Memory's Library

Memory's Library
Author: Jennifer Summit
Publisher: University of Chicago Press
Total Pages: 354
Release: 2008-11-15
Genre: Literary Criticism
ISBN: 0226781720

In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

Doing Business in 2004

Doing Business in 2004
Author: Simeon Djankov
Publisher: World Bank Publications
Total Pages: 222
Release: 2004
Genre: Juvenile Nonfiction
ISBN: 9780821353417

A co-publication of the World Bank, International Finance Corporation and Oxford University Press

Schopenhauer

Schopenhauer
Author: David E. Cartwright
Publisher: Cambridge University Press
Total Pages: 601
Release: 2010-03-29
Genre: Biography & Autobiography
ISBN: 0521825989

This is the first comprehensive biography of Schopenhauer written in English. Placing him in his historical and philosophical contexts, David E. Cartwright tells the story of Schopenhauer's life to convey the full range of his philosophy. He offers a fully documented portrait in which he explores Schopenhauer's fractured family life, his early formative influences, his critical loyalty to Kant, his personal interactions with Fichte and Goethe, his ambivalent relationship to Schelling, his contempt for Hegel, his struggle to make his philosophy known, and his reaction to his late-arriving fame.

What Is World Literature?

What Is World Literature?
Author: David Damrosch
Publisher: Princeton University Press
Total Pages: 341
Release: 2018-06-05
Genre: Literary Criticism
ISBN: 0691188645

World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.

Literature Matters

Literature Matters
Author: J. Hillis Miller
Publisher:
Total Pages: 170
Release: 2020-10-09
Genre: Literary Collections
ISBN: 9781013286421

This new collection of J. Hillis Miller's essays centres on the question "why and to what end should we read, teach, and spend our time with literary and/or cultural studies?" At a time when electronic media seem to dominate the market completely, and jobs follow the money flows into electronic and technical fields, literary and cultural studies might appear as a decorative addenda but not really necessary for the process of growth and development, neither in business nor in the area of personal development. This question is not really new, it has many facets, requires differentiated answers which depend and mirror the political and cultural climate of a society. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Formative Fictions

Formative Fictions
Author: Tobias Boes
Publisher: Cornell University Press
Total Pages: 215
Release: 2012-11-15
Genre: Literary Criticism
ISBN: 0801465214

The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.

Gramophone, Film, Typewriter

Gramophone, Film, Typewriter
Author: Friedrich A. Kittler
Publisher: Stanford University Press
Total Pages: 364
Release: 1999
Genre: Language Arts & Disciplines
ISBN: 9780804732338

On history of communication

The Mass Ornament

The Mass Ornament
Author: Siegfried Kracauer
Publisher: Harvard University Press
Total Pages: 420
Release: 1995
Genre: Family & Relationships
ISBN: 9780674551633

The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.