Literary Impressionism And Modernist Aesthetics
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Author | : Jesse Matz |
Publisher | : Cambridge University Press |
Total Pages | : 292 |
Release | : 2001-08-02 |
Genre | : Literary Criticism |
ISBN | : 0521803527 |
This 2001 study addresses the problems of perception and representation that occupied modernist writers such as James, Conrad and Woolf.
Author | : Jesse Matz |
Publisher | : Columbia University Press |
Total Pages | : 357 |
Release | : 2017-01-31 |
Genre | : Literary Criticism |
ISBN | : 0231543050 |
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.
Author | : Rebecca Bowler |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2016-09-22 |
Genre | : Literary Criticism |
ISBN | : 1474269060 |
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.
Author | : David Bradshaw |
Publisher | : John Wiley & Sons |
Total Pages | : 616 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405154675 |
The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism
Author | : Jane Goldman |
Publisher | : Cambridge University Press |
Total Pages | : 268 |
Release | : 2001-01-04 |
Genre | : Art |
ISBN | : 9780521794589 |
Jane Goldman offers a revisionary, feminist reading of Woolf's work. Focusing on Woolf's engagement with the artistic theories of her time, Goldman analyses Woolf's fascination with the Post-impressionist exhibition of 1920 and the solar eclipse of 1927 by linking her response to a much wider literary and cultural context. Lavishly illustrated with colour pictures, this book will appeal not only to scholars working on Woolf, but also to students of modernism, art history, and women's studies.
Author | : David Bradshaw |
Publisher | : John Wiley & Sons |
Total Pages | : 626 |
Release | : 2008-10-20 |
Genre | : Literary Criticism |
ISBN | : 1405188227 |
The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism
Author | : Richard Begam |
Publisher | : Duke University Press |
Total Pages | : 348 |
Release | : 2007-10-15 |
Genre | : Literary Criticism |
ISBN | : 9780822340386 |
The essays in Modernism and Colonialism offer revisionary accounts of major British and Irish literary modernists relation to colonialism.
Author | : Ford Madox Ford |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 176 |
Release | : 2018-10-07 |
Genre | : |
ISBN | : 9781727680195 |
The Good Soldier A Tale of Passion by Ford Madox Ford At the fashionable German spa town Bad Nauheim, two wealthy, fin de siecle couples - one British, the other American - meet for their yearly assignation. As their story moves back and forth in time between 1902 and 1914, the fragile surface propriety of the pre - World War I society in which these four characters live is ruptured - revealing deceit, hatred, infidelity, and betrayal. "The Good Soldier" is Edward Ashburnham, who, as an adherent to the moral code of the English upper class, is nonetheless consumed by a passion for women younger than his wife - a stoic but fallible figure in what his American friend, John Dowell, calls "the saddest story I ever heard."
Author | : Megan Quigley |
Publisher | : Cambridge University Press |
Total Pages | : 243 |
Release | : 2015-02-02 |
Genre | : Literary Criticism |
ISBN | : 131619566X |
Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.
Author | : Jesse Matz |
Publisher | : John Wiley & Sons |
Total Pages | : 200 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470777028 |
This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to understand and appreciate the more difficult forms of modern fiction Pays attention both to the practice of novel writing and to theoretical debates among novelists. Claims that the novel is as purposeful and relevant today as it was a hundred years ago. Serves as an excellent springboard for classroom discussions of the nature and purpose of modern fiction.