Life of Bishop John Wordsworth
Author | : Edward William Watson |
Publisher | : |
Total Pages | : 444 |
Release | : 1915 |
Genre | : Clergy |
ISBN | : |
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Author | : Edward William Watson |
Publisher | : |
Total Pages | : 444 |
Release | : 1915 |
Genre | : Clergy |
ISBN | : |
Author | : R.M. Seiler |
Publisher | : Routledge |
Total Pages | : 476 |
Release | : 2013-10-15 |
Genre | : Literary Criticism |
ISBN | : 113616989X |
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Author | : Dustin Friedman |
Publisher | : Johns Hopkins University Press |
Total Pages | : 249 |
Release | : 2019-09-03 |
Genre | : Literary Criticism |
ISBN | : 1421431475 |
A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory. Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community. Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being queer can be an advantage not in spite but because of social hostility toward nonnormative desires. Showing how aesthetes—among them Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field—harnessed the force that Georg Wilhelm Friedrich Hegel called "the negative," Friedman reveals how becoming self-aware of one's sexuality through art can be both liberating and affirming of humanity's capacity for subjective autonomy. Challenging one of the central precepts of modern queer theory—the notion that the heroic subject of Enlightenment thought is merely an effect of discourse and power—Friedman develops a new framework for understanding the relationship between desire and self-determination. He also articulates an innovative, queer notion of subjective autonomy that encourages reflecting critically on one's historical moment and envisioning new modes of seeing, thinking, and living that expand the boundaries of social and intellectual structures. Before Queer Theory is an audacious reimagining that will appeal to scholars with interests in Victorian studies, queer theory, gender and sexuality studies, and art history.
Author | : Charles Frederick Nolloth |
Publisher | : |
Total Pages | : 628 |
Release | : 1917 |
Genre | : Bible |
ISBN | : |
Author | : Martin Lowther Clarke |
Publisher | : Cambridge University Press |
Total Pages | : 247 |
Release | : 2014-01-02 |
Genre | : Education |
ISBN | : 1107622069 |
Originally published in 1959, this book examines the history of classical education in Britain, beginning in the sixteenth century with the rise of humanism, which emphasized the importance of reading only the best Latin authors and re-introduced Roman structures of education in the form of grammar schools. Clarke also uses Scotland to compare and contrast with the educational history of England, particularly the ways in which the teaching of classics changed and developed over time. This book will be of value to anyone with an interest in the history of education in general, and the history of classical education in particular.
Author | : Frances Knight |
Publisher | : Bloomsbury Publishing |
Total Pages | : 358 |
Release | : 2015-10-23 |
Genre | : Religion |
ISBN | : 0857729861 |
The period known as the fin de siecle - defined in this groundbreaking book as chiefly the period between1885 and 1901 - was a fluid and unsettling epoch of optimism and pessimism, endings and beginnings, aswell as of new forms of creativity and anxiety. The end of the century has attracted much interest from scholars of literary and cultural studies, who regard it as a critical moment in the history of their disciplines; but it has been relatively ignored by religious historians. Frances Knight here sets right that neglect. She shows how late Victorian society (often said to be one of the most intensely Christian cultures the world has ever seen) reacted to the bold agendas being set by the thinkers of the fin de siecle; and how prominent Church figures during the era first identified many of the concerns that have preoccupied Christians latterly. These include an active interest in social justice and the creation of new types of communities; increasingly open discussion of the sexual exploitation of children; debates about society's 'decadence'; new ideas about the role of women; and the belief in the redemptive powers of art, pioneered by figures as diverse as P.T. Forsyth, Percy Dearmer and Samuel and Henrietta Barnett.Examining in particular the Christian world of fin de siecle London, the author offers penetrating insights intoa society in which the ritual and culture of Christianity sometimes permeated the aesthetic movement andwhere devotees of the aesthetic movement - like Walter Pater, Oscar Wilde and their disciples - often revealed a fascination with Christianity. She argues that the 'long 1890s' was a decisive decade in which various sections of Christian opinion, both on the progressive and the more conservative wings of the faith, began to express views which set the tone for attitudes which would become commonplace in the twentieth century. Victorian Christianity at the Fin de Siecle is the focussed treatment of religion and culture at the end of the nineteenth century that the field has long needed. It will be welcomed by scholars of church history, social and cultural history and the history of ideas.
Author | : Glasgow (Scotland). Public Libraries |
Publisher | : |
Total Pages | : 162 |
Release | : 1919 |
Genre | : |
ISBN | : |
Author | : Edward William Watson |
Publisher | : |
Total Pages | : 432 |
Release | : 2008-06-01 |
Genre | : |
ISBN | : 9781436663328 |
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author | : Stefano Villani |
Publisher | : Oxford University Press |
Total Pages | : 313 |
Release | : 2022-01-25 |
Genre | : Religion |
ISBN | : 0197587755 |
For almost three hundred years there were those in England who believed that an Italian translation of the Book of Common Prayer could trigger radical change in the political and religious landscape of Italy. The aim was to present the text to the Italian religious and political elite, in keeping with the belief that the English liturgy embodied the essence of the Church of England. The beauty, harmony, and simplicity of the English liturgical text, rendered into Italian, was expected to demonstrate that the English Church came closest to the apostolic model. Beginning in the Venetian Republic and ending with the Italian Risorgimento, the leitmotif running through the various incarnations of this project was the promotion of top-down reform according to the model of the Church of England itself. These ventures mostly had little real impact on Italian history: as Roy Foster once wrote, "the most illuminating history is often written to show how people acted in the expectation of a future that never happened." This book presents one of those histories. Making Italy Anglican tells the story of a fruitless encounter that helps us better to understand both the self-perception of the Church of England's international role and the cross-cultural and religious relations between Britain and Italy. Stefano Villani shows how Italy, as the heart of Roman Catholicism, was--over a long period of time--the very center of the global ambitions of the Church of England.