Libertinage In Russian Culture And Literature
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Author | : Alexei Lalo |
Publisher | : BRILL |
Total Pages | : 302 |
Release | : 2011-09-09 |
Genre | : Literary Criticism |
ISBN | : 9004211209 |
Much of the previous scholarship on Russia's literary discourses of sexuality and eroticism in the Silver Age was built on applying European theoretical models (from psychoanalysis to feminist theory) to Russia's modernization. This book argues that, at the turn into the twentieth century, Russian popular culture for the first time found itself in direct confrontation with the traditional high cultures of the upper classes and intelligentsia, producing modernized representations of sexuality. This Russian tradition of conflicted representations, heretofore misassessed by literary history, emerges as what Foucault would call a full-blown “bio-history” of Russian culture: a history of indigenous representations of sexuality and the eroticized body capable of innovation on its own terms, not just those derivative from Europe.
Author | : Alexei Lalo |
Publisher | : BRILL |
Total Pages | : 303 |
Release | : 2011-09-09 |
Genre | : Literary Criticism |
ISBN | : 9004211195 |
The monograph explores traditions of expressing the body and sexuality (designated as "silence" and "burlesque") throughout Russia's literary history, with a particular focus on how these traditions affect the literary modernization during the Silver Age (1890-1921) and subsequent émigré writing.
Author | : Andrew Kahn |
Publisher | : Oxford University Press |
Total Pages | : 976 |
Release | : 2018 |
Genre | : Literary Collections |
ISBN | : 0199663947 |
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author | : Brian James Baer |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 225 |
Release | : 2015-11-19 |
Genre | : Literary Criticism |
ISBN | : 1628927992 |
Explores the complex role played by translation in the development of modern Russian literature and Russian national identity.
Author | : Brian James Baer |
Publisher | : Academic Studies PRess |
Total Pages | : 492 |
Release | : 2023-08-22 |
Genre | : Art |
ISBN | : |
While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
Author | : Alexei Lalo |
Publisher | : BRILL |
Total Pages | : 167 |
Release | : 2012-10-19 |
Genre | : Literary Criticism |
ISBN | : 9004237755 |
This anthology of Russian erotic writings of 1900 to 1940 consists of texts previously unavailable in English. They all reflect the fascinating, albeit laborious, nature of the "birth of the body" in the Russian literature and culture of the period.
Author | : Maria Rubins |
Publisher | : Springer |
Total Pages | : 269 |
Release | : 2015-09-29 |
Genre | : Literary Criticism |
ISBN | : 1137508019 |
This book reassesses the role of Russian Montparnasse writers in the articulation of transnational modernism generated by exile. Examining their production from a comparative perspective, it demonstrates that their response to urban modernity transcended the Russian master narrative and resonated with broader aesthetic trends in interwar Europe.
Author | : Katherine Bowers |
Publisher | : Cambridge University Press |
Total Pages | : 317 |
Release | : 2015-06-17 |
Genre | : Literary Criticism |
ISBN | : 131638117X |
Russian literature has a reputation for gloomy texts, especially during the late nineteenth century. This volume argues that a 'fin-de-siècle' mood informed Russian literature long before the chronological end of the nineteenth century, in ways that had significant impact on the development of Russian realism. Some chapters consider ideas more readily associated with fin-de-siècle Europe such as degeneration theory, biodeterminism, Freudian psychoanalysis or apocalypticism, alongside earlier Russian realist texts by writers such as Turgenev, Dostoevsky or Tolstoy. Other chapters explore the changes that realism underwent as modernism emerged, examining later nineteenth-century or early twentieth-century texts in the context of the earlier realist tradition or their own cultural moment. Overall, a team of emerging and established scholars of Russian literature and culture present a wide range of creative and insightful readings that shed new light on later realism in all its manifestations.
Author | : Marianna Muravyeva |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 277 |
Release | : 2014-11-19 |
Genre | : History |
ISBN | : 1443871370 |
This collection of essays, all by Russian scholars, is the first of its kind to address a broad English-speaking audience. It presents the theories and methodologies employed by Russian national historiography to make sense of Russian gender and women's history. The essays in this volume discuss women's and gender history in Russia, highlighting sensitive areas in the Russian academic community and in Russian society in general. The book appears in the context of an intense backlash against t...
Author | : Roman Utkin |
Publisher | : University of Wisconsin Pres |
Total Pages | : 293 |
Release | : 2023-08 |
Genre | : History |
ISBN | : 0299344401 |
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community members balanced their sense of Russianness with their position in a modern Western city charged with artistic, philosophical, and sexual freedom. He highlights how Russian authors abroad engaged with Weimar-era cultural energies while sustaining a distinctly Russian perspective on modernist expression, and follows queer Russian artists and writers who, with their German counterparts, charted a continuous evolution in political and cultural attitudes toward both the Weimar and Soviet states. Utkin provides insight into the exile community in Berlin, which, following the collapse of the tsarist government, was one of the earliest to face and collectively process the peculiarly modern problem of statelessness. Charlottengrad analyzes the cultural praxis of “Russia Abroad” in a dynamic Berlin, investigating how these Russian émigrés and exiles navigated what it meant to be Russian—culturally, politically, and institutionally—when the Russia they knew no longer existed.