Underground

Underground
Author: Patricia Stranahan
Publisher: Rowman & Littlefield
Total Pages: 310
Release: 1998
Genre: History
ISBN: 9780847687237

This pathbreaking study offers the first in-depth view of the urban revolution during the pivotal Nanjing Decade. Focusing on China's largest and most cosmopolitan city, Stranahan examines how the Party organization in Shanghai-severed from the central leadership and pursued by Guomindang and foreign authorities alike-survived through a flexible organizing strategy attuned to the changing local environment.

Tibet in Agony

Tibet in Agony
Author: Jianglin Li
Publisher: Harvard University Press
Total Pages: 465
Release: 2016-10-10
Genre: History
ISBN: 0674973704

The Chinese Communist government has twice invoked large-scale military might to crush popular uprisings in capital cities. The second incident—the notorious massacre in Tiananmen Square in 1989—is well known. The first, thirty years earlier in Tibet, remains little understood today. Yet in wages of destruction, bloodshed, and trampling of human rights, the tragic toll of March 1959 surpassed Tiananmen. Tibet in Agony provides the first clear historical account of the Chinese crackdown in Lhasa. Sifting facts from the distortions of propaganda and partisan politics, Jianglin Li reconstructs a chronology of events that lays to rest lingering questions about what happened in those fate-filled days and why. Her story begins with throngs of Tibetan demonstrators who—fearful that Chinese authorities were planning to abduct the Dalai Lama, their beloved leader—formed a protective ring around his palace. On the night of March 17, he fled in disguise, only to reemerge in India weeks later to set up a government in exile. But no peaceful resolution awaited Tibet. The Chinese army soon began shelling Lhasa, inflicting thousands of casualties and ravaging heritage sites in the bombardment and the infantry onslaught that followed. Unable to resist this show of force, the Tibetans capitulated, putting Mao Zedong in a position to fulfill his long-cherished dream of bringing Tibet under the Communist yoke. Li’s extensive investigation, including eyewitness interviews and examination of classified government records, tells a gripping story of a crisis whose aftershocks continue to rattle the region today.

Zhou Enlai

Zhou Enlai
Author: Barbara Barnouin
Publisher: Chinese University Press
Total Pages: 416
Release: 2006
Genre: Biography & Autobiography
ISBN: 9789629962449

A biography of Zhou Enlai, one of the most important and yet debatable political figures in the Chinese Communist Party. The authors give an in-depth analysis on the complex personality and controversial actions of Zhou, both as a person and a leader of the CCP.

Literati Lenses

Literati Lenses
Author: Mia Yinxing Liu
Publisher: University of Hawaii Press
Total Pages: 262
Release: 2019-07-31
Genre: Performing Arts
ISBN: 0824859871

Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.

Writing and Materiality in China

Writing and Materiality in China
Author: Judith T. Zeitlin
Publisher: BRILL
Total Pages: 662
Release: 2020-10-26
Genre: History
ISBN: 1684170427

Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China’s literary history and to ponder the physical aspects of the production and circulation of writing. To speak of the thing-ness of writing is to understand it as a thing in constant motion, transported from one place or time to another, one genre or medium to another, one person or public to another. Thinking about writing as the material product of a culture shifts the emphasis from the author as the creator and ultimate arbiter of a text’s meaning to the editors, publishers, collectors, and readers through whose hands a text is reshaped, disseminated, and given new meanings. By yoking writing and materiality, the contributors to this volume aim to bypass the tendency to oppose form and content, words and things, documents and artifacts, to rethink key issues in the interpretation of Chinese literary and visual culture.

Schwann Spectrum

Schwann Spectrum
Author: Schwann Publications
Publisher:
Total Pages: 664
Release: 1996-11
Genre: Music
ISBN: 9781575980386

Revolutionary Cycles in Chinese Cinema, 1951–1979

Revolutionary Cycles in Chinese Cinema, 1951–1979
Author: Z. Wang
Publisher: Springer
Total Pages: 285
Release: 2014-07-17
Genre: Performing Arts
ISBN: 1137378743

A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.