Lee Lozano

Lee Lozano
Author:
Publisher:
Total Pages: 224
Release: 2009
Genre: Art
ISBN:

"This publication is a compilation of Lee Lozano's notebooks from 1967-70, and the three included here contain her seminal 'Language Pieces' and drawings for her paintings, including 12 studies for her 11-panel ... 'Wave Series'. Twenty years ago Lozano's notebooks were photocopied it is that record which serves as the basis for this book ..."'--P. [4] of cover.

Lee Lozano

Lee Lozano
Author: Sarah Lehrer-Graiwer
Publisher: MIT Press
Total Pages: 110
Release: 2014-02-28
Genre: Art
ISBN: 1846381363

An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

Lee Lozano: Language Pieces

Lee Lozano: Language Pieces
Author:
Publisher:
Total Pages: 88
Release: 2018-11-20
Genre:
ISBN: 9783906915265

In the late 1960s, Lee Lozano (1930-99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: General Strike Piece (1969), which saw her retreating from the art world completely, and Decide to Boycott Women (1971), in which she ceased engaging with all members of her own gender. Lee Lozano: Language Pieces presents 46 of these pieces, beautifully reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.

Lee Lozano

Lee Lozano
Author: Jo Applin
Publisher: Yale University Press
Total Pages: 194
Release: 2018-01-01
Genre: Art
ISBN: 0300223277

An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.

Lee Lozano

Lee Lozano
Author: Lee Lozano
Publisher: Hauser & Wirth Publishers
Total Pages: 208
Release: 2006
Genre: Art
ISBN:

Publisher description

Lee Lozano

Lee Lozano
Author: Barry Rosen
Publisher: Karma, New York
Total Pages: 0
Release: 2021
Genre: Drawing, American
ISBN: 9781949172409

A handsome and hefty clothbound compendium of Lozano's explorations of gender through drawing This 640-page volume comprises drawings from a critical six-year period in the development of American painter and conceptual artist Lee Lozano's (1930-99) practice. Her daring, facetious sketches investigate issues of gender and the body through the erogenous anthropomorphization of tools. Lee Lozano: Drawings 1958-64 includes two newly commissioned essays by Helen Molesworth and Tamar Garb. "What I love about Lozano--besides the crazy, ham-fisted quality of her drawn line, pictures made with pencils that appear to have been held with a fist--is how her demonstration of the word 'connection' is not bound to any of the anodyne ways we currently use it," writes Molesworth. "There's nothing about 'listening' or 'building community' or 'empathy' in any of these drawings. For Lozano, connection is fraught and hairy. Connection is dangerous."

The Miraculous

The Miraculous
Author: Raphael Rubinstein
Publisher:
Total Pages: 0
Release: 2014
Genre: Art
ISBN: 9780979757570

"One day a writer becomes convinced that the artistic avantgardes of the last five decades present a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's Parables than Vasari's Lives of the Artists, he composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call "contemporary art."-- Back cover.

The Routledge Companion to Art and Disability

The Routledge Companion to Art and Disability
Author: Keri Watson
Publisher: Routledge
Total Pages: 446
Release: 2022
Genre: Social Science
ISBN: 9781003009986

"The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as how are people with disabilities represented in art; how are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly; and how do artists use visual culture to affirm or subvert notions of the normative body. Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies"--

Better than de Kooning

Better than de Kooning
Author: Andreas Baur
Publisher: Snoeck
Total Pages: 0
Release: 2015
Genre: Painting, Modern
ISBN: 9783864421372

»STONED AGIN« »Better than de Kooning«, this title quoted for a group exhibition sounds like a terrible genre joke, because »nobody can paint better than de Kooning«, so it is an ideal title for a group show exhibition. Peter Saul paints during the mid-1970s a series of pictures of women that parodies the »Woman«-pictures (1950-53) of Willem de Kooning. He meticulously imitates the brush strokes and the impasto in a stylistic mix of Pointillism and Graffiti Art, turns up the colour regulator, and allows the abstract-expressionist painting and the women themselves to blend in a »Daliesque« manner, like soft ice cream (see the text »Un Autre Monde« by Marcus Weber and »Ice Creams, Atom Bomb, I-Screens, Data Bomb« by Esther Leslie in this book). In 2008, Saul paints another version of this cartoon-like, neon avatar and calls his painting »Better than de Kooning« ...a relief of US reality. Artists: Tim Berresheim, Jana Euler, Maria Lassnig, Lee Lozano, Michel Majerus, Dieter Krieg, Katrin Plavcak, Jon Rafman, Gunter Reski, Peter Saul, Matthias Schaufler, Jim Shaw, Amy Sillman, Sue Williams Exhibition: Villa Merkel Galerien der Stadt Esslingen: 12/9-15/11/2015