Lectures In China
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| Author | : Peng-cheng Kung |
| Publisher | : World Scientific |
| Total Pages | : 549 |
| Release | : 2022-01-10 |
| Genre | : History |
| ISBN | : 9811239770 |
This book is edited based on a series of lectures on Chinese cultural history delivered at the Peking University in 2004. It stands out with its distinctive methodology and unique stand, and is popular with readers, with 17 reprints for the Chinese edition since 2006.Before the 1980s, traditional culture was often the target of criticisms and put in a negative light in China. After the 1980s, due to the belief that traditional culture can contribute to modernization, people decided to 'take its essence and discard its dregs'. As of today, most books on this theme have been written in accordance with this principle.However, in this book, the author argues that many problems have emerged from the modernization of the Western society, and thus the need for reflection and re-examining. Traditional Chinese culture is a source for comparison and reflection. As such, when we discuss traditional culture nowadays, not only should we excavate its long-hidden meanings, but we should also develop contrastive resources to facilitate our collaborative development in future.The discussions in this book adopt a vertical structure that begins with how Chinese define a human, followed by topics on the human body, Qi, food, male and female, home and state, the relationship between heaven and human beings, ritual systems, historical consciousness, thinking patterns, the art of expressing sentiments, commitments to the politics of virtues and achievements, and cultural practices. In every chapter, there is also a horizontal method of comparison on Chinese, Western and Indian cultures, to foreground the particularities and advantages of the Chinese culture.Apart from elaborating on the major characteristics of traditional Chinese culture, there is also a discussion on how the modern disdain for and misunderstandings of the traditional culture originated from the West. The author also elaborates on Montesquieu's views of China and the various misconceptions and misunderstandings of the traditional Chinese legal systems. Finally, it ends with the author's thoughts on the revitalization of the Chinese civilization.
| Author | : |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 1967 |
| Genre | : Chinese language |
| ISBN | : |
| Author | : North China Union Language School |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1918 |
| Genre | : China |
| ISBN | : |
| Author | : Zongsan Mou |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Philosophy, Chinese |
| ISBN | : 9781507865293 |
Chinese philosophy is often dismissed as either too underdeveloped or too mystical in comparison to the well-developed philosophies of the West. However, Mou Zongsan, arguably the most important Chinese philosopher of the twentieth century, devoted the majority of his more than sixty-year career to establishing and fostering a dialogue between Western and Eastern philosophy. To achieve this, he produced volumes of original work that detailed how Chinese philosophy addresses many of the same universal issues as Western philosophy and how, when combined with Western thought, it has much to contribute toward producing a universal value system. In 1978, Mou Zongsan delivered a series of lectures to graduate students outlining his unique East-West comparative approach. Published in Chinese in 1983, the transcription of those lectures has been a primary resource for learning about Chinese philosophy. In Nineteen Lectures on Chinese Philosophy, these public addresses are presented in English for the very first time. Rigorously researched and cross-referenced with Mou's previous works, this meticulous translation also includes synopses and key concepts that further enhance this essential resource for anyone interested in a deeper study of Chinese philosophy.
| Author | : William A. Callahan |
| Publisher | : U of Minnesota Press |
| Total Pages | : 340 |
| Release | : 2004 |
| Genre | : Political Science |
| ISBN | : 9780816644001 |
In the 1990s, Greater China became the subject of debate as the site of either the danger of the “China threat” or the promise of Confucian capitalism. William A. Callahan argues that Greater China presents challenges not only to economic and political order but also to international relations theory. In fact, Greater China, though absent from geopolitical maps and international law, is very much present in economic and cultural exchange and exemplifies the contingent state of international politics. Callahan deconstructs the mainstream geopolitical and political-economic understandings of Greater China, tracing its emergence through an ethnographic analysis of four political “problems” in East Asia: the South China Sea disputes, Sino-Korean relations, the return of Hong Kong, and cross-straits relations. Callahan shows how bureaucrats, outlaws, tycoons, academics, workers, politicians, and hooligans alike produce Greater China through networks of relations in local, national, regional, global, and transnational space. Finally, Contingent States reveals how each of the “problems” provoked theoretical innovations that depart from standard conceptions of sovereignty, democracy, and the nation-state.William A. Callahan is senior lecturer of international politics and deputy director of the Center for Contemporary Chinese Studies at the University of Durham, England, and the author of Imagining Democracy: Reading “The Events of May” in Thailand and Pollwatching, Elections, and Civil Society in Southeast Asia.
| Author | : Bryna Goodman |
| Publisher | : Harvard University Press |
| Total Pages | : 353 |
| Release | : 2021-07-13 |
| Genre | : History |
| ISBN | : 0674248821 |
A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China's troubled Republic in the early 1920s. On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi's family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy. The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated "new woman" exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang's trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule. The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China's early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen's rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.
| Author | : Rabindranath Tagore |
| Publisher | : |
| Total Pages | : 178 |
| Release | : 1925 |
| Genre | : |
| ISBN | : |
| Author | : Emily Martin |
| Publisher | : Hau |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Money |
| ISBN | : 9780990505020 |
Emily Martin’s Lewis Henry Morgan Lectures, The meaning of money in China and the United States, inaugurates the Hau-Morgan Lectures Initiative with the University of Rochester. Martin’s lectures—hitherto unedited—are an instant classic, not only for scholars of China and the United States, but for those working in the history and anthropology of money. As relevant and timely now as it was twenty-eight years ago, this lecture series highlights the vicissitudes of money beyond tired theoretical divides between global political economy and local symbolic relativism. In a time when economic forecasts show that China will soon pass the US as the world’s leading economic power, Martin’s lectures could not be more germane, more insightful, and more poised for an ethnographic critique of the economic present.
| Author | : Jenny Huangfu Day |
| Publisher | : Cambridge University Press |
| Total Pages | : 285 |
| Release | : 2018-12-06 |
| Genre | : History |
| ISBN | : 1108471323 |
This fundamentally new interpretation of the Qing reveals how Sino-Western engagements transformed traditions, institutions, and networks of communications.
| Author | : Craig Clunas |
| Publisher | : Princeton University Press |
| Total Pages | : 304 |
| Release | : 2017-02-28 |
| Genre | : Art |
| ISBN | : 0691171939 |
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
