The National Union Catalog, Pre-1956 Imprints
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1974 |
Genre | : Catalogs, Union |
ISBN | : |
Download Lilly Bulletin No 1 Lilly Foster Bulletin No 2 Foster Hall Bulletin No 3 Etc On The Compositions Of Stephen Collins Foster full books in PDF, epub, and Kindle. Read online free Lilly Bulletin No 1 Lilly Foster Bulletin No 2 Foster Hall Bulletin No 3 Etc On The Compositions Of Stephen Collins Foster ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1974 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : British Library |
Publisher | : |
Total Pages | : 512 |
Release | : 1977 |
Genre | : English imprints |
ISBN | : |
Author | : Stephen Collins Foster |
Publisher | : |
Total Pages | : 240 |
Release | : 1854 |
Genre | : Instrumental music |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 582 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : Roland M. Baumann |
Publisher | : Ohio University Press |
Total Pages | : 271 |
Release | : 2014-07-31 |
Genre | : History |
ISBN | : 0821443631 |
In 1835 Oberlin became the first institute of higher education to make a cause of racial egalitarianism when it decided to educate students “irrespective of color.” Yet the visionary college’s implementation of this admissions policy was uneven. In Constructing Black Education at Oberlin College: A Documentary History, Roland M. Baumann presents a comprehensive documentary history of the education of African American students at Oberlin College. Following the Reconstruction era, Oberlin College mirrored the rest of society as it reduced its commitment to black students by treating them as less than equals of their white counterparts. By the middle of the twentieth century, black and white student activists partially reclaimed the Oberlin legacy by refusing to be defined by race. Generations of Oberlin students, plus a minority of faculty and staff, rekindled the college’s commitment to racial equality by 1970. In time, black separatism in its many forms replaced the integrationist ethic on campus as African Americans sought to chart their own destiny and advance curricular change. Oberlin’s is not a story of unbroken progress, but rather of irony, of contradictions and integrity, of myth and reality, and of imperfections. Baumann takes readers directly to the original sources by including thirty complete documents from the Oberlin College Archives. This richly illustrated volume is an important contribution to the college’s 175th anniversary celebration of its distinguished history, for it convincinglydocuments how Oberlin wrestled over the meaning of race and the destiny of black people in American society.
Author | : Kentucky Historical Society |
Publisher | : |
Total Pages | : 430 |
Release | : 1935 |
Genre | : Electronic journals |
ISBN | : |
Author | : University of California, Berkeley. Library |
Publisher | : |
Total Pages | : 1020 |
Release | : 1963 |
Genre | : Library catalogs |
ISBN | : |
Author | : Arie Wallert |
Publisher | : Getty Publications |
Total Pages | : 241 |
Release | : 1995-08-24 |
Genre | : Art |
ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.