Liberating Aesthetics
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A Theological Aesthetics of Liberation
| Author | : Vicente Chong |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 286 |
| Release | : 2019-02-07 |
| Genre | : Religion |
| ISBN | : 1532646143 |
Since its emergence in the sixties of the last century, liberation theology in Latin America has paid little attention to the areas of aesthetics and art. At the same time, theological aesthetics seldom has been directly and explicitly concerned about the reality of the poor and the struggle for justice. This mutual disinterest between liberation theology and theological aesthetics is regrettable, because discerning a correlation between them would benefit both theological disciplines in their attempt to understand the saving action of God in the world. It is the intention of this book to fill that gap. A Theological Aesthetics of Liberation correlates liberation theology and theological aesthetics, exploring different themes such as the liberating power of art, and how the Spirit of God is involved in the process of liberation in and through art. This study is a critical reflection upon the question of the beauty of Jesus Christ, especially in relationship with the event of the cross, and upon its meaning for Christian life. This book analyzes such topics in conversation with important theologians: Gustavo Gutierrez, Jon Sobrino, Karl Rahner, Hans Urs von Balthasar, Edward Schillebeeckx, and other contemporary Christian theologians who have explored these themes.
A Theological Aesthetics of Liberation
| Author | : Vicente Chong |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 246 |
| Release | : 2019-02-07 |
| Genre | : Religion |
| ISBN | : 1532646127 |
Since its emergence in the sixties of the last century, liberation theology in Latin America has paid little attention to the areas of aesthetics and art. At the same time, theological aesthetics seldom has been directly and explicitly concerned about the reality of the poor and the struggle for justice. This mutual disinterest between liberation theology and theological aesthetics is regrettable, because discerning a correlation between them would benefit both theological disciplines in their attempt to understand the saving action of God in the world. It is the intention of this book to fill that gap. A Theological Aesthetics of Liberation correlates liberation theology and theological aesthetics, exploring different themes such as the liberating power of art, and how the Spirit of God is involved in the process of liberation in and through art. This study is a critical reflection upon the question of the beauty of Jesus Christ, especially in relationship with the event of the cross, and upon its meaning for Christian life. This book analyzes such topics in conversation with important theologians: Gustavo Gutiérrez, Jon Sobrino, Karl Rahner, Hans Urs von Balthasar, Edward Schillebeeckx, and other contemporary Christian theologians who have explored these themes.
The Surprising Power of Liberating Structures
| Author | : Henri Lipmanowicz |
| Publisher | : |
| Total Pages | : 366 |
| Release | : 2014-10-28 |
| Genre | : |
| ISBN | : 9780615975306 |
Smart leaders know that they would greatly increase productivity and innovation if only they could get everyone fully engaged. So do professors, facilitators and all changemakers. The challenge is how. Liberating Structures are novel, practical and no-nonsense methods to help you accomplish this goal with groups of any size. Prepare to be surprised by how simple and easy they are for anyone to use. This book shows you how with detailed descriptions for putting them into practice plus tips on how to get started and traps to avoid. It takes the design and facilitation methods experts use and puts them within reach of anyone in any organization or initiative, from the frontline to the C-suite. Part One: The Hidden Structure of Engagement will ground you with the conceptual framework and vocabulary of Liberating Structures. It contrasts Liberating Structures with conventional methods and shows the benefits of using them to transform the way people collaborate, learn, and discover solutions together. Part Two: Getting Started and Beyond offers guidelines for experimenting in a wide range of applications from small group interactions to system-wide initiatives: meetings, projects, problem solving, change initiatives, product launches, strategy development, etc. Part Three: Stories from the Field illustrates the endless possibilities Liberating Structures offer with stories from users around the world, in all types of organizations -- from healthcare to academic to military to global business enterprises, from judicial and legislative environments to R&D. Part Four: The Field Guide for Including, Engaging, and Unleashing Everyone describes how to use each of the 33 Liberating Structures with step-by-step explanations of what to do and what to expect. Discover today what Liberating Structures can do for you, without expensive investments, complicated training, or difficult restructuring. Liberate everyone's contributions -- all it takes is the determination to experiment.
