Revival: A History of Spanish Literature (1930)

Revival: A History of Spanish Literature (1930)
Author: Ernest Merimee
Publisher: Routledge
Total Pages: 668
Release: 2018-05-08
Genre: History
ISBN: 1351349325

The present English version, authorized by the publishers and heirs of M. Merimee, is based on the third French Edition. New material of two sorts has been added, however. First, the translator has been allowed to utlize an annotated, interleaved copy of the Precis, 1922, in which the author, and after his death his son Henri, himself a distinguished Hispanist, had set down material for the next revision. This accounts for many inserted names and phrases, and some paragraphs. Second, the translator has rewritten and added with some freedom.

Hispania

Hispania
Author:
Publisher:
Total Pages: 696
Release: 1929
Genre: Civilization, Hispanic
ISBN:

Vol. 1 includes "Organization number," published Nov. 1917.

A Companion to Golden Age Theatre

A Companion to Golden Age Theatre
Author: Jonathan Thacker
Publisher: Boydell & Brewer Ltd
Total Pages: 248
Release: 2007
Genre: Spanish drama
ISBN: 9781855661400

As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.

A History of Spanish Golden Age Drama

A History of Spanish Golden Age Drama
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
Total Pages: 323
Release: 2021-05-11
Genre: Literary Criticism
ISBN: 0813183561

Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.