Literary Visions
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Author | : William L. Davis |
Publisher | : UNC Press Books |
Total Pages | : 265 |
Release | : 2020-04-08 |
Genre | : Religion |
ISBN | : 1469655675 |
In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.
Author | : Moira Fradinger |
Publisher | : Stanford University Press |
Total Pages | : 347 |
Release | : 2010-06-03 |
Genre | : Literary Criticism |
ISBN | : 080477465X |
Binding Violence exposes the relation between literary imagination, autonomous politics, and violence through the close analysis of literary texts—in particular Sophocles' Antigone, D. A. F. de Sade's 120 Days of Sodom, and Vargas Llosa's The Feast of the Goat—that speak to a blind spot in democratic theory, namely, how we decide democratically on the borders of our political communities. These works bear the imprint of the anxieties of democracy concerning its other—violence—especially when the question of a redefinition of membership is at stake. The book shares the philosophical interest in rethinking politics that has recently surfaced at the crossroads of literary criticism, philosophy, critical theory, and psychoanalysis. Fradinger takes seriously the responsibility to think through and give names to the political uses of violence and to provoke useful reflection on the problem of violence as it relates to politics and on literature as it relates to its times.
Author | : H.D. |
Publisher | : David Zwirner Books |
Total Pages | : 81 |
Release | : 2019-11-26 |
Genre | : Art |
ISBN | : 1644230232 |
H.D’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process. While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, Notes on Thought and Vision, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.
Author | : Stuart Kellogg |
Publisher | : Routledge |
Total Pages | : 192 |
Release | : 2016-12-05 |
Genre | : Social Science |
ISBN | : 1317735102 |
An important contribution to the rapidly growing field of gay literary criticism and scholarship, this volume contains well-written and intelligently argued essays on the the homosexual tradition in Western literature. The first book of its kind, Essays on Gay Literature investigates the ways in which homosexuality has been viewed by a variety of authors from the Middle Ages to the present, including William Shakespeare, Christopher Marlowe, E. M. Forster, James Merrill, Henry James, and William Faulkner.
Author | : Pilar Villar-Argaiz |
Publisher | : Manchester University Press |
Total Pages | : 415 |
Release | : 2016-05-16 |
Genre | : Literary Criticism |
ISBN | : 1784992127 |
Now available in paperback, this pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be ‘multicultural’ and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions?
Author | : Michael A. Bryson |
Publisher | : University of Virginia Press |
Total Pages | : 251 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 0813921066 |
Bryson (humanities, Evelyn T. Stone U. College, Roosevelt U.) discusses the connections between the representation of nature and the practice of science in America from the 1840s to the 1960s, as presented in the texts of seven American writers: John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley. The author considers how various scientific perspectives have influenced environmental attitudes; how selected writers of varied backgrounds, scientific training, and geographic experience have represented nature through a variety of natural sciences; and the relations among science, nature, language, and the human community. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Jack Foley |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : American poetry |
ISBN | : 9781613640678 |
Poetry is a major element in the kaleidoscopic California scene. "(Foley) is doing great things in articulating the poetic consciousness of San Francisco.--Lawrence Ferlinghetti.
Author | : Paula Gilbert Lewis |
Publisher | : Summa Publications, Inc. |
Total Pages | : 340 |
Release | : 1984 |
Genre | : Literary Collections |
ISBN | : 9780917786051 |
Author | : Lars Ole Sauerberg |
Publisher | : Springer |
Total Pages | : 224 |
Release | : 2016-07-27 |
Genre | : Literary Criticism |
ISBN | : 1349250309 |
With the canon debate, prominent in literary criticism since the early 1970s, as the sounding board, the study aims at investigating and discussing in critical perspective the function of considerations to do with canon for literary criticism at the formation stage. It focuses on the interaction between a critic's canonical preferences ('versions of the past') and his desire for improved cultural and/or aesthetic conditions ('visions of the future') in the criticism of Eliot, Leavis, Frye and Bloom.
Author | : Robyn J. Whitaker |
Publisher | : Mohr Siebeck |
Total Pages | : 308 |
Release | : 2015-11-13 |
Genre | : Religion |
ISBN | : 9783161539787 |
Robyn. J. Whitaker interprets the Book of Revelation within the context of ancient rhetoric and religion. She argues that the author of Revelation uses a popular rhetorical tool, ekphrasis, to paint word-pictures of God that compete with material images to both critique image-making and simultaneously make an absent God present.