Le problème de la renaissance dans l'ancienne peinture russe
Author | : Mikhail Vladimirovich Alpatov |
Publisher | : |
Total Pages | : 17 |
Release | : 1967* |
Genre | : Art, Renaissance |
ISBN | : |
Download Le Probleme De La Renaissance Dans Lancienne Peinture Russe full books in PDF, epub, and Kindle. Read online free Le Probleme De La Renaissance Dans Lancienne Peinture Russe ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Mikhail Vladimirovich Alpatov |
Publisher | : |
Total Pages | : 17 |
Release | : 1967* |
Genre | : Art, Renaissance |
ISBN | : |
Author | : Pavel Pavlovich Muratov |
Publisher | : |
Total Pages | : 196 |
Release | : 1925 |
Genre | : Icons |
ISBN | : |
Author | : Darius A. Spieth |
Publisher | : BRILL |
Total Pages | : 535 |
Release | : 2017-11-06 |
Genre | : Art |
ISBN | : 9004276750 |
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author | : Mikhail Alpatov |
Publisher | : Literary Licensing, LLC |
Total Pages | : 406 |
Release | : 2011-10-01 |
Genre | : |
ISBN | : 9781258182878 |
Author | : Nikodim Pavlovich Kondakov |
Publisher | : |
Total Pages | : 374 |
Release | : 1927 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 992 |
Release | : 2019-02-04 |
Genre | : Art |
ISBN | : 900438829X |
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.
Author | : Louise Hardiman |
Publisher | : Open Book Publishers |
Total Pages | : 243 |
Release | : 2017-11-13 |
Genre | : Art |
ISBN | : 1783743417 |
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author | : Michael Fried |
Publisher | : University of Chicago Press |
Total Pages | : 282 |
Release | : 1988-09-15 |
Genre | : Art |
ISBN | : 9780226262130 |
With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.