection of original essays has been compiled by a group of leading scholars Challenges the prejudice of imitation in art by bringing to bear a perspective that reveals the ubiquity of the practice of imitation across cultural and geographical borders Brings light to a broad range of areas, some of which have been little researched in the past
Author | : Kazuko Kameda-Madar |
Publisher | : BRILL |
Total Pages | : 319 |
Release | : 2022-10-04 |
Genre | : Art |
ISBN | : 9004528024 |
This book investigates the diverse visual representations of the Orchid Pavilion Gathering produced during the Edo period Japan.
Author | : Joshua A. Fogel |
Publisher | : BRILL |
Total Pages | : 657 |
Release | : 2015-05-12 |
Genre | : History |
ISBN | : 900428530X |
Over the past thirty-five years, Joshua Fogel has pioneered the study of Sino-Japanese cultural and political relations—understood as the intersections of the histories of these two countries. This volume brings together many of his essays and reviews in this new field. For a variety of reasons discussed within, scholars have been reluctant to look at these two nation’s historical connections, either through comparative analysis or actual interactions. Fogel’s work has focused squarely here. Among the issues addressed are Japanese scholarly views of modern China and Chinese history, Chinese considerations of the Japanese language in the Ming and Qing periods, the Japanese immigration to the East Asian Mainland (especially to Shanghai and Harbin), and more.
Author | : |
Publisher | : |
Total Pages | : 478 |
Release | : 2008 |
Genre | : Art, Asian |
ISBN | : |
Author | : Roberta Wue |
Publisher | : Hong Kong University Press |
Total Pages | : 306 |
Release | : 2014-12-09 |
Genre | : Art |
ISBN | : 9888208462 |
The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port’s commercialized culture. Art Worlds examines the relationship between the city’s visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art intersected with broader cultural trends. It also investigates the multiple roles played by the modern Chinese artist as image-maker, entrepreneur, celebrity, and urban sojourner. Focusing on industrially produced images, mass advertisements, and other hitherto neglected sources, the book offers a new interpretation of late Qing visual culture at a watershed moment in the history of modern Chinese art. Art Worlds will be of interest to scholars of art history and to anyone with an interest in the cultural history of modern China. “By focusing on objects, sites, social networks, and technologies, this elegantly conceived book enriches our understanding of art production and consumption in nineteenth-century Shanghai. The author makes masterful use of newspapers, guidebooks, diaries, and advertisements—as well as paintings—to present readers with the compelling story of a city and its artists.” —Tobie Meyer-Fong, author of What Remains: Coming to Terms with Civil War in 19th Century China and Building Culture in Early Qing Yangzhou “Rich in findings, forensic in visual analysis and—not least—elegantly crafted, Wue’s book on painting, printing and the social worlds of art in late-Qing Shanghai is an exemplary contribution. A must-read volume.” —Shane McCausland, author of Zhao Mengfu: Calligraphy and Painting for Khubilai’s China
Author | : Rosina Buckland |
Publisher | : BRILL |
Total Pages | : 264 |
Release | : 2012-12-10 |
Genre | : Art |
ISBN | : 9004249419 |
In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.
Author | : John T. Carpenter |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 227 |
Release | : 2018-02-26 |
Genre | : Art |
ISBN | : 1588396541 |
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Lavishly illustrated, these works draw particular focus to the unique intertwinement of poetry and the pictorial arts that is fundamental to the Japanese tradition. In addition to providing new readings and translations of Japanese and Chinese poems, The Poetry of Nature sheds new light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author | : Chelsea Foxwell |
Publisher | : University of Chicago Press |
Total Pages | : 296 |
Release | : 2015-07-20 |
Genre | : Art |
ISBN | : 022611080X |
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.