Letters On The Spirit Of Patriotism On The Idea Of A Patriot King And On The State Of Parties At The Accession Of King George The First
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Author | : Adrian Lashmore-Davies |
Publisher | : Routledge |
Total Pages | : 440 |
Release | : 2020-07-26 |
Genre | : Language Arts & Disciplines |
ISBN | : 1000162028 |
Henry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
Author | : Henry St. John Bolingbroke (Viscount) |
Publisher | : |
Total Pages | : 262 |
Release | : 1749 |
Genre | : Great Britain |
ISBN | : |
Attributed to Viscount Bolingbroke in NUC pre-1956. To recommend himself to Frederick, prince of Wales, Bolingbroke entrusted to Alexander Pope his unpublished manuscript of three works: 'The patriot king' dated December 1738; an essay previously written upon the 'Spirit of patriotism' and afterwards addressed to Lord Lyttelton; and a paper on 'The state of parties at the accesssion of George I.' Pope's secret publication of 1500 copies of 'The patriot king' led Bolingbroke to anonymously publish a "correct edition" in 1749 edited by David Mallet. Cf. DNB and advertisement (p. v-xi)
Author | : Henry St. John (lord Bolingbroke) |
Publisher | : |
Total Pages | : 244 |
Release | : 1750 |
Genre | : |
ISBN | : |
Author | : Cambridge University Library |
Publisher | : |
Total Pages | : 916 |
Release | : 1906 |
Genre | : Library catalogs |
ISBN | : |
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 772 |
Release | : 1912 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1236 |
Release | : 1911 |
Genre | : American literature |
ISBN | : |
Author | : Alexander Dyce |
Publisher | : BoD – Books on Demand |
Total Pages | : 493 |
Release | : 2024-01-30 |
Genre | : Fiction |
ISBN | : 3385252881 |
Reprint of the original, first published in 1875.
Author | : South Kensington Museum. Dyce collection |
Publisher | : |
Total Pages | : 498 |
Release | : 1875 |
Genre | : Bibliography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 490 |
Release | : 1875 |
Genre | : |
ISBN | : |
Author | : Michael Dobson |
Publisher | : Clarendon Press |
Total Pages | : 282 |
Release | : 1992-10-22 |
Genre | : Literary Criticism |
ISBN | : 0191591718 |
The first full-length study since the 1920s of the Restoration and eighteenth-century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptions in the context of the profound cultural changes of their times. Drawing on a wide range of evidence, Dobson examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. - ;The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare, and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club) - it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with, and even demanded, the drastic and sometimes bizarre rewriting of his plays for which the period is notorious. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. -