Art in China

Art in China
Author: Craig Clunas
Publisher: Oxford University Press, USA
Total Pages: 260
Release: 1997
Genre: Art
ISBN: 9780192842077

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.

De la Chine

De la Chine
Author: Jean-Baptiste Grosier
Publisher:
Total Pages: 490
Release: 1820
Genre: China
ISBN:

Henri Bertin and the Representation of China in Eighteenth-Century France

Henri Bertin and the Representation of China in Eighteenth-Century France
Author: John Finlay
Publisher: Routledge
Total Pages: 227
Release: 2020-07-09
Genre: Art
ISBN: 1315467356

This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Léonard Bertin (1720–1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.

Chinese Art: The Impossible Collection

Chinese Art: The Impossible Collection
Author: Adrian Cheng
Publisher: Assouline Publishing
Total Pages: 6
Release: 2021-05-01
Genre: Travel
ISBN: 1614288844

While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.

Catalogue

Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Total Pages: 1130
Release: 1905
Genre: Antiquarian booksellers
ISBN:

Bulletin

Bulletin
Author: Boston Public Library
Publisher:
Total Pages: 430
Release: 1895
Genre: Boston (Mass.)
ISBN:

Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)

The Arts of China After 1620

The Arts of China After 1620
Author: William Watson
Publisher: Yale University Press
Total Pages: 300
Release: 2007-01-01
Genre: Art
ISBN: 0300107358

This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.

The Mandate of Heaven

The Mandate of Heaven
Author: Adam Parr
Publisher: BRILL
Total Pages: 335
Release: 2019-10-07
Genre: History
ISBN: 9004416218

The Mandate of Heaven examines the first European version of Sunzi’s Art of War, which was translated from Chinese by Joseph Amiot, a French missionary in Beijing, and published in Paris in 1772. His work is presented in English for the first time. Amiot undertook this project following the suppression of the Society of Jesus in France with the aim of demonstrating the value of the China mission to the French government. He addressed his work to Henri Bertin, minister of state, beginning a thirty-year correspondence between the two men. Amiot framed his translation in order to promote a radical agenda using the Chinese doctrine of the “mandate of heaven.” This was picked up within the sinophile and radical circle of the physiocrats, who promoted China as a model for revolution in Europe. The work also arrived just as the concept of strategy was emerging in France. Thus Amiot’s Sunzi can be placed among seminal developments in European political and strategic thought on the eve of the revolutionary era.

Art by the Book

Art by the Book
Author: J. P. Park
Publisher: University of Washington Press
Total Pages: 340
Release: 2016-06-01
Genre: Art
ISBN: 0295807032

Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.