Listening In Broadcasts Speeches And Interviews By Elizabeth Bowen
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| Author | : Allan Hepburn |
| Publisher | : Edinburgh University Press |
| Total Pages | : 393 |
| Release | : 2010-05-01 |
| Genre | : Literary Collections |
| ISBN | : 0748642420 |
From the 1940s to the 1960s, Elizabeth Bowen took an active role in spoken media and radio in particular by writing essays for broadcast, improvising interviews on the air and giving public lectures. During her lifetime, she published few of her broadcasts. Listening In brings together a substantial number of her ungathered and unknown works for the first time. Bowen was known as a public intellectual capable of talking on numerous subjects with wit and general insight. Invited to university campuses in the UK and US, she delivered important lectures on language, the 'fear of pleasure', character in fiction, the idea of American homes and other topics. Her first efforts for radio were adaptations of her own short stories and dramatizations of literary subjects. She quickly turned to commentary on culture, such as the beginning of the BBC Third Programme and the atmosphere in postwar Czechoslovakia. She documented her love of cinema in the 1930s and the making of Lawrence of Arabia in the 1960s, and broadcast on Queen Elizabeth II, Katherine Mansfield, Frances Burney and Jane Austen.
| Author | : Gildersleeve Jessica Gildersleeve |
| Publisher | : Edinburgh University Press |
| Total Pages | : 238 |
| Release | : 2019-08-28 |
| Genre | : Creation (Literary, artistic, etc.) |
| ISBN | : 147445867X |
Explores Elizabeth Bowen's significant contribution to twentieth-century literary theoryProvides new avenues for research in Bowen studies in ways that are concerned primarily with Bowen's perception of writing and narrativeMoves away from perceptions of Bowen's writing tied to existing ideological categories, such as viewing her work through a lens of psychoanalysis, modernism, or Irish or British history and which emphasise Bowen's innovation not as central to our understanding of the changes happening in twentieth-century literature and history, but as instead a point of 'difficulty'Recognises Bowen's innovation, experimentation and her impact on her contemporaries and literary descendants From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the way in which Bowen's work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. The eleven chapters present new scholarship on Bowen's inventiveness and unique writing style and attachment to objects, covering topics such as queer adolescents, housekeeping, female fetishism, habit and new technologies such as the telephone.
| Author | : Ashley Maher |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 2020 |
| Genre | : Architecture |
| ISBN | : 0198816480 |
Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself.
| Author | : Anna Snaith |
| Publisher | : Cambridge University Press |
| Total Pages | : 752 |
| Release | : 2020-06-18 |
| Genre | : Literary Criticism |
| ISBN | : 1108809200 |
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.
| Author | : Elizabeth Bowen |
| Publisher | : Everyman's Library |
| Total Pages | : 922 |
| Release | : 2019-10-15 |
| Genre | : Fiction |
| ISBN | : 1101908181 |
A beautiful hardcover edition of the collected short stories of "one of the best short story writers who ever lived" (Newsweek)—with an introduction by the Booker Prize-winning author of The Sea. Widely known for her extraordinary novels, including The Heat of the Day, The House in Paris, and The Death of the Heart, Elizabeth Bowen established herself in the front rank of twentieth-century writers equally through her short fiction. This collection includes seventy-nine magnificent stories written over the course of four decades, including such beloved classics as “Mysterious Kôr,” “The Demon Lover,” “Summer Night,” “Ivy Gripped the Steps,” and “The Happy Autumn Fields.” Whether placing her reader in a remote Irish castle or a seaside Italian villa or bomb-scarred London during the Blitz, Bowen was famous for scene setting of almost hallucinatory vividness, but her ability to evoke inner landscapes of spellbinding intensity was even more remarkable. Frustrated lovers, acutely observed children, and even vengeful ghosts inhabit her tales with an urgency and emotional complexity that make it clear that the drama of human consciousness was her central subject. These stories are enduring testimony to Bowen’s reputation as a creator of finely chiseled narratives—rich in imagination, psychological insight, and craft—that transcend their time and place.
| Author | : Patricia Laurence |
| Publisher | : Springer Nature |
| Total Pages | : 366 |
| Release | : 2019-12-03 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3030264157 |
Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
| Author | : Robert Higney |
| Publisher | : University of Virginia Press |
| Total Pages | : 324 |
| Release | : 2022-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 0813948614 |
How do our institutions shape us, and how do we shape them? From the late nineteenth-century era of high imperialism to the rise of the British welfare state in the mid-twentieth century, the concept of the institution was interrogated and rethought in literary and intellectual culture. In Institutional Character, Robert Higney investigates the role of the modernist novel in this reevaluation, revealing how for a diverse array of modernist writers, character became an attribute of the institutions of the state, international trade, communication and media, labor, education, public health, the military, law, and beyond. In readings of figures from the works of E. M. Forster, Joseph Conrad, and Virginia Woolf to Mulk Raj Anand, Elizabeth Bowen, and Zadie Smith, Higney presents a new history of character in modernist writing. He simultaneously tracks how writers themselves turned to the techniques of fiction to help secure a place in the postwar institutions of literary culture. In these narratives—addressing imperial administrations, global financial competition, women’s entry into the professions, colonial nationalism, and wartime espionage—we are shown the generative power of institutions in preserving the past, designing the present, and engineering the future, and the constitutive involvement of individuals in collective life.
| Author | : Claire Davison |
| Publisher | : Edinburgh University Press |
| Total Pages | : 264 |
| Release | : 2020-03-27 |
| Genre | : Literary Criticism |
| ISBN | : 1474441890 |
Explores modernist aesthetics and cultural exchange in Britain, France and beyond Offers cutting-edge explorations of different aspects of artistic exchange between Britain and France, written by experts on both sides of the ChannelProvides original close readings of canonical and marginalised modernist textsOpens up new conceptual paradigms by probing multiple meanings related to 'crossing' and 'channelling' modernismOrganises chapters around three key themes of 'translating', 'fashioning', 'mediating' that intervene in the new modernist studiesDescribed by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchangesa ina Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent,a internationala context.
| Author | : Audrey McNamara |
| Publisher | : Springer Nature |
| Total Pages | : 291 |
| Release | : 2020-07-13 |
| Genre | : Performing Arts |
| ISBN | : 3030421139 |
This book is an anthology focused on Shaw’s efforts, literary and political, that worked toward a modernizing Ireland. Following Declan Kiberd’s Foreword and the editor’s Introduction, the contributing chapters, in their order of appearance, are from President of Ireland Michael D. Higgins, Anthony Roche, David Clare, Elizabeth Mannion, Nelson O’Ceallaigh Ritschel, Aisling Smith, Susanne Colleary, Audrey McNamara, Aileen R. Ruane, Peter Gahan, and Gustavo A. Rodriguez Martin. The essays establish that Shaw’s Irishness was inherent and manifested itself in his work, demonstrating that Ireland was a recurring feature in his considerations. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw’s place within the Irish spheres of literature and politics.
| Author | : Philip Tew |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 368 |
| Release | : 2022-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1350143030 |
How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
