Lenny Bruce
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Author | : Lenny Bruce |
Publisher | : DigiCat |
Total Pages | : 270 |
Release | : 2022-08-16 |
Genre | : Law |
ISBN | : |
DigiCat Publishing presents to you this special edition of "How to Talk Dirty and influence people" by Lenny Bruce. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Lenny Bruce |
Publisher | : Harvill Press |
Total Pages | : 294 |
Release | : 1975 |
Genre | : Humor |
ISBN | : |
Author | : Frank Kofsky |
Publisher | : |
Total Pages | : 136 |
Release | : 1974 |
Genre | : Biography & Autobiography |
ISBN | : |
From the Peter Neil Issacs collection.
Author | : Honey Bruce |
Publisher | : |
Total Pages | : 326 |
Release | : 1976 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Stefan Kanfer |
Publisher | : Vintage |
Total Pages | : 497 |
Release | : 2001-05-08 |
Genre | : Biography & Autobiography |
ISBN | : 0375702075 |
This definitive biography of one of the world’s greatest comedians unflinchingly yet affectionately uncovers the man behind the cigar. Here is the amazing career of the man the world recognized as Groucho: the improbable disasters of the vaudeville years; the Marx Brothers, an act so funny W.C. Fields refused to follow it; the unprecedented Broadway success of The Cocoanuts and Animal Crackers; the cinematic triumphs of Duck Soup and A Night at the Opera; and the marvelous come-back career as king of the game show hosts with You Bet Your Life. Here, too, is the man himself: a lonely middle child who aspired to be a doctor; a man who sabotaged three marriages; a father alternately indulgent and cruel. Intelligent and thorough, hilarious and sad, Groucho is a spectacular biography of the century’s most influential comedian.
Author | : Kliph Nesteroff |
Publisher | : Open Road + Grove/Atlantic |
Total Pages | : 460 |
Release | : 2015-11-03 |
Genre | : Performing Arts |
ISBN | : 0802190863 |
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal
Author | : David Kaufman |
Publisher | : UPNE |
Total Pages | : 358 |
Release | : 2012 |
Genre | : Biography & Autobiography |
ISBN | : 1611683157 |
A lively look at four major Jewish celebrities of early 1960s America, who together made their mark on both American culture and Jewish identity
Author | : Lawrence J. Epstein |
Publisher | : PublicAffairs |
Total Pages | : 348 |
Release | : 2008-08-05 |
Genre | : Performing Arts |
ISBN | : 0786724927 |
Lawrence Epstein's The Haunted Smile tackles a subject both poignant and delightful: the story of Jewish comedians in America. For the past century and more, American comedy has drawn its strength and soul from the comic genius of Jewish performers and writers. An incomplete listing of names makes the point: The Marx Brothers, Jack Benny, Fanny Brice, George Burns, Milton Berle, Jackie Mason, Joan Rivers, Rodney Dangerfield, Mel Brooks, Alan King, Mort Sahl, Buddy Hackett, Woody Allen, Lenny Bruce, Andy Kaufman, Richard Belzer, Jerry Seinfeld. These men and women, among others, form the canon of Jewish-American comedy. In the words of the Detroit Jewish News, The Haunted Smile "offers us a deep and subtle understanding of how Jewish culture and American openness gave birth to a new style of entertainment." Often the best way to illuminate a point is to recount some of these comedians' own brilliant routines, and Epstein uses the comedian's work to great effect, making for a book that is both a thoughtful work of history and a great deal of fun.
Author | : Edward De Grazia |
Publisher | : New York : Random House |
Total Pages | : 832 |
Release | : 1992 |
Genre | : Law |
ISBN | : |
Chronicles the battles fought and won during the twentieth century in behalf of free expression.
Author | : Jack Davis |
Publisher | : Fantagraphics Books |
Total Pages | : 479 |
Release | : 2009-04-21 |
Genre | : Comics & Graphic Novels |
ISBN | : 1606991795 |
You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.