Legend Since August 1934
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| Author | : Morgan Baillargeon |
| Publisher | : UBC Press |
| Total Pages | : 266 |
| Release | : 2011-11-01 |
| Genre | : History |
| ISBN | : 0774842121 |
Throughout the world, the cowboy is an instantly recognized symbol of the North American West. Legends of Our Times breaks the stereotype of 'cowboys and Indians' to show an almost unknown side of the West. It tells the story of some of the first cowboys -- Native peoples of the northern Plains and Plateau. Through stories, poetry, art, and reminiscences in this lavishly illustrated work, Native people invite the reader on a fascinating journey into the world of ranching and rodeo. The book also presents the special relationship between Native people and animals such as the horse, buffalo, deer, and dog, which have always played an important role in Native spiritual and economic life. By the mid-nineteenth century, Native people were highly valued for their skills in horse breeding and herding, and could take advantage of new economic opportunities in the emerging ranching industry. Faced with limited resources, competition for land, and control by governments and Indian agents, many Native people still managed to develop their own herds or to find work as cowboys. As the ways of the Old West changed, new forms of entertainment and sport evolved. Impresarios such as Buffalo Bill Cody invented the Wild West show, employing Native actors and stunt performers to dramatize scenes from the history of the West and to demonstrate the friendly competitions that cowboys enjoyed at the end of a long round-up or cattle drive. The popularity of rodeos also grew within Native communities, and arenas were built on many reserves. Native rodeos are still held, while many Native competitors ride in professional rodeos as well. Today, Plains and Plateau peoples proudly continue a long tradition of cowboying. Legends of Our Times is a celebration of their rich contribution to ranching and rodeo life.
| Author | : Arthur M. Schlesinger |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 691 |
| Release | : 2003-07-09 |
| Genre | : History |
| ISBN | : 0547527640 |
Volume two of the Pulitzer Prize-winning author’s Age of Roosevelt series describes Franklin Delano Roosevelt’s first tumultuous years in the White House. Coming into office at the bottom of the Great Depression, FDR told the American people that they have nothing to fear but fear itself. The conventional wisdom having failed, he tried unorthodox remedies to avert economic collapse. His first hundred days restored national morale, and his New Dealers filled Washington with new approaches to recovery and reform. Combining idealistic ends with realistic means, Roosevelt proposed to humanize, redeem, and rescue capitalism. The Coming of the New Deal, written with Schlesinger’s customary verve, is a gripping account of critical years in the history of the republic. “Monumental…authoritative…spirited…one of the major works in American historical literature.”—New York Times “Impelling, an achievement as much in its sensitivity as in its scholarship…It is essential reading.”—Kirkus Reviews
| Author | : Christine E. Hallett |
| Publisher | : Springer |
| Total Pages | : 141 |
| Release | : 2018-11-23 |
| Genre | : History |
| ISBN | : 113754371X |
This book examines the myriad identities and portrayals of Edith Cavell, as they have been constructed and handed down by propagandists, biographers and artists. Cavell was first introduced to the British public through a series of Foreign Office statements which claimed to establish the “facts” of her case. Her own voice, along with those of her family, colleagues and friends, were muted, as a monolithic image of a national heroine and martyr emerged. The book identifies two main areas of tension in her commemoration: firstly, the contrast between complexity of her own behaviour and motivations and the simplicity of the “Cavell Legend” that was constructed around her; and, secondly, the mismatch between the attempts of individuals and professional organisations to commemorate her life and work, and the public construction of a “heroine” who could be of value to the nation state.
| Author | : H. Dwight Weaver |
| Publisher | : University of Missouri Press |
| Total Pages | : 176 |
| Release | : 2008-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826217788 |
"Examines the historical and cultural significance of Missouri caves, describing ways that people have used them historically for shelter, cold storage, burials, moonshine stills, mining, and even as hideouts for Civil War soldiers and outlaws including Jesse James. Describes growing public appreciation and conservation of these unique and beautiful resources"--Provided by publisher.
