Life Writing Genre And Criticism In The Texts Of Sylvia Townsend Warner And Valentine Ackland
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| Author | : Ailsa Granne |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2020-05-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000091996 |
Sylvia Townsend Warner has increasingly become recognized as a significant and distinctive talent amongst twentieth-century authors. This volume explores her remarkable relationship with Valentine Ackland - her partner for forty years - by closely examining their letters and diaries alongside a selection of their other texts, in particular their poetry. This analysis reveals the crucial role their writing played in establishing, maintaining, and defending their intimacy and describes the emergence of an alternative textual world upon which they became wholly reliant. Examining how Warner and Ackland exploited the distance between their lived life and their accounts of it, gives rise to many fascinating and untold stories. Furthermore, in investigating the fluidity of the boundaries between letters, diaries and fiction this book also provides a fresh perspective on these life-writing forms. Warner and Ackland's need to speak as women, writers and lovers, shaped their texts, so that they became not simply records of events, nor acts of communication, but complex documents in which love is won and lost, myths are created, and lives are changed, as will be the perspectives of those who read this book.
| Author | : Valentine Ackland |
| Publisher | : Random House (UK) |
| Total Pages | : 152 |
| Release | : 1989 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Valentine Ackland, writer and poet, was for 40 years the closest companion of Sylvia Townsend Warner, for whom she wrote this autobiographical essay. It tells of her childhood, life in London in the 1920s, lesbian relationships, a hopeless marriage and her fight against alcoholism.
| Author | : Sylvia Townsend Warner |
| Publisher | : New York Review of Books |
| Total Pages | : 215 |
| Release | : 2011-06-08 |
| Genre | : Fiction |
| ISBN | : 1590174062 |
In revolutionary Paris, a disaffected Victorian wife becomes enraptured by her husband’s mistress—a “brilliantly entertaining” historical fiction novel that was “far ahead of its time” (Guardian). “One of the great under-read British novelists of the 20th century . . . my favorite of her novels.” —Sarah Waters, author of Fingersmith Sophia Willoughby, a young Englishwoman from an aristocratic family and a person of strong opinions and even stronger will, has packed her cheating husband off to Paris. He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades. Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.
| Author | : Sylvia Townsend Warner |
| Publisher | : New York Review of Books |
| Total Pages | : 425 |
| Release | : 2019-09-10 |
| Genre | : Fiction |
| ISBN | : 1681373882 |
A unique novel about life in a 14th-century convent by one of England's most original authors. Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the reader in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, and seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves. The book that emerges is a picture of a world run by women but also a story—stirring, disturbing, witty, utterly entrancing—of a community. What is the life of a community and how does it support, or constrain, a real humanity? How do we live through it and it through us? These are among the deep questions that lie behind this rare triumph of the novelist’s art.
| Author | : S Warner |
| Publisher | : Random House |
| Total Pages | : 417 |
| Release | : 2013-07-31 |
| Genre | : Literary Collections |
| ISBN | : 1448189969 |
Very early in her career Sylvia Townsend Warner won recognition of a discerning group of writers and readers on both sides of rare imagination and originality increased with each new publication. In addition to publishing some twenty books she wrote thousands of letters, mainly to close friends and acquaintances, and these quite naturally provide a record of almost fifty years of the writer’s life. As the editor of the selection says, she had a connoisseur’s eye for the bogus and a hatred for assumptions of privilege – her heart was with the hunted, always, and her deep understanding of human behaviour makes the whole a remarkably compassionate volume. Her interests are wide-ranging, and we read of the pleasures of travel, Proust’s shortcomings as a literary critic, current politics, Rupert Brooke at the Café Royal, an eccentric moorhen, the Spanish Civil War. Above all, apart from their intrinsic interest and literary quality, Miss Warner’s letters reveal the special brand of wit and humour that pervades every word she writes.
| Author | : Melanie Micir |
| Publisher | : Princeton University Press |
| Total Pages | : 217 |
| Release | : 2019-10-08 |
| Genre | : History |
| ISBN | : 0691193118 |
Examines the biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history.
| Author | : Dandan Zhang |
| Publisher | : Routledge |
| Total Pages | : 279 |
| Release | : 2020-09-23 |
| Genre | : Foreign Language Study |
| ISBN | : 1000190935 |
This volume considers the highly convoluted relationship between F. R. Leavis and T. S. Eliot, comparing their ideas in literary and cultural criticism, and connecting it to the broader discourse of English Studies as a university subject that developed in the first half of the twentieth century. Comparing and contrasting all the many writings of Leavis on Eliot, and the two on Lawrence, the study examines how Eliot is formative for the theory and practice of Leavis’s literary criticism in both positive and negative ways, and investigates Lawrence’s significance in relation to Leavis’s changing attitude to Eliot. It also examines how profound differences in social, cultural, religious and national thinking strengthened Leavis’s alliance with Lawrence to the detriment of his relationship with Eliot. These differences between the two writers are presented as dichotomies between nationalism and Europeanism/internationalism, ruralism/organicism and industrialism/metropolitanism, and relate to the two men’s views on literary education, the subject of ‘English’ and the position of the Classics in the curriculum. It explores how Leavis’s increasingly conflicted feelings about a figure to whom he owned an enormous critical debt and inspiration, but whose various beliefs and literary affiliations caused him much misgiving, result in a deep sense of division in Leavis himself which he sought to transfer onto Eliot as what he called a pathological ‘case’.
