Literary Reading Cognition And Emotion
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Author | : Michael Burke |
Publisher | : Routledge |
Total Pages | : 392 |
Release | : 2010-10-18 |
Genre | : Literary Criticism |
ISBN | : 1136890645 |
This work seeks to chart what happens in the embodied minds of engaged readers when they read literature. Despite the recent stylistic, linguistic, and cognitive advances that have been made in text-processing methodology and practice, very little is known about this cultural-cognitive process and especially about the role that emotion plays. Burk’s theoretical and empirical study focuses on three central issues: the role emotions play in a core cognitive event like literary text processing; the kinds of bottom-up and top-down inputs most prominently involved in the literary reading process; and what might be happening in the minds and bodies of engaged readers when they experience intense or heightened emotions: a phenomenon sometimes labelled "reader epiphany." This study postulates that there is a free-flow of bottom-up and top-down affective, cognitive inputs during the engaged act of literary reading, and that reading does not necessarily begin or end when our eyes apprehend the words on the page. Burke argues that the literary reading human mind might best be considered both figuratively and literally, not as computational or mechanical, but as oceanic.
Author | : Michael Burke |
Publisher | : Routledge |
Total Pages | : 298 |
Release | : 2010-10-18 |
Genre | : Foreign Language Study |
ISBN | : 1136890653 |
This theoretical and empirical study explores what happens in the minds of engaged readers when they read literature. It considers the roles that the text, the reading context, cognition, and emotion play, and it argues for the importance of understanding the "oceanic" interaction that takes place between those inputs.
Author | : Michael Burke |
Publisher | : Oxford University Press |
Total Pages | : 369 |
Release | : 2016-12-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 0190643072 |
This book brings together researchers with cognitive-scientific and literary backgrounds to present innovative research in all three variations on the possible interactions between literary studies and cognitive science. The tripartite structure of the volume reflects a more ambitious conception of what cognitive approaches to literature are and could be than is usually encountered, and thus aims both to map out and to advance the field. The first section corresponds to what most people think of as "cognitive poetics" or "cognitive literary studies": the study of literature by literary scholars drawing on cognitive-scientific methods, findings, and/or debates to yield insights into literature. The second section demonstrates that literary scholars needn't only make use of cognitive science to study literature, but can also, in a reciprocally interdisciplinary manner, use a cognitively informed perspective on literature to offer benefits back to the cognitive sciences. Finally, the third section, "literature in cognitive science", showcases some of the ways in which literature can be a stimulating object of study and a fertile testing ground for theories and models, not only to literary scholars but also to cognitive scientists, who here engage with some key questions in cognitive literary studies with the benefit of their in-depth scientific knowledge and training.
Author | : Roel M. Willems |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2015-02-12 |
Genre | : Computers |
ISBN | : 1107042011 |
Contributors to this book argue that we should study the brain basis of language as used in our daily lives.
Author | : Patrick Hogan |
Publisher | : Routledge |
Total Pages | : 243 |
Release | : 2017-11-30 |
Genre | : Literary Criticism |
ISBN | : 1317289595 |
Literature and Emotion not only provides a defining overview of the field but also engages with emerging trends. Answering key questions such as ‘What is emotion?’ and ‘Why emotion and literature today?,’ Patrick Colm Hogan presents a clear and accessible introduction to this exciting topic. Readers should come away from the book with a systematic understanding of recent research on and theorization of emotion, knowledge of the way affective science has impacted literary study, and a sense of how to apply that understanding and knowledge to literary works.
Author | : Robert Louis Stevenson |
Publisher | : |
Total Pages | : 220 |
Release | : 1893 |
Genre | : English literature |
ISBN | : |
Author | : Lisa Zunshine |
Publisher | : Ohio State University Press |
Total Pages | : 210 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 0814210287 |
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski's Crime and Punishment, and Austen s Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett s The Maltese Falcon. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.
Author | : David S. Miall |
Publisher | : Peter Lang |
Total Pages | : 246 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9780820486475 |
This is the first major book in English on literary reading to be based on empirical methods. Moving the focus away from interpretation to the experience of literary texts, these studies demonstrate the role played by feeling in readers' responses, showing how feeling performs important functions during reading that cannot be accounted for by cognitive understanding. These studies not only reinvigorate the concept of literariness, they are also thoroughly interdisciplinary, offering a coherent approach to literary reading that draws on literary theory, psychology, neuropsychology, and evolutionary psychology. Several chapters help to introduce the empirical approach for students.
Author | : Ingeborg Jandl |
Publisher | : transcript Verlag |
Total Pages | : 385 |
Release | : 2018-07-31 |
Genre | : Literary Criticism |
ISBN | : 3839437938 |
After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer.
Author | : Peter Stockwell |
Publisher | : Psychology Press |
Total Pages | : 214 |
Release | : 2002 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780415258944 |
Cognitive poetics is essentially a way of thinking about literature. The reader is encouraged to re-evaluate all the categories used to understand literary reading and analysis.