Lewis Baltz
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Author | : Lewis Baltz |
Publisher | : Steidl |
Total Pages | : 0 |
Release | : 2010-08-31 |
Genre | : Landscape photography |
ISBN | : 9783865217639 |
With his iconic, minimalist photographs of suburban landscape, Lewis Baltz was at the forefront of a revolutionary shift in the medium of photography. Baltzs work exemplifies the ways in which photography started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. In the late 1960s and early 1970s Baltz became fascinated by the stark, man-made landscape rolling over Californias then still-agrarian terrain. His earliest portfolio, The Tract Houses (1971), and his preliminary forays into a minimal aesthetic, The Prototype Works (1967-1976), illuminate his drive to capture the reality of a sprawling Western ecology gone wild. His best known work from the period, The new Industrial Parks near Irvine, California (1974), was followed by two smaller projects, Maryland (1976) and Nevada (1977). In the following decade Baltz published three major books, Park City (1980), San Quentin Point (1986) and Candlestick Point (1989), exploring these themes.
Author | : Lewis Baltz |
Publisher | : Steidl Dap |
Total Pages | : 64 |
Release | : 2008-09-01 |
Genre | : California |
ISBN | : 9783865217622 |
With his iconic, minimalist photographs of suburban landscape, Lewis Baltz was at the forefront of a revolutionary shift in the medium of photography. Baltzs work exemplifies the ways in which photography started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. In the late 1960s and early 1970s Baltz became fascinated by the stark, man-made landscape rolling over Californias then still-agrarian terrain. His earliest portfolio, The Tract Houses (1971), and his preliminary forays into a minimal aesthetic, The Prototype Works (1967-1976), illuminate his drive to capture the reality of a sprawling Western ecology gone wild. His best known work from the period, The new Industrial Parks near Irvine, California (1974), was followed by two smaller projects, Maryland (1976) and Nevada (1977). In the following decade Baltz published three major books, Park City (1980), San Quentin Point (1986) and Candlestick Point (1989), exploring these themes.
Author | : Lewis Baltz |
Publisher | : |
Total Pages | : 0 |
Release | : 1990 |
Genre | : Architectural photography |
ISBN | : 9780826312693 |
Author | : DUNCAN. FORBES |
Publisher | : |
Total Pages | : |
Release | : 2020-08-15 |
Genre | : |
ISBN | : 9781913620028 |
Author | : Lewis Baltz |
Publisher | : Steidl |
Total Pages | : 112 |
Release | : 2010-08-31 |
Genre | : Photography |
ISBN | : 9783865217646 |
With his iconic, minimalist photographs of suburban landscape, Lewis Baltz was at the forefront of a revolutionary shift in the medium of photography. Baltzs work exemplifies the ways in which photography started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. In the late 1960s and early 1970s Baltz became fascinated by the stark, man-made landscape rolling over Californias then still-agrarian terrain. His earliest portfolio, The Tract Houses (1971), and his preliminary forays into a minimal aesthetic, The Prototype Works (1967-1976), illuminate his drive to capture the reality of a sprawling Western ecology gone wild. His best known work from the period, The new Industrial Parks near Irvine, California (1974), was followed by two smaller projects, Maryland (1976) and Nevada (1977). In the following decade Baltz published three major books, Park City (1980), San Quentin Point (1986) and Candlestick Point (1989), exploring these themes.
Author | : Lewis Baltz |
Publisher | : Steidl |
Total Pages | : 56 |
Release | : 2010-08-31 |
Genre | : Photography |
ISBN | : 9783865217561 |
With his iconic, minimalist photographs of suburban landscape, Lewis Baltz was at the forefront of a revolutionary shift in the medium of photography. Baltzs work exemplifies the ways in which photography started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. In the late 1960s and early 1970s Baltz became fascinated by the stark, man-made landscape rolling over Californias then still-agrarian terrain. His earliest portfolio, The Tract Houses (1971), and his preliminary forays into a minimal aesthetic, The Prototype Works (1967-1976), illuminate his drive to capture the reality of a sprawling Western ecology gone wild. His best known work from the period, The new Industrial Parks near Irvine, California (1974), was followed by two smaller projects, Maryland (1976) and Nevada (1977). In the following decade Baltz published three major books, Park City (1980), San Quentin Point (1986) and Candlestick Point (1989), exploring these themes.
Author | : Lewis Baltz |
Publisher | : Aperture Direct |
Total Pages | : 18 |
Release | : 1986 |
Genre | : Photography |
ISBN | : 9780893812478 |
Author | : Gus Blaisdell |
Publisher | : UNM Press |
Total Pages | : 419 |
Release | : 2012 |
Genre | : Literary Collections |
ISBN | : 082634240X |
This long-awaited collection of Blaisdell's critical writings includes essays on literature, art, and film, along with moving tributes by some of the distinguished writers who numbered Blaisdell among their friends.
Author | : Colin Westerbeck |
Publisher | : University of California, Riverside |
Total Pages | : 96 |
Release | : 2011 |
Genre | : California, Southern |
ISBN | : 9780982304631 |
The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made by the 43 featured artists; it includes 58 reproductions (mostly black-and-white) and essays by curator Colin Westerbeck, photographic historian Susan Laxton and regionalist Jason Weems. The exhibition is one of over 60 funded by the Getty Research Institute's initiative looking at Southern California art 1945-1980, called Pacific Standard Time.
Author | : Barbara Forrester Vilander |
Publisher | : |
Total Pages | : 276 |
Release | : 1988 |
Genre | : |
ISBN | : |