Fernand Léger
| Author | : Carolyn Lanchner |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 49 |
| Release | : 2010 |
| Genre | : Architecture |
| ISBN | : 0870707868 |
Text by Carolyn Lanchner.
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From Millet to Léger
| Author | : Robert L. Herbert |
| Publisher | : Yale University Press |
| Total Pages | : 230 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780300097061 |
In a preface prepared for this volume, Herbert explains that these essays are linked by a focus on the relation of art to the urban-industrial revolution."--BOOK JACKET.
The History of the St. Leger Stakes, 1776-1901
| Author | : Joseph Smith Fletcher |
| Publisher | : |
| Total Pages | : 606 |
| Release | : 1902 |
| Genre | : Horse racing |
| ISBN | : |
France
| Author | : United States. Office of Geography |
| Publisher | : Washington, D.C. : [The Board] |
| Total Pages | : 612 |
| Release | : 1964 |
| Genre | : France |
| ISBN | : |
Nearly the whole of America's partisan politics centers on a single question: Can markets solve our social problems? And for years this question has played out ferociously in the debates about how we should educate our children. From the growth of vouchers and charter schools to the implementation of No Child Left Behind, policy makers have increasingly turned to market-based models to help improve our schools, believing that private institutions--because they are competitively driven--are better than public ones. With The Public School Advantage, Christopher A. and Sarah Theule Lubienski offer powerful evidence to undercut this belief, showing that public schools in fact out-perform private ones.
United States Board on Geographic Names: Gazetteer
| Author | : United States Board on Geographic Names |
| Publisher | : |
| Total Pages | : 620 |
| Release | : 1955 |
| Genre | : Names, Geographical |
| ISBN | : |
Dada and Surrealist Film
| Author | : Rudolf E. Kuenzli |
| Publisher | : MIT Press |
| Total Pages | : 268 |
| Release | : 1996-07-29 |
| Genre | : Design |
| ISBN | : 9780262611213 |
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
The Legere Family of Nova Scotia and France
| Author | : Diana J Muir |
| Publisher | : Lulu.com |
| Total Pages | : 270 |
| Release | : 2019-01-04 |
| Genre | : History |
| ISBN | : 0359337090 |
"The LeGere family orginally came from the Dijon and Normandy areas of France; descendants of the Merovingian kings and lords of the surrounding region ... the Legere family is spread across the Americas, both in Canada and the United States ..."--Back cover
Suite for Barbara Loden
| Author | : Nathalie Léger |
| Publisher | : New York Review of Books |
| Total Pages | : 130 |
| Release | : 2016-10-17 |
| Genre | : Fiction |
| ISBN | : 0997366613 |
The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result.
Exposition
| Author | : Nathalie Léger |
| Publisher | : New York Review of Books |
| Total Pages | : 162 |
| Release | : 2020-09-15 |
| Genre | : Fiction |
| ISBN | : 1948980045 |
The first in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. Exposition is the first in a triptych of books by the award-winning writer and archivist Nathalie Léger that includes Suite for Barbara Loden and The White Dress. In each, Léger sets the story of a female artist against the background of her own life and research—an archivist's journey into the self, into the lives that history hides from us. Here, Léger's subject is the Countess of Castiglione (1837–1899), who at the dawn of photography dedicated herself to becoming the most photographed woman in the world, modeling for hundreds of photos, including “Scherzo di Follia,” among the most famous in history. Set long before our own “selfie” age, Exposition is a remarkably modern investigation into the curses of beauty, fame, vanity, and age, as well as the obsessive drive to control and commodify one's image.
