Libertas Triumphans

Libertas Triumphans
Author: Charles Gildon
Publisher:
Total Pages: 20
Release: 1708
Genre: Oudenaarde, Battle of, Oudenaarde, Belgium, 1708
ISBN:

F-N

F-N
Author: Charles Archibald Stonehill
Publisher:
Total Pages: 262
Release: 1926
Genre: Anonyms and pseudonyms, American
ISBN:

The Poems of Alexander Pope: Volume One

The Poems of Alexander Pope: Volume One
Author: Julian Ferraro
Publisher: Routledge
Total Pages: 1646
Release: 2019-03-21
Genre: Literary Collections
ISBN: 1317644417

The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope (1688–1744) resulting from a thorough reappraisal of his work, from composition through to reception. The annotations and headnotes are full and informative, and the layout is designed to enable the reader to navigate easily between the poems, the record of variants and the editorial commentary. The poems are presented in chronological order of publication, with original capitalisation, italicisation, punctuation and spelling preserved. A record of variants to each poem illustrates the changes Pope made in subsequent editions, and full editorial annotation sets the poems in appropriate literary, historical and cultural contexts. This volume contains the poetry that appeared between 1709 and 1714, including the Pastorals and the ‘Rape of the Locke’. Much of the publication history of these poems shows Pope collaborating with the major writers and publishers of his time, as might be expected of a writer whose preparation for a literary career was so meticulous. But Pope was also beginning to establish himself on his own account, publishing (at first anonymously) a substantial statement of ideas, An Essay on Criticism. Another separate pamphlet, Windsor-Forest, constituted his distinctive contribution to the heavy freight of ‘Peace’ poems prompted by the Treaty of Utrecht. In all, the poems presented in this volume reveal an engagement with the literary and publishing industry that is at once amenable and independent.

Anonyma and Pseudonyma

Anonyma and Pseudonyma
Author: Charles Archibald Stonehill
Publisher:
Total Pages: 264
Release: 1926
Genre: Anonyms and pseudonyms, American
ISBN:

Poetry and the Creation of a Whig Literary Culture 1681-1714

Poetry and the Creation of a Whig Literary Culture 1681-1714
Author: Abigail Williams
Publisher: Oxford University Press
Total Pages: 312
Release: 2005-03-24
Genre: Literary Criticism
ISBN: 0199255202

"This book offers a revisionist history of early eighteenth-century poetry. It demonstrates that many of the Whig writers frequently attacked as hacks and dunces were in fact successful and popular in their own time. This text maps the evolution of this poetic tradition, examining the relationship between literary and political culture in the early eighteenth-century"--Provided by publisher.

Rebranding Rule

Rebranding Rule
Author: Kevin Sharpe
Publisher: Yale University Press
Total Pages: 825
Release: 2013-06-30
Genre: History
ISBN: 0300164912

In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.

Europa Triumphans

Europa Triumphans
Author: Helen Watanabe-O'Kelly
Publisher: Ashgate Publishing, Ltd.
Total Pages: 1129
Release: 2010-02
Genre: Art
ISBN: 0754696383

A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival. These festivals are considered not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of the festival and of the iconography, spectacle, music, dance, voice and gesture in which they were expressed. To demonstrate the geographic spread and political significance of festivals, and to illustrate the range of aesthetic languages they deploy, the festivals included in these two volumes are grouped in the following sections: Henri III; Genoa; Poland-Lithuania; The Netherlands; The Protestant Union; La Rochelle; Scandinavia; and The New World. These texts provide many valuable insights into the variety of political systems and historical circumstances that formed them. Beautifully produced with 148 black-and-white and 23 colour illustrations, Europa Triumphans represents an invaluable reference source for the study of early modern Europe. It presents texts both in transcription and translated into English, and is supplemented with introductory essays and commentaries. Europa Triumphans is co-published by Ashgate and the Modern Humanities Research Association, in conjunction with the AHRB Centre for the Study of the Renaissance at the University of Warwick, UK.

Chaucer in the Eighteenth Century

Chaucer in the Eighteenth Century
Author: David Hopkins
Publisher: Oxford University Press
Total Pages: 465
Release: 2022-06-16
Genre: Literary Criticism
ISBN: 0192676946

This volume is a study of how the poetry of Chaucer continued to give pleasure in the eighteenth century despite the immense linguistic, literary, and cultural shifts that had occurred in the intervening centuries. It explores translations and imitations of Chaucer's work by Dryden, Pope, and other poets (including Samuel Cobb, John Dart, Christopher Smart, Jane Brereton, William Wordsworth, and Leigh Hunt) from the early eighteenth to the early nineteenth centuries, as well as investigating the beginnings of modern Chaucer editing and biography. It pays particular attention to critical responses to Chaucer by Dryden and the brothers Warton, and includes a chapter on the oblique presence of Chaucer in Samuel Johnson's Dictionary. It explores the ways in which Chaucer's poetry (including several works now known not to be by him) was described, refashioned, reimagined, and understood several centuries after its initial appearance. It also documents the way that views of Chaucer's own character were inferred from his work. The book combines detailed discussion of particular critical and poetic texts, many of them unfamiliar to modern readers, with larger suggestions about the ways in which poetry of the past is received in the future.