Jean Rotrou: Le véritable Saint Genest

Jean Rotrou: Le véritable Saint Genest
Author: R. W. Ladborough
Publisher: Cambridge University Press
Total Pages: 95
Release: 2016-02-25
Genre: Literary Criticism
ISBN: 1316601684

First published in 1954, this book presents the complete French text of Le véritable Saint Genest, a 1647 play by the dramatist and poet Jean Rotrou (1609-50). The text also contains notes and a detailed introductory essay discussing the life of Rotrou and the construction, style and psychology of Saint Genest. This book will be of value to anyone with an interest in French theatre and seventeenth-century literature.

Catholic Particularity in Seventeenth-Century French Writing

Catholic Particularity in Seventeenth-Century French Writing
Author: Richard Parish
Publisher: OUP Oxford
Total Pages: 240
Release: 2011-07-28
Genre: Religion
ISBN: 0191618810

'le christianisme est étrange' - Pascal, Pensées Pascal's assertion that 'Christianity is strange', provides the theme for Richard Parish's exploration of Catholic particularity, as it was expressed in the writing of the French seventeenth century. This was a period of quite exceptional fertility in a range of genres: apologetics, sermons, devotional manuals, catechisms, martyr tragedies, lyric poetry, polemic and spiritual autobiography. Parish examines a broad cross-section of this corpus with reference to the topics of apologetics, physicality, language, discernment, polemics and salvation; and draws evidence both from canonical figures (Pascal, Bossuet, Fénelon, St François de Sales, Madame Guyon) and from less easily-available texts. Parish aims to consider all those distinctive features that the heritage of the Catholic Reformation brought to the surface in France, and to do so in support of the numerous ways in which Christian doctrine could be understood as being strange: it is by turns contrary to expectations, paradoxical, divisive, carnal and inexpressible. These features are exploited imaginatively in the more conventional literary forms, didactically in pulpit oratory and empirically in the accounts of personal spiritual experience. In addition they are manifested polemically in debates surrounding penance, authority, inspiration and eschatology, and often push orthodoxy to its limits and beyond in the course of their articulation. This volume provides an unsettling account of a belief system to which early-modern France often unquestioningly subscribed, and shows how the element of cultural assimilation of Catholic Christianity into much of Western Europe only tenuously contains a subversive and counter-intuitive creed. The degree to which that remains the case will be for the reader to decide.

Staging Doubt

Staging Doubt
Author: Leonie Pawlita
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 750
Release: 2019-09-02
Genre: Literary Criticism
ISBN: 3110660547

This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.

The First Frame

The First Frame
Author: Pannill Camp
Publisher: Cambridge University Press
Total Pages: 301
Release: 2014-12-04
Genre: Drama
ISBN: 1316123960

In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.

The Encyclopaedia Britannica: Refectory-Sainte Beuve

The Encyclopaedia Britannica: Refectory-Sainte Beuve
Author:
Publisher:
Total Pages: 1096
Release: 1911
Genre: Encyclopedias and dictionaries
ISBN:

"The last great work of the age of reason, the final instance when all human knowledge could be presented with a single point of view ... Unabashed optimism, and unabashed racism, pervades many entries in the 11th, and provide its defining characteristics ... Despite its occasional ugliness, the reputation of the 11th persists today because of the staggering depth of knowledge contained with its volumes. It is especially strong in its biographical entries. These delve deeply into the history of men and women prominent in their eras who have since been largely forgotten - except by the historians, scholars"-- The Guardian, https://www.theguardian.com/books/booksblog/2012/apr/10/encyclopedia-britannica-11th-edition.

Tragedy and the Return of the Dead

Tragedy and the Return of the Dead
Author: John D Lyons
Publisher: Northwestern University Press
Total Pages: 399
Release: 2018-05-15
Genre: Literary Criticism
ISBN: 0810137119

Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.