Letters Of Roger Fry Volume Two
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Author | : Caroline Elam |
Publisher | : Paul Holberton publishing |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Art criticism |
ISBN | : 9781912168088 |
Roger Fry (1866-1934) is best known as a champion of Post-Impressionism and a pioneer of Modernist art criticism. But his fi rst love was early Italian painting, on which he became a recognized authority, publishing a monograph on Giovanni Bellini in 1899. Even after the Post-Impressionist exhibitions in 1910 and 1912 and the foundation of the Omega Workshops, Fry continued to write and lecture on Italianart right up until his death. He looked at modernism through Quattrocento eyes rather than the other way around, as is often wrongly assumed. It is impossible not to be struck by how fresh and immediately readable his writings are, how pioneering in some ways his approach remains. His work on Italian art modifi es the received view of him as a pure formalist. Apart from a famous article on Giotto which Fry republished in Vision and Design (1920), the writings on Italian art are relatively little known, and a selection of the best of them is republished here, thus introducing an important aspect of Fry's many-sided work to a new audience. The fi rst part of the book sets Fry's writing on Italian art into context by combining intellectual biography with the history of art history, art criticism and art institutions. It draws on new documentary material, including Fry's travel notebooks, which contain sketches and brilliant observations taken down in front of works of art. By exploring the whole range of Fry's published and unpublished writings, theauthor is able to refute erroneous received ideas - that he was uninterested in colour, for example. The infl uence of his Italian lectures and publications on such fi gures as E.M. Forster, Kenneth Clark and Michael Baxandall is also examined. The second part consists of writings by Fry - each with an introductory text by the author and fully illustrated in colour. Included in this volume are some of the unpublished lectures that his biographer Virginia Woolf suggested would make a fascinating book of extracts. Four long pieces are of outstanding interest - on Uccello, Piero della Francesca, Baldovinetti and Piero di Cosimo, all artists whose critical status was radically re-examined in the twentieth century. Fry had a close and lifelong connection with The Burlington Magazine, as cofounder, contributor, saviour-fundraiser, editor (1909-1919) and adviser. Roger Fry and Italian Art is appropriately the fi rst in a series of books on art history to be published by The Burlington Magazine and Ad Ilissvm in association - to be announced in due course.
Author | : Frances Spalding |
Publisher | : Univ of California Press |
Total Pages | : 324 |
Release | : 1980-01-01 |
Genre | : Art |
ISBN | : 9780520041264 |
Traces the career of the nineteenth-century English art critic and painter, who associated with the Bloomsbury group, Picasso, and Bernard Shaw
Author | : William Morris |
Publisher | : Princeton University Press |
Total Pages | : 604 |
Release | : 2014-07-14 |
Genre | : Literary Criticism |
ISBN | : 1400864232 |
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Adrian Smith |
Publisher | : Routledge |
Total Pages | : 371 |
Release | : 2014-03-05 |
Genre | : Political Science |
ISBN | : 1135206228 |
This volume reveals how a fledgling Fabian journal came to play a key role in the growth of the modern Labour Party. The author compares its first journalists with later generations of editors and writers and rediscovers the early, and lasting, importance of the British Left's best-known magazine.
Author | : Marcus |
Publisher | : Oxford University Press |
Total Pages | : 417 |
Release | : 2024-02-23 |
Genre | : Literary Criticism |
ISBN | : 0192883887 |
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Author | : Michael T. Saler |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2001-05-24 |
Genre | : History |
ISBN | : 0195349067 |
The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.
Author | : Roger Fry |
Publisher | : |
Total Pages | : 344 |
Release | : 1923 |
Genre | : Art |
ISBN | : |
Author | : Takeshi Ogura |
Publisher | : CRC Press |
Total Pages | : 694 |
Release | : 1997-11-21 |
Genre | : Science |
ISBN | : 9789057022098 |
Preface: Natural products chemistry has a long history, and could be regarded as having its roots in the use of many kinds of herbal mixtures as crude drugs in traditional medicine. Systems of traditional medicine have been practiced in China and Japan for thousands of years, and virtually all regions of the world have used natural materials to treat human disease. It was clear that many plants, herbs, etc. contain components with powerful biological activities. The dawn of modern natural products chemistry began with the isolation of the active component, morphine, from opium. Subsequently, various alkaloids were isolated from medicinal plants and employed clinically. The discovery and the development of penicillin as a microbial metabolite opened up the era of antibiotics, which have saved countless lives in the past half century or so. The isolation and synthesis of steroid hormones resulted in the development of new concepts in molecular stereochemistry and organic synthetic techniques, as did the discovery of bioactive lipids such as prostaglandins and leukatrienes, bioactive peptides such as enkephalins and endetherines, and oligosaccharides, including glycoproteins. Further, the discovery of plant hormones has led to great strides in plant biotechnology, including plant tissue cultures, and derivatives of insect hormones and pheromones are now used as pesticides. Thus, applications of natural products chemistry have become all-pervasive in modern society. Apart from the extensive practical applications of natural products and their derivatives, natural products chemistry has played a central role in the development of modern organic chemistry as a result of its focus on structural and synthetic studies of often highly complex and inaccessible molecules. Biosynthetic studies have also attracted much attention, aiming to answer the questions of why and how such a large number and variety of compounds are synthesised by organisms. Researchers in the field of biosynthesis first focused on elucidation of the pathways of secondary metabolism, and then on the mechanisms, of the enzymes catalyzing the biosynthetic reactions. This was an extremely difficult task, because rather large amounts of enzymes are required for the investigation of reaction mechanisms and the enzyme proteins are often unstable and not easy to purify. However, in recent years the development of molecular biology has made gene and protein engineering rather routine. Thus, studies of mechanistic enzymology can now be conducted with cloned and overexpressed enzyme proteins. It has been shown that the enzymes responsible for the biosynthesis of antibiotics in Streptomyces spp. are encoded in gene clusters. Further, cloning and functional analysis of the genes associated with flavonoid biosynthesis should soon cast light on the interesting question of why flavonoids are ubiquitously present in plant leaves. Life is maintained not only by large molecules such as proteins and nucleic acids, but also by many small molecules which have essential and diverse roles in the physiology of living organisms. Such compounds often have highly specific interactions with target receptors, but the mechanisms involved largely remain to be explored. Current methodology means that this task can be addressed, and this in turn should lead to a host of new applications for natural products and their derivatives. The key may be an interdisciplinary approach taking account of both biological function and molecular behaviour based on precise structure recognition. As we increasingly understand the mechanisms of molecular recognition that operate in nature, many possibilities should open up for artificial control or modification of biological functions, as well as new challenges for synthetic organic chemists. Our intention in this book is to focus on such dynamic aspects of natural products chemistry. By dealing in detail with representative topics to which the most modern techniques of research have been applied, we hope to emphasize the value of combining traditional approaches to natural products chemists with current biochemical and molecular-biological ideas. Each chapter provides sufficient background information and experimental detail to make the subject accessible to non-specialists. It is our hope that these examples of recent progress in key areas of natural products chemistry will stimulate work in related topics by illustrating the power of a modern interdisciplinary approach to the subject.
Author | : Virginia Woolf |
Publisher | : |
Total Pages | : 638 |
Release | : 1975 |
Genre | : Authors, English |
ISBN | : |
Author | : T. S. Eliot |
Publisher | : Yale University Press |
Total Pages | : 914 |
Release | : 2011-01-01 |
Genre | : Literary Criticism |
ISBN | : 0300178190 |
In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War.Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.