Le Corbusier Oeuvre Complete 1938 1946 Publie Par Willy Boesiger Deuxieme Edition With An English Translation Of Parts Of The Text With Illustrations Including A Portrait
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Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 784 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Dictionary Catalog of the Art and Architecture Division
Author | : New York Public Library. Art and Architecture Division |
Publisher | : |
Total Pages | : 764 |
Release | : 1975 |
Genre | : Architecture |
ISBN | : |
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 562 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
The Architecture of Psychoanalysis
Author | : Jane Rendell |
Publisher | : Bloomsbury Publishing |
Total Pages | : 309 |
Release | : 2017-03-01 |
Genre | : Architecture |
ISBN | : 1786730480 |
In this thought-provoking book, Jane Rendell explores how architectural space registers in psychoanalysis. She investigates both the inherently spatial vocabulary of psychoanalysis and ideas around the physical 'setting' of the psychoanalytic encounter, with reference to Sigmund Freud, D.W. Winnicott and Andre Green. Building on the innovative writing methods employed in Art and Architecture and Site-Writing, she also addresses the concept of architecture as 'social condenser' a Russian constructivist notion that connects material space and community relations. Tracing this idea's progress from 1920s Moscow to 1950s Britain, Rendell shows how interior and exterior meet in both psychoanalysis and architectural practice. Illuminating a novel field of interdisciplinary enquiry, this book breathes fresh life into notions of social space."
Surface Architecture
Author | : David Leatherbarrow |
Publisher | : MIT Press |
Total Pages | : 294 |
Release | : 2005-02-11 |
Genre | : Architecture |
ISBN | : 9780262621946 |
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Cruelty and Utopia
Author | : Jean-François Lejeune |
Publisher | : Princeton Architectural Press |
Total Pages | : 272 |
Release | : 2005-02-03 |
Genre | : Architecture |
ISBN | : 1568984898 |
This landmark collection of illustrated essays explores the vastly underappreciated history of America's other cities -- the great metropolises found south of our borders in Central and South America. Buenos Aires, So Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragn, Juan O'Gorman, Lcio Costa, Roberto Burle Marx, Carlos Ral Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, Cruelty and Utopia features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzn, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film From the Other Side. Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.