Life Forms In The Thinking Of The Long Eighteenth Century
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| Author | : Keith Baker |
| Publisher | : University of Toronto Press |
| Total Pages | : 279 |
| Release | : 2016-06-16 |
| Genre | : History |
| ISBN | : 1442630264 |
For many years, scholars have been moving away from the idea of a singular, secular, rationalistic, and mechanistic “Enlightenment project.” Historian Peter Reill has been one of those at the forefront of this development, demonstrating the need for a broader and more varied understanding of eighteenth-century conceptions of nature. Life Forms in the Thinking of the Long Eighteenth Century is a unique reappraisal of Enlightenment thought on nature, biology, and the organic world that responds to Reill’s work. The ten essays included in the collection analyse the place of historicism, vitalism, and esotericism in the eighteenth century – three strands of thought rarely connected, but all of which are central to Reill’s innovative work. Working across national and regional boundaries, they engage not only French and English but also Italian, Swiss, and German writers.
| Author | : Heather Keenleyside |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 281 |
| Release | : 2016-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 0812293304 |
In Animals and Other People, Heather Keenleyside argues for the central role of literary modes of knowledge in apprehending animal life. Keenleyside focuses on writers who populate their poetry, novels, and children's stories with conspicuously figurative animals, experiment with conventional genres like the beast fable, and write the "lives" of mice as well as men. From such writers—including James Thomson, Daniel Defoe, Jonathan Swift, Laurence Sterne, Anna Letitia Barbauld, and others—she recovers a key insight about the representation of living beings: when we think and write about animals, we are never in the territory of strictly literal description, relying solely on the evidence of our senses. Indeed, any description of animals involves personification of a sort, if we understand personification not as a rhetorical ornament but as a fundamental part of our descriptive and conceptual repertoire, essential for distinguishing living beings from things. Throughout the book, animals are characterized by a distinctive mode of agency and generality; they are at once moving and being moved, at once individual beings and generic or species figures (every cat is also "The Cat"). Animals thus become figures with which to think about key philosophical questions about the nature of human agency and of social and political community. They also come into view as potential participants in that community, as one sort of "people" among others. Demonstrating the centrality of animals to an eighteenth-century literary and philosophical tradition, Animals and Other People also argues for the importance of this tradition to current discussions of what life is and how we might live together.
| Author | : Sarah Cohen |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2021-02-11 |
| Genre | : Art |
| ISBN | : 1350203602 |
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
| Author | : Anne E. Duggan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2021-07-15 |
| Genre | : History |
| ISBN | : 1350287539 |
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume traces the evolution of the genre over the period known as the long eighteenth century. It explores key developments including: the French fairy tale vogue of the 1690s, dominated by women authors including Marie-Catherine d'Aulnoy and Marie-Jeanne Lhéritier, the fashion of the oriental tale in the early eighteenth century, launched by Antoine Galland's seminal translation of The Thousand and One Nights from Arabic into French, and the birth of European children's literature in the second half of the eighteenth century. Drawing together contributions from an international range of scholars in history, literature and cultural studies, this volume examines the intersections between diverse national tale traditions through different critical perspectives, producing an authoritative transnational history of the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
| Author | : Adriana Craciun |
| Publisher | : University of Toronto Press |
| Total Pages | : 255 |
| Release | : 2019-01-01 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1487503679 |
With contributions from historians, literary critics, and geographers, Curious Encounters uncovers a rich history of global voyaging, collecting, and scientific exploration in the long eighteenth century. Leaving behind grand narratives of discovery, these essays collectively restore a degree of symmetry and contingency to our understanding of encounters between European and Indigenous people. To do this the essays consider diverse agents of historical change, both human and inanimate: commodities, curiosities, texts, animals, and specimens moved through their own global circuits of knowledge and power. The voyages and collections rediscovered here do not move from a European center to a distant periphery, nor do they position European authorities as the central agents of this early era of globalization. Long distance voyagers from Greenland to the Ottoman Empire crossed paths with French, British, Polynesian, and Spanish travelers across the world, trading objects and knowledge for diverse ends. The dynamic contact zones of these curious encounters include the ice floes of the Arctic, the sociable spaces of the tea table, the hybrid material texts and objects in imperial archives, and the collections belonging to key figures of the Enlightenment, including Sir Hans Sloane and James Petiver.
