L'Eclipse du regard
Author | : Line Cottegnies |
Publisher | : Librairie Droz |
Total Pages | : 412 |
Release | : 1997 |
Genre | : English poetry |
ISBN | : 9782600001977 |
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Author | : Line Cottegnies |
Publisher | : Librairie Droz |
Total Pages | : 412 |
Release | : 1997 |
Genre | : English poetry |
ISBN | : 9782600001977 |
Author | : Alison Saunders |
Publisher | : Librairie Droz |
Total Pages | : 458 |
Release | : 2000 |
Genre | : Emblem books, French |
ISBN | : 9782600004527 |
Author | : Frédéric Ogée |
Publisher | : Bucknell University Press |
Total Pages | : 302 |
Release | : 2005 |
Genre | : History |
ISBN | : 9780838755976 |
This book discusses the way ideas and forms traveled between Britain and France during the eighteenth century, and the extent to which the circulation of ideas between the two countries could be difficult. The volume shows that this difficulty, because it was acknowledged and often thematized, contributed to an increased awareness of what was really at stake in the very concept of Enlightenment. The examination of points of contact between the two cultures-contacts that became very much the fashion in the course of the eighteenth century-helps us understand how apparently common concepts and concerns fared differently from one country to the next, while being enriched by those contacts. The conversation of aesthetic theories and artistic forms of expression between the two countries sheds interesting light on the overall confrontation of conflicting theories of power and control that expressed themselves throughout the period of complete political redistribution. The ways myths and stories, forms and theories, traveled and changed currency gives us a clearer political grasp on the whole history of exchanges, as writers and artists, encouraged or irritated by the new myth of Progress, kept putting forward nothing else but models and strategies of public and private political economy. Frederic Ogee is Professor of English Literature at the University of Paris 7-Denis Diderot.
Author | : Line Cottegnies |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 252 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780838639832 |
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author | : Marie-Alice Belle |
Publisher | : Springer |
Total Pages | : 337 |
Release | : 2018-07-28 |
Genre | : Literary Criticism |
ISBN | : 3319727729 |
This volume revisits Genette’s definition of the printed book’s liminal devices, or paratexts, as ‘thresholds of interpretation’ by focussing specifically on translations produced in Britain in the early age of print (1473-1660). At a time when translation played a major role in shaping English and Scottish literary culture, paratexts afforded translators and their printers a privileged space in which to advertise their activities, display their social and ideological affiliations, influence literary tastes, and fashion Britain’s representations of the cultural ‘other’. Written by an international team of scholars of translation and material culture, the ten essays in the volume examine the various material shapes, textual forms, and cultural uses of paratexts as markers (and makers) of cultural exchange in early modern Britain. The collection will be of interest to scholars of early modern translation, print, and literary culture, and, more broadly, to those studying the material and cultural aspects of text production and circulation in early modern Europe.
Author | : Chloë Houston |
Publisher | : Routledge |
Total Pages | : 270 |
Release | : 2016-05-06 |
Genre | : History |
ISBN | : 1317087755 |
Utopias have long interested scholars of the intellectual and literary history of the early modern period. From the time of Thomas More's Utopia (1516), fictional utopias were indebted to contemporary travel narratives, with which they shared interests in physical and metaphorical journeys, processes of exploration and discovery, encounters with new peoples, and exchange between cultures. Travel writers, too, turned to utopian discourses to describe the new worlds and societies they encountered. Both utopia and travel writing came to involve a process of reflection upon their authors' societies and cultures, as well as representations of new and different worlds. As awareness of early modern encounters with new worlds moves beyond the Atlantic World to consider exploration and travel, piracy and cultural exchange throughout the globe, an assessment of the mutual indebtedness of these genres, as well as an introduction to their development, is needed. New Worlds Reflected provides a significant contribution both to the history of utopian literature and travel, and to the wider cultural and intellectual history of the time, assembling original essays from scholars interested in representations of the globe and new and ideal worlds in the period from the sixteenth to eighteenth centuries, and in the imaginative reciprocal responsiveness of utopian and travel writing. Together these essays underline the mutual indebtedness of travel and utopia in the early modern period, and highlight the rich variety of ways in which writers made use of the prospect of new and ideal worlds. New Worlds Reflected showcases new work in the fields of early modern utopian and global studies and will appeal to all scholars interested in such questions.
Author | : Beth Lynch |
Publisher | : Routledge |
Total Pages | : 182 |
Release | : 2017-03-02 |
Genre | : History |
ISBN | : 1351902652 |
Roger L'Estrange (1616-1704) was one of the most remarkable, significant and colourful figures in seventeenth-century England. Whilst there has been regular, if often cursory, scholarly interest in his activities as Licenser and Stuart apologist, this is the first sustained book-length study of the man for almost a century. L'Estrange's engagement on the Royalist side during the Civil war, and his energetic pamphleteering for the return of the King in the months preceding the Restoration earned him a reputation as one of the most radical royalist apologists. As Licenser for the Press under Charles II, he was charged with preventing the printing and publication of dissenting writings; his additional role as Surveyor of the Press authorised him to search the premises of printers and booksellers on the mere suspicion of such activity. He was also a tireless pamphleteer, journalist, and controversialist in the conformist cause, all of which made him the bête noire of Whigs and non-conformists. This collection of essays by leading scholars of the period highlights the instrumental role L'Estrange played in the shaping of the political, literary, and print cultures of the Restoration period. Taking an interdisciplinary approach the volume covers all the major aspects of his career, as well as situating them in their broader historical and literary context. By examining his career in this way the book offers insights that will prove of worth to political, social, religious and cultural historians, as well as those interested in seventeenth-century literary and book history.
Author | : Brandie R. Siegfried |
Publisher | : Routledge |
Total Pages | : 329 |
Release | : 2016-04-22 |
Genre | : Literary Criticism |
ISBN | : 1317126726 |
Only recently have scholars begun to note Margaret Cavendish’s references to 'God,' 'spirits,' and the 'rational soul,' and little has been published in this regard. This volume addresses that scarcity by taking up the theological threads woven into Cavendish’s ideas about nature, matter, magic, governance, and social relations, with special attention given to Cavendish’s literary and philosophical works. Reflecting the lively state of Cavendish studies, God and Nature in the Thought of Margaret Cavendish allows for disagreements among the contributing authors, whose readings of Cavendish sometimes vary in significant ways; and it encourages further exploration of the theological elements evident in her literary and philosophical works. Despite the diversity of thought developed here, several significant points of convergence establish a foundation for future work on Cavendish’s vision of nature, philosophy, and God. The chapters collected here enhance our understanding of the intriguing-and sometimes brilliant-contributions Cavendish made to debates about God’s place in the scientific cosmos.
Author | : Susan Wiseman |
Publisher | : Manchester University Press |
Total Pages | : 386 |
Release | : 2016-05-16 |
Genre | : Literary Criticism |
ISBN | : 152611089X |
Viewing the poem as a social agent and product in women’s lives, the essays in this collection examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland. The archival and theoretical research on literary authorship, textual transmission and socio-literary networks invites a re-examination of the production and reception of poetry, and alters our understanding of the way poetry participated in social, literary and political life. The volume takes account of the expansion and changes to the canon of women’s poetry and emerging research on key aspects of literary production and reception. It builds on and responds to both recent critical emphasis on literary form and on archival scholarship in women’s writing, understanding the two emphases to be mutually informative. This book explores the way women understood the poem, examines how the poem was shared, circulated and rewritten, and traces its path through wider social relations. It will appeal to any scholar of literature and gender working in Renaissance and seventeenth century studies.