| Author | : Catriona MacLeod |
| Publisher | : Rodopi |
| Total Pages | : 422 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9042026197 |
Preliminary Material -- Introduction /Catriona MacLeod -- Summaries -- Consulting the Manual: Word and Image in Marcel Duchamp's Étant donnés /Michael R. Taylor -- Living and Dying in the Limelight: Performing the Self in Frida Kahlo's Diary and Paintings /Adriana Dragomir -- Imbrication de l'image, du texte et de la musique dans un corpus de prières énigmatiques à la Vierge /Laurence Wuidar -- The Künstlerroman as Romantic Arabesque: Parody, Collaboration, and the Making of The Modern Vasari (1854) /Cordula Grewe -- The “Inscapes” of Louis le Brocquy /Karen E. Brown -- American Scenery/Canadian Scenery: Conflicting Views of Indigenes in Mid-Nineteenth-Century British Portrayals of the American Continent /Robert Grant -- Cartoonists as Matchmakers: The Vibrant Relationship of Text and Image in the Work of Lynda Barry /Miriam Harris -- The Truth of the Word, the Falsity of the Image: Transmetropolitan's Critique of the Society of the Spectacle /Steen Christiansen -- Le magazine français Vu (1928-40): Naissance de l'information visuelle et utopie de la substitution de l'image photographique au texte écrit /Danielle Leenaerts -- From Ekphrasis to History: Verbal Transformations of the Display of Picture Galleries--Wilhelm Heinse and Friedrich Schlegel /Hubert Locher -- Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity /Lauren S. Weingarden -- Serial Künstler: Portrait of the Artist as a Malefactor /Valentin Nussbaum -- Hypnotic Performance and the Falsity of Appearances: The Aesthetics of Medical Spectatorship and Axel Munthe's Critique of Jean-Martin Charcot /Jonathan Marshall -- New Light and Old Shadows: Industrial Illumination and its Imaginaire /Susana Oliveira -- Illustrating the Shadow of Doubt: Henry James, Blindness, and “The Real Thing” /Jennifer A. Greenhill -- Picturing Paradise: Baudelaire's “L'Invitation au voyage” /Eric T. Haskell -- The Writing-Drawing Continuum of Alexei Remizov /Julia Friedman -- Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament /Spyros Papapetros -- John Heartfield's Insects and the “Idea” of Natural History /Cristina Cuevas-Wolf -- The Photographic Thought of Latina/o Literature and Cultural Critique /María DeGuzmán -- Diderot, Brecht, Eisenstein, Fassbinder: Découpage Aesthetics on the Divide /Susan Nurmi-Schomers -- (Ideo-)Logical Alliances between Image and Script: Calligraphic Reconfigurations in Contemporary Chinese Art /Birgit Mersmann -- Contributors -- Index.
| Author | : |
| Publisher | : |
| Total Pages | : 8 |
| Release | : 1935 |
| Genre | : Commercial statistics |
| ISBN | : |
| Author | : Robert C Tucker |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 756 |
| Release | : 1992-05-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780393308693 |
Explains the motivations, personality, and actions of the man under whose rulership millions of Russians perished.
| Author | : Tennessee Valley Authority |
| Publisher | : |
| Total Pages | : 376 |
| Release | : 1940 |
| Genre | : Dams |
| ISBN | : |
| Author | : Christopher S. Connelly |
| Publisher | : University Press of Kentucky |
| Total Pages | : 375 |
| Release | : 2024-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1985900629 |
An emotive soprano voice, heartrending melodies about unrequited love, and a draped-over-the-piano persona made Helen Morgan (1902–1941) the original torch singer, but she was so much more. The versatile actress appeared on Broadway, in film, and on radio. In a number of stage revues, she danced, sang, and excelled in sketch comedy. She played Julie in Kern and Hammerstein's Broadway musical Show Boat (1927) and also starred in the duo's Sweet Adeline in 1929. That same year, Morgan appeared in Rouben Mamoulian's classic film Applause. When the Great Depression made theater roles scarce, she headed the CBS radio program Broadway Melodies and worked in the emerging medium of television. Yet Morgan's life was one of extremes. She earned a million dollars throughout her career but remained in constant debt. She was one of the most universally beloved people in her profession, but a stable romantic relationship eluded her until the very end of her life. She was a protofeminist who aided women facing unplanned pregnancies, yet she also sought respite in a man whose financial support would allow her to retire from the stage. Through it all, she battled alcoholism; brandy would eventually extinguish her flame in 1941. Helen Morgan: The Original Torch Singer and Ziegfeld's Last Star is the first biography of the gifted performer since 1974. Author Christopher Connelly utilizes interviews, newspaper articles, and family scrapbooks to present an honest and unflinching look at Morgan's life. Connelly's meticulous research addresses Morgan's troubled childhood, including her mother's six marriages, and the trauma of her stepfather's arrest and conviction for manslaughter in 1913. Also revealed are details regarding her early career in vaudeville and silent film, insights into the speakeasy and supper-club culture that served as a backdrop to Morgan's career, and accounts of her outstanding accomplishments, philanthropic actions, and enduring popularity. This gripping narrative presents the brief but brilliant life of a complex, talented, and iconic entertainer.
| Author | : Meghan McCarthy McPhaul |
| Publisher | : Arcadia Publishing |
| Total Pages | : 218 |
| Release | : 2011-06-14 |
| Genre | : History |
| ISBN | : 1614237921 |
Join author and longtime Cannon skier Meghan McCarthy McPhaul to learn about the history of this historic mountain that is steeped in legends and lore. Rising at the western edge of New Hampshire's magnificently beautiful Franconia Notch State Park, the granite-domed mountain has been the playground of skiers since the 1930s. Here, the country's first down-mountain ski trail was cleared in 1933, the first aerial tramway was built on the mountain and the first professional ski patrol was established. More than a dozen members of the U.S. Ski Hall of Fame--whose contributions to the sport include historic racing feats, the development of ski techniques and designing countless ski areas across the country and around the world--have called Cannon their home hill.