Liberating Literature
| Author | : Maria Lauret |
| Publisher | : Psychology Press |
| Total Pages | : 255 |
| Release | : 1994 |
| Genre | : American fiction |
| ISBN | : 0415065151 |
A bold and revealing book which looks with fresh vision at feminist political writing. Maria Lauret developes a new definition of the genre and illuminates the profound influence and importance of African-American women's writing.
Liberating Language Education
| Author | : Vally Lytra |
| Publisher | : Multilingual Matters |
| Total Pages | : 441 |
| Release | : 2022-02-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1788927966 |
This book responds to a growing body of work in sociolinguistics and applied linguistics that places an emphasis on situated descriptions of language education practices and illuminates how these descriptions are enmeshed with local, institutional and wider social forces. It engages with new ways of understanding language that expand its meaning by including other semiotic resources and meaning-making practices and bring to the fore its messiness and unpredictability. The chapters illustrate how a translingual and transcultural orientation to language and language pedagogy can provide a point of entry to reimagining what language education might look like under conditions of heightened linguistic and cultural diversity and increased linguistic and social inequalities. The book unites an international group of contributors, presenting state-of-the-art empirical studies drawing on a wide range of local contexts and spaces, from linguistically and culturally heterogeneous mainstream and HE classrooms to complementary (community) school and informal language learning contexts.
Liberating Voices
| Author | : Gayl Jones |
| Publisher | : Harvard University Press |
| Total Pages | : 252 |
| Release | : 1991 |
| Genre | : History |
| ISBN | : 9780674530249 |
The powerful novelist here turns penetrating critic, giving usâe"in lively styleâe"both trenchant literary analysis and fresh insight on the art of writing. âeoeWhen African American writers began to trust the literary possibilities of their own verbal and musical creations,âe writes Gayl Jones, they began to transform the European and European American models, and to gain greater artistic sovereignty.âe The vitality of African American literature derives from its incorporation of traditional oral forms: folktales, riddles, idiom, jazz rhythms, spirituals, and blues. Jones traces the development of this literature as African American writers, celebrating their oral heritage, developed distinctive literary forms. The twentieth century saw a new confidence and deliberateness in African American work: the move from surface use of dialect to articulation of a genuine black voice; the move from blacks portrayed for a white audience to characterization relieved of the need to justify. Innovative writingâe"such as Charles Waddell Chesnuttâe(tm)s depiction of black folk culture, Langston Hughesâe(tm)s poetic use of blues, and Amiri Barakaâe(tm)s recreation of the short story as a jazz pieceâe"redefined Western literary tradition. For Jones, literary technique is never far removed from its social and political implications. She documents how literary form is inherently and intensely national, and shows how the European monopoly on acceptable forms for literary art stifled American writers both black and white. Jones is especially eloquent in describing the dilemma of the African American writers: to write from their roots yet retain a universal voice; to merge the power and fluidity of oral tradition with the structure needed for written presentation. With this work Gayl Jones has added a new dimension to African American literary history.
The Szymanowski Companion
| Author | : Dr Paul Cadrin |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 327 |
| Release | : 2015-09-28 |
| Genre | : Music |
| ISBN | : 0754661512 |
This Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
The Liberation of Painting
| Author | : Patricia Leighten |
| Publisher | : University of Chicago Press |
| Total Pages | : 269 |
| Release | : 2013-11-08 |
| Genre | : Art |
| ISBN | : 0226471381 |
The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
Contemporary African American Theater
| Author | : Nilgun Anadolu-Okur |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2013-01-11 |
| Genre | : History |
| ISBN | : 1136614230 |
The Black Arts Movement was sparked by the Civil Rights movement and the urge to produce and revitalize functional, realistic, and holistic symbols to express African American creativity. When Larry Neal began his quest for a new dramatic form to epitomize African American self-determination he laid the foundation upon which his friends and compatriots-Amiri Baraka and Charles Fuller-would build. Expressing their individual protests through their writings, these artists soon united in their attack against Eurocentrism, which traditionally minimized or neglected the roles played by Africans and African Americans on the world stage. Their writings signaled a radical change in the form and content of African American writing, particularly drama. In this insightful examination of African American cultural history, the author explores the heart of the dramatic imagination of African Americans during the turbulent years of the Civil Rights and Black Power movements. The analysis of the works of these three important dramatists reveals the roots of an Afrocentric approach to the theater, and introduces a new methodology for exploring Afrocentrism that is particularly suited to classes in African American drama and literature.ࠁ