| Author | : Feroza Jussawalla |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2021-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1000367312 |
Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. Muslim Women Writers from the Middle East from Out al-Kouloub al-Dimerdashiyyah (1899–1968) and Latifa al-Zayat (1923–1996) from Egypt, to current diasporic writers such as Tamara Chalabi from Iraq, Mohja Kahf from Syria, and even trendy writers such as Alexandra Chreiteh, challenge the received notion of Middle Eastern women as subjugated and secluded. The younger largely Muslim women scholars collected in this book present cutting edge theoretical perspectives on these Muslim women writers. This book includes essays from the conflict-ridden countries such as Iran, Iraq, Palestine, Syria, and the resultant diaspora. The strengths of Muslim women writers are captured by the scholars included herein. The approach is feminist, post-colonial, and disruptive of Western stereotypical academic tropes.
| Author | : Eli Park Sorensen |
| Publisher | : Routledge |
| Total Pages | : 240 |
| Release | : 2021-04-28 |
| Genre | : History |
| ISBN | : 100038201X |
As the scholarly world attunes itself once again to the specifically political, this book rethinks the political significance of literary realism within a postcolonial context. Generally, postcolonial studies has either ignored realism or criticized it as being naïve, anachronistic, deceptive, or complicit with colonial discourse; in other words—incongruous with the postcolonial. This book argues that postcolonial realism is intimately connected to the specifically political in the sense that realist form is premised on the idea of a collective reality. Discussing a range of literary and theoretical works, Dr. Sorensen exemplifies that many postcolonial writers were often faced with the realities of an unstable state, a divided community inhabiting a contested social space, the challenges of constructing a notion of ‘the people,’ often out of a myriad of local communities with different traditions and languages brought together arbitrarily through colonization. The book demonstrates that the political context of realism is the sphere or possibility of civil war, divided societies, and unstable communities. Postcolonial realism is prompted by disturbing political circumstances, and it gestures toward a commonly imagined world, precisely because such a notion is under pressure or absent.
| Author | : Louise McDonald |
| Publisher | : Routledge |
| Total Pages | : 389 |
| Release | : 2020-08-31 |
| Genre | : Literary Criticism |
| ISBN | : 1000206076 |
This feminist investigation of the works of Clemence Dane joins the growing body of research into the relationship of female-authored texts to the ideology and cultural hegemony of the Edwardian and inter-war period. An amalgam of single-author study and thematic period analysis, through sustained cultural engagement, this book explores Dane’s journalism, drama and fiction to interrogate a range of issues: inter-war women’s writing, the Middlebrow, feminism, (homo) sexuality, liberal politics, domesticity, and concepts of the spinster. It examines form and a range of fictional genres: drama, bildungsroman, detective fiction, historical saga and gothic fiction. It relates back to the genre writing of comparable authors. These include Rosamond Lehmann, Vita Sackville-West, Ivy Compton-Burnett, Dorothy Strachey, Dodie Smith, Rachel Ferguson, May Sinclair, Sylvia Townsend Warner, Daphne Du Maurier, G.B.Stern, and detective writers: Dorothy L. Sayers, Agatha Christie, Gladys Mitchell, Marjorie Allingham and Ngaio Marsh. Offering a picture of an era, focalised through Dane and contextualised through her journalism and the work of her female peers, it argues that Dane is often markedly more radically feminist than these contemporaries. She engages with broad issues of social justice irrespective of gender and her humanity is demonstrated through her sympathetic representations of marginalised characters of both sexes. However, she most specifically evidences a gender politics consistent with the fragmented and multifarious essentialist feminism that emerged following the Great War, which esteemed ‘womanly’ qualities of care and mothering but simultaneously valued female autonomy, single status and professionalism. Adopting the critical paradigms of domestic modernism and women‘s liminality, the book will particularly focus on the trajectories of Dane’s extraordinary modern heroines, who possess qualities of altruism, candour, integrity, imagination, intuition, resilience and rebelliousness. Over the course of her work, these fictional women increasingly challenge oppressive normative forms of domesticity, traversing physical thresholds to create alternative domesticities in self-defining living and working spaces.
