Le Cinema Francais Et Francophone De 1929 A Nos Jours
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Author | : Philippe Lane |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2011 |
Genre | : Education |
ISBN | : 1846316553 |
With contributions from leading scholars across the entire range of French studies, this up-to-date volume examines both the current state of French studies in the United Kingdom, as well as its future in an increasingly interdisciplinary world where student demand, new technologies, and developments in transnational education are changing the ways in which we teach, learn, research and assess achievements. Required reading for French studies scholars worldwide, this volume builds upon the findings of the influential Review of Modern Foreign Languages Provision in Higher Education and maps the present and future of the field.
Author | : Frances Condron |
Publisher | : |
Total Pages | : 328 |
Release | : 2000 |
Genre | : Computer network resources |
ISBN | : |
Author | : Philippe Lane |
Publisher | : Liverpool University Press |
Total Pages | : 337 |
Release | : 2011-07-07 |
Genre | : Foreign Language Study |
ISBN | : 1781386617 |
French Studies in and for the 21st Century draws together a range of key scholars to examine the current state of French Studies in the UK, taking account of the variety of factors which have made the discipline what it is. The book looks ahead to the place of French Studies in a world that is increasingly interdisciplinary, and where student demands, new technologies and transnational education are changing the ways in which we learn, teach, research and assess. Required reading for all UK French Studies scholars, the book will also be an essential text for the French Studies community worldwide as it grapples with current demands and plans for the future.
Author | : |
Publisher | : |
Total Pages | : 1622 |
Release | : 1999 |
Genre | : Humanities |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 664 |
Release | : 1997 |
Genre | : Cinematography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1924 |
Release | : 1998 |
Genre | : CD-ROM industry |
ISBN | : |
Author | : Daniela Di Cecco |
Publisher | : BRILL |
Total Pages | : 203 |
Release | : 2015-06-24 |
Genre | : Literary Criticism |
ISBN | : 9004299289 |
Girls in French and Francophone Literature and Film is a collection of essays focusing on constructions of girlhood in French and Francophone Literature and Film from the late-Nineteenth to the early-Twenty-First centuries. The volume is firmly anchored at the intersection of French and Francophone studies and the bourgeoning field of girls’ studies. Collectively, the articles demonstrate that girls’ experience, historically viewed as a mere deviation from the “normative” male model, is a product of diverse ideological, cultural and economic factors, and is deserving of its own field of inquiry.
Author | : Frances Condron |
Publisher | : |
Total Pages | : 382 |
Release | : 2001 |
Genre | : Computers |
ISBN | : |
A comprehensive reference tool in humanities computing. Essays in nine disciplines describe resources and introduce the state of humanities computing. Platform, price, system requirements, and means of acquisition are noted with substantial descriptions of each project plus review citations.
Author | : |
Publisher | : |
Total Pages | : 1134 |
Release | : 1999 |
Genre | : CD-ROM industry |
ISBN | : |
Author | : Brett Bowles |
Publisher | : Manchester University Press |
Total Pages | : 278 |
Release | : 2019-01-11 |
Genre | : Performing Arts |
ISBN | : 1526141647 |
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.