The Art of Ceramics

The Art of Ceramics
Author: Howard Coutts
Publisher: Yale University Press
Total Pages: 272
Release: 2001-01-01
Genre: Art
ISBN: 0300083874

The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.

Business in the Age of Reason

Business in the Age of Reason
Author: R.P.T. Davenport-Hines
Publisher: Routledge
Total Pages: 172
Release: 2013-10-31
Genre: Business & Economics
ISBN: 1135177171

First Published in 1987. Representing a range of eighteenth-century research, these articles clarify or reorientate the historical origins of many of the chief themes of more recent business history. They include the areas of The Harburgh Company from 1716 to 1723; institutional experimentation in the London-Maryland Trade; banking in London in the 1700s; the pottery trade before 1780; the Birmingham Economy; Boulton and Wedgwood; financing the French navy; and directions of conduct in a merchant’s counting house.

Art and Identity in Scotland

Art and Identity in Scotland
Author: Viccy Coltman
Publisher: Cambridge University Press
Total Pages:
Release: 2019-10-31
Genre: History
ISBN: 1108284876

This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.