| Author | : Gianni Paganini |
| Publisher | : University of Toronto Press |
| Total Pages | : 449 |
| Release | : 2020-01-29 |
| Genre | : Philosophy |
| ISBN | : 1487530552 |
Clandestine philosophical manuscripts, made up of forbidden works including erotic texts, political pamphlets, satires of court life, forbidden religious texts, and books about the occult, had an avid readership in the seventeenth and eighteenth centuries, becoming objects of historical research by the twentieth century. The purveyors of the clandestine could be found in the Dutch Republic, Switzerland, Denmark, Spain, and not least in Paris or London. Despite the heavy risks, including prison, the circulation of these manuscripts was a prosperous venture. After Ira Wade’s pioneering contribution (1938), Clandestine Philosophy is the first work in English entirely focused on the philosophical clandestine manuscripts that preceded and accompanied the birth of the Enlightenment. Topics from philosophy, political and religious thought, and moral and sexual behaviour are addressed by contemporary authors working in both America and Europe. These manuscripts shed light on the birth of pornography and provide an important avenue for investigating philosophical, religious, political, and social critique.
| Author | : Malina Stefanovska |
| Publisher | : University of Toronto Press |
| Total Pages | : 187 |
| Release | : 2020-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 1487534582 |
Illuminating the legend that Giacomo Casanova singlehandedly created in his famous – and at times infamous – autobiography, The History of My Life, this book provides a timely reassessment of Casanova’s role and importance as an author of the European Enlightenment. From the margins of libertine authorship where he has been traditionally relegated, the various essays in this collection reposition Casanova at the heart of Enlightenment debates on medicine, sociability, gender, and writing. Based on new scholarship, this reappraisal of a key Enlightenment figure explores the period’s fascination with ethnography, its scientific societies, and its understanding of gender, medicine, and women. Casanova is here finally granted his rightful place in cultural and literary history, a place which explains his enduring yet controversial reputation as a figure of seduction and adventure.
| Author | : Lowell Gallagher |
| Publisher | : University of Toronto Press |
| Total Pages | : 253 |
| Release | : 2020-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 1487536240 |
To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare’s plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night’s Dream to King Lear and The Winter’s Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear.
| Author | : Clorinda Donato |
| Publisher | : University of Toronto Press |
| Total Pages | : 375 |
| Release | : 2021-08 |
| Genre | : History |
| ISBN | : 1487508905 |
With a focus on the economic, social, and political impetus for producing monuments to knowledge, this volume recognizes the encyclopedic compilation as the quintessential tool of enlightenment knowledge transfer.
| Author | : Barbara Fuchs |
| Publisher | : University of Toronto Press |
| Total Pages | : 303 |
| Release | : 2020-01-29 |
| Genre | : Literary Criticism |
| ISBN | : 148753549X |
This interdisciplinary collection explores how the early modern pursuit of knowledge in very different spheres – from Inquisitional investigations to biblical polemics to popular healing – was conditioned by a shared desire for certainty, and how epistemological crises produced by the religious upheavals of early modern Europe were also linked to the development of new scientific methods. Questions of representation became newly fraught as the production of knowledge increasingly challenged established orthodoxies. The volume focuses on the social and institutional dimensions of inquiry in light of political and cultural challenges, while also foregrounding the Hispanic world, which has often been left out of histories of scepticism and modernity. Featuring essays by historians and literary scholars from Europe and the United States, The Quest for Certainty in Early Modern Europe reconstructs the complexity of early modern epistemological debates across the disciplines, in a variety of cultural, social, and intellectual locales